In the early hours of a sweet May morning, two Yorkshire police officers investigating a “domestic” stumble upon the very worst of crimes – the sexual torture and murder of a young teenage girl. Moments later, one of the officers is felled by a machete blow, and his rookie, female partner takes out her disgust and fury on the murderer, battering him to death. This is the intensely dramatic, wrenching beginning to the twelfth in Peter Robinson’s award-winning and internationally bestselling Inspector Banks series.
The task of investigating Probationary PC Janet Taylor’s actions falls to DI Annie Cabbot, Banks’s lover. This complication to his love life unsettles Banks, but he keeps his mind on his job, one that becomes immeasurably more difficult when the bodies of other teenage girls are found buried in the torturer’s garden. Who are these girls? Why weren’t they all reported missing? These are difficult questions, yet the central question Banks has to answer is how much did the murderer’s wife know? Was she, too, the victim of a sick and twisted man, as she claims, or was she an accomplice?
This compelling story is at its heart a deeply sensitive, astute, and ultimately unforgettable exploration of the nature and long-lasting effects of crime and of victimhood. Its intelligence, honesty, and moments of grace lift Aftermath out of the confines of genre fiction and place it in the first rank of novels on crime.
From the Hardcover edition.
"synopsis" may belong to another edition of this title.
Penzler Pick, October 2001: The mystery novels of Peter Robinson (Aftermath is his 12th) are of increasing power and intensified intelligence. It's a dirty little secret of the crime-fiction genre that many of its writers simply spin their wheels, repeating over and over those old tricks which always have worked for them. They coast on past successes and repeat the formula hoping, if not assuming, that their fans won't notice.
Writers like Robinson, however, actually seem to grow in front of our eyes, delivering books of greater complexity each time. His previous two books, Cold Is the Grave and In a Dry Season, were novels of character and novels of crime, equally, and now Aftermath is here to reward his fans and new readers alike.
Like recent books by fellow English writers Reginald Hill, Val McDermid, and Stephen Booth, Aftermath centers upon a grim case in which attractive young girls have disappeared, victims of a cunning psychotic killer whose identity is well concealed behind a façade of respectability. Detective Chief Inspector Alan Banks of the Yorkshire Police is in charge of the case, but he's also got unavoidable personal distractions. His separated wife, Sandra, is pregnant by her lover, Sean, and wanting the divorce he's been dragging his heels over.
There is nothing cozy about the kind of English mysteries written by Peter Robinson, even if they do take place where picturesque rural villages make up the landscape. He's not afraid of gore or deviance, of violence, or of any of the baser emotions, and it's a raw old world behind the hedgerows and cottage walls. If Aftermath is your first taste of his tough-tender sensibility, it won't be surprising if you soon are hooked on the work of one of today's most accomplished practitioners of detective fiction. --Otto Penzler
One phone call from a concerned neighbor has inadvertently led police to Terence Payne, the elusive serial killer known only as "Chameleon." Now Payne is in custody, perhaps dying, and a long nightmare appears to be over at last. But is it?
For Alan Banks—currently head of the local police force—too many questions remain unanswered at the chamber of horrors the press will dub the "House of Payne." Because the darkness has not yet lifted, the casualties are still mounting . . . and there are still monsters loose in the world.
Showcasing the dark forces of human nature, master of suspense Peter Robinson is at the height of his storytelling powers in a novel that will leave readers guessing until the final page.
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