Unquestionably one of the world's greatest literary masterpieces and the finest achievement of classic Japanese prose narrative, The Tale of Genji, written by Murasaki Shikibu shortly after 1000 A.D., has provided endless inspiration for Japanese painters throughout the centuries. Widely held to be the first novel ever written, its story relates the amorous adventures of "the shining prince" Genji and the elaborate and highly ordered court culture of the Heian era. Presented here is one of the most exquisite, complete, and beautifully preserved series of paintings illustrating the tale, bringing to life the events of this classic work. The fifty-four imagesillustrating one chapter eachdate from the mid-seventeenth century and were executed by an artist trained in the traditional Tosa school of painting. Their small dimensions (they measure just over five inches square) and lyrical colors call to mind the illustrated manuscripts of medieval Europe. Roofs are entirely removed from houses to reveal small, doll-like figures within. Delicate flowers and plants suggest the seasons of the year. Surrounded by gilded clouds, these graceful paintings shimmer with uncommon beauty and delicacy. Murase's introduction examines the paintings in detail, providing insight into the uniqueness of this set in particular, exceptional for being one of the most pristine and complete surviving series of illustrations of The Tale of Genji. Commentaries on each of the images describe the scene depicted and summarize, in brief, the key events from the tale. 54 color illustrations, 8 black-and-white illustrations.
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Miyeko Murase is Atsumi Professor of Art History Emerita at Columbia University in New York, where she taught for over thirty years. She is presently a research curator in the Department of Asian Art at the Metropolitan Museum of Art. Her previous publications include Bridge of Dreams: The Mary Griggs Burke Collection of Japanese Art and Masterpieces of Japanese Screen Painting (Braziller).
The renowned 11th-century Japanese literary masterpiece is receiving great attention these days (see PW Interview, Aug. 20). Here it is paid elegant tribute in The Tale of Genji: Paintings and Legends, introduced by Miyeko Murase (Bridge of Dreams), professor emerita at Columbia University and research curator at the Metropolitan Museum of Art. Murasaki Shikibu, a 30-year-old woman, wrote the story in 54 chapters made up of 795 31-syllable poems; the full English translation exceeds 1,000 pages. The tale has captivated Japanese artists and has been rendered, variously and often, over the centuries. Murase presents one of the most famous series of paintings, called the Burke albums, initially attributed to the 17th-century master Tosa Mitsuoki, though Miyase finds reason to believe the series is the work of an anonymous painter of the Tosa school. The delicate, gold-inked illustrations (one for each chapter) appear alongside a summarized version of the story. Murase's excellent, accessible scholarship will give readers a deeper understanding of traditional Japanese painting.
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