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Galileo and the ‘Invention’ of Opera: A Study in the Phenomenology of Consciousness (Contributions to Phenomenology, 29) - Hardcover
Synopsis
Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.
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- PublisherSpringer
- Publication date1997
- ISBN 10 0792345363
- ISBN 13 9780792345367
- BindingHardcover
- LanguageEnglish
- Number of pages299
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Galileo and the 'Invention' of Opera: A Study in the Phenomenology of Consciousness (Contributions to Phenomenology, 29)
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Galileo and the 'Invention' of Opera: A Study in the Phenomenology of Consciousness (Contributions to Phenomenology, 29)
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Galileo and the Invention of Opera
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished produ. Seller Inventory # 5968096
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Galileo and the ¿Invention¿ of Opera : A Study in the Phenomenology of Consciousness
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Springer Netherlands, Springer Netherlands, 1997
ISBN 10: 0792345363
ISBN 13: 9780792345367
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness. Seller Inventory # 9780792345367
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Galileo and the ¿Invention¿ of Opera
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Springer Netherlands Mai 1997, 1997
ISBN 10: 0792345363
ISBN 13: 9780792345367
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Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness. 304 pp. Englisch. Seller Inventory # 9780792345367
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Galileo and the 'Invention' of Opera: A Study in the Phenomenology of Consciousness
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Hardcover. Condition: Brand New. 280 pages. 10.00x6.75x0.75 inches. In Stock. Seller Inventory # x-0792345363
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