The Long Recessional The Imperial Life of Rudyard Kipling
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David Gilmour's books include the prize-winning biographies, Curzon and The Last Leopard: A Life of Giuseppe di Lampedusa. He is also the author of Cities of Spain, The Hungry Generations and several works on the politics of Spain and the Middle East. A Fellow of the Royal Society of Literature and a former Fellow of St Antony's College, Oxford, he is a regular contributor to the New York Review of Books. He lives in Edinburgh.
*Starred Review* For 50 years, Rudyard Kipling projected his political and social views in prose fiction and, more pointedly, in verse. He was a British imperial propagandist but also an artist who took no orders. As Gilmour presents him in a biography focused on his political life, but that cites and evaluates numerous poems and stories, noting their aesthetic qualities as well as their messages, Kipling was the greatest, because he was the most humane, British imperialist and also the empire's great, pessimistic prophet. His early working years in India convinced him that British rule there had to be paternal: guiding but not dominating, helping but not exploiting native peoples. The British in South Africa had similar duties, he thought, and needed also to restrain the Boers, whom he warned would establish a racist regime: apartheid. He despised liberals and socialists because he believed they would dismantle the empire, leaving India to be torn asunder by contending Hindus and Muslims--another accurate forecast. He undermined his own effectiveness with his ideological purity and permanent grudges. Still, as Gilmour makes abundantly clear, he was a major player in the affairs of the mightiest power on Earth, which lost its potency in tandem with his loss of practical influence. A remarkable man, a remarkable book. Ray Olson
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