Authors: Michael Ondaatje Publisher: McClelland & Stewart Keywords: poems, handwriting Pages: 88 Published: 1998 Language: English Category: Poetry, Literature & Fiction, ISBN-10: 0771068778 ISBN-13: 9780771068775 Binding: Hardcover (First Edition) List Price: Unknown
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Sumptuous, steamy, downright sexy: on the blush-o-meter Ondaatje scores a 10. Those who can't get enough of his melodious prose--most notably in The English Patient, which earned him the Booker Prize in 1992--will find the same lyrical genius in his verse. In his 10th collection, Ondaatje transports us to his childhood home of Sri Lanka. With strikingly sensuous imagery, he conjures a land of bangles, cattle bells, stilt-walkers, and a 1000-year-old buddha "buried in Anuradhapura earth, / eyes half closed, hands / in the gesture of meditation... roots / like the fingers of a blind monk / spread for two hundred years over his face." As the title suggests, Handwriting is an elegiac tribute to the ancients who in "wild cursive scripts... spent all their years / writing one good book"; whose "physical yearning / became permanent" and "desire became devotional." In his Sanskrit and Tamil love poem, "The Nine Sentiments," Ondaatje not only proves most definitively that music is the key to unlocking a reader's heart, but also argues for poetry's healing powers in times of strife:
The brush of sandalwood along a collarboneOndaatje's final poem, "Last Ink," explains why the need to preserve human experience through art is as instinctive as the desire to die in a lover's arms. Dealing with large-scale emotions and scenes of love and war, these are poems that strike to the heart. --Martha Silano, Amazon.co.uk
Green dark silk
A shoe left
on the cadju tree terrace
these nights when "pools are
reduced by constant plungings"
Meanwhile a man's burning heart
his palate completely dry
on the Galapitigala Road
thinking there is water in that forest
The exquisite poems collected in Handwriting -- Michael Ondaatje's first book of new poems since The Cinnamon Peeler -- recall "the vista of a life". Drawing on history, mythology, landscape, and personal memories of Sri Lank, Ondaatje weaves a rich tapestry of images that evoke desire for -- and anguish over -- scents and gestures of lost loves, homes, and language. The verses, at turns spare and luminous, demonstrate the poet's unique artistry as he contemplates "the mirror world of art" in a time before books, when "handwriting occurred on waves, / on leaves, the scripts of smoke", recounts medieval monks "burying the Buddha in stone" amid the battle fire of war, and remembers a woman's "laughter with its/ intake of breath. Uhh huh".
Crafted with lyrical delicacy and seductive power, Handwriting reminds us of Michael Ondaatje's stature as one of the finest poets writing today.
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