Synopsis
Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be "a simple tale" proves to involve politicians, policemen, foreign diplomats and London's fashionable society in the darkest and most surprising interrelations.Based on the text which Conrad's first English readers enjoyed, this new edition includes a full and up-to-date bibliography, a comprehensive chronology and a critical introduction which describes Conrad's great London novel as the realization of a "monstrous town," a place of idiocy, madness, criminality, and butchery. It also discusses contemporary anarchist activity in the UK, imperialism, and Conrad's narrative techniques.
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From the Inside Flap
Edited and with Notes by Peter Lancelot Mallios
Introduction by Robert D. Kaplan
In reexamining "The Secret Agent in a post-9/11 world, Robert D. Kaplan praises Joseph Conrad's "surgical insight into the mechanics of terrorism," calling the book "a fine example of how a savvy novelist may detect the future long before a social scientist does."
This intense 1907 thriller-a precursor to works by Graham Greene and John le Carre-concerns a British double agent who infiltrates a cabal of anarchists. Conrad explores political and criminal intrigue in a modern society, building to a climax that the critic F. R. Leavis deemed "one of the most astonishing triumphs of genius in fiction."
About the Author
Joseph Conrad (originally Józef Teodor Konrad Nalecz Korzeniowski) was born in the Ukraine in 1857 and grew up under Tsarist autocracy. In 1896 he settled in Kent, where he produced within fifteen years such modern classics as Youth, Heart of Darkness, Lord Jim, Typhoon, Nostromo, The Secret Agent and Under Western Eyes. He continued to write until his death in 1924. Today Conrad is generally regarded as one of the greatest writers of fiction in English—his third language.
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