Shakespeare called Othello "an extravagant and wheeling stranger/Of here and every where." In this exciting anthology, Caryl Phillips has collected writings by thirty-nine extravagant strangers: British writers who were born outside of Britain and see it with clear and critical eyes. These eloquent and incisive voices prove that English literature, far from being pure or homogenous, has in fact been shaped and influenced by outsiders for over two hundred years.
Here are slave writers, such as Ignatius Sancho, an eightieth century African who became a friend to Samuel Johnson and Laurence Sterne; writers born in the colonies such as Thackeray, Kipling, and Orwell; "subject writers," such as C.L.R. James and V.S. Naipaul; foreign émigrés, such as Joseph Conrad and Kazuo Ishiguro; and postcolonial observers of the British scene, such as Salman Rushdie, Ben Okri, and Anita Desai. With the eloquent and often inspiring collection, Phillips proves, if proof be needed, that the greatest literature is often born out of irreconcilable tensions between a writer and his or her society.
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Inglan is a bitch
dere's no escapin' it
Inglan is a bitch
dere's no runnin' whey fram it.
Linton Kwesi Johnson's is just one of the many perspectives on England collected together in Extravagant Strangers: A Literature of Belonging. As the title implies, the contributors come from "outside" of Britain. Johnson was born in Jamaica, and there are pieces by Rudyard Kipling and William Makepeace Thackeray (both born in India); Trinidadian V.S. Naipaul; New Zealander Katherine Mansfield; early slave narratives by Olaudah Equiano, Ukawsaw Gronniosaw, and Ignatius Sancho. There are also entries from the latest crop of non-British-born writers such as Salman Rushdie, Kazuo Ishiguro, and William Boyd, to name just a few. Edited by Caryl Phillips--himself an outsider, born in the West Indies--the collection attempts to identify just what it means to be British. As he writes in his introduction, "For British writers not born in Britain, the question of 'belonging' surfaces in their work in a variety of ways.... However, out of the tension between the individual and his or her society--in this case British--the finest writing is often produced."
Phillips points out that race, class, gender, and historical circumstances also affect the writer--obviously, the freed slave Ukawsaw Gronniosaw coming to England in the early 17th century would have a far different experience than the Anglo-Indian Kipling in the 19th century or the Japanese-born Ishiguro in the 20th. Nevertheless, there is something universal about all the experiences and observations noted here--from Thackeray's satirical exposé of British snobbery, "A Word About Dinners," to V.S. Naipaul's account of his first visit to England during which he "lost the gift of fantasy, the dream of the future, the far-off place where I was going." Extravagant Strangers is a fascinating exploration of British culture across time, race, and gender. It's also a terrific sampler of great writing, one that shouldn't be missed. --Alix Wilber
Caryl Phillips was born in St. Kitts, West Indies. Brought up in England, he has written for television, radio, theater, and cinema. He is the author of one book of nonfiction, The European Tribe, and six novels, The Final Passage, A State of Independence, Higher Ground, Cambridge, Crossing the River, and The Nature of Blood. His awards include the Martin Luther King Memorial Prize, a Guggenheim Fellowship, and a James Tait Black Memorial Prize. He divides his time between London and New York.
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