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Synopsis
Like literature and art, music has ‘works’. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.
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About the Author
Professor Michael Talbot is Senior Fellow in the School of Music at the University of Liverpool.
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The Musical Work: Reality or Invention?: 1 (Liverpool Music Symposium, 1)
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Liverpool University Press, 2000
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ISBN 13: 9780853238355
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The Musical Work: Reality or Invention? (Liverpool Music Symposium)
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Musical Work : Reality or Invention?
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Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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Musical Work: Reality or Invention? (Liverpool Music Symposium, 1) (Volume 1)
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Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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The musical work : reality or invention? / edited by Michael Talbot
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Liverpool : Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Series; Liverpool Music Symposium ; 1. Physical description; viii, 260 pages. Subjects; Music Philosophy and aesthetics Congresses. Musical work Concept history and critique. Popular music Intertextuality and recording practices. Composer-centredness Critique. Early-nineteenth-century pianism Performance practice. Commercialisation and digitalisation Impact on musical works. Busoni Ferruccio Aesthetics. Schubert Franz Reception and recomposition. Strohm Reinhard Historiography. Aesthetics of recorded music. Ontology of the musical artwork. 1 Kg. Seller Inventory # 455955
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The musical work : reality or invention? / edited by Michael Talbot
Published by
Liverpool : Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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First Edition
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First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Series; Liverpool Music Symposium ; 1. Physical description; viii, 260 pages. Subjects; Music Philosophy and aesthetics Congresses. Musical work Concept history and critique. Popular music Intertextuality and recording practices. Composer-centredness Critique. Early-nineteenth-century pianism Performance practice. Commercialisation and digitalisation Impact on musical works. Busoni Ferruccio Aesthetics. Schubert Franz Reception and recomposition. Strohm Reinhard Historiography. Aesthetics of recorded music. Ontology of the musical artwork. 1 Kg. Seller Inventory # 455955
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The Musical Work: Reality or Invention? (Volume 1)
Published by
Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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The Musical Work: Reality or Invention?: 1
Published by
Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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Paperback. Condition: Fair. Like literature and art, music has 'works'. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear. Seller Inventory # 434989
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