Edward Hopper's paintings are icons of American culture. His representations of gas stations, storefronts, cafeterias and hotel rooms embody the solitude of travel and adult life in the America of the thirties, forties and fifties. Because of the familiarity of his subject matter, Hopper has been pigeon-holed both historically, as an American realist, and thematically, as an artist of alienation.
Mark Strand, recent poet laureate and writer of many books of award-winning poetry, approaches Hopper's work with a fresh eye, exploring the aesthetic principles behind the paintings. Strand, whose poems move through a terrain similar to that portrayed by Hopper, possesses a unique and powerful understanding of what makes the paintings so moving and memorable. He writes with his distinctive clarity and grace, examining twenty-three of Hopper's most important works. He cites aesthetic reasons for Hopper's continuing ability to deeply move people in an America that has grown considerably more complex both politically and socially since mid-century.
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Mark Strand (1934–2014) was born in Prince Edward Island, Canada, and was the author of many books of poems, three volumes of translations, and one book of short stories. Winner of the Pulitzer Prize, he died in November 2014, after being nominated for a National Book Award for Collected Poems.
Poet Strand intuitively captures the spirit of American realist Edward Hopper's (1882-1967) paintings in this latest entry in Ecco's Writers on Art series. Hopper's people, he writes, whether glimpsed in hotel rooms, diners, storefronts or gas stations, "seem to have nothing to do. They are like characters whose parts have deserted them and now, trapped in the space of their waiting, must keep themselves company with no clear place to go, no future." In his spare, precise commentaries on two dozen paintings, which are reproduced here in black-and-white, Strand peels away layers of poetic meaning and symbolism to pierce the private dramas implicit in Hopper's lonely, brooding canvases. Strand calls Sun in an Empty Room (1963) "a vision of the world without us; not merely a place that excludes us, but a place emptied of us." That formulation suggests the stark, slightly menacing atmosphere that makes Hopper's pictures still look so modern.
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Hardcover. Condition: Good. Dust Jacket Condition: Good. Recent U.S. poet laureate Mark Strand examines the work of frequently misunderstood American painter Edward Hopper, whose enigmatic paintings--of gas stations, storefronts, cafeterias, and hotel rooms--number among the most powerful of our time. Featured in a series of upcoming museum lectures. Illustrations throughout. Due to age and/or environmental conditions, the pages of this book have darkened. Former library book. Mylar protector included. Has been glued back into its covers after being shaken loose. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library. Seller Inventory # 123772225
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Hardcover. Dust Jacket Condition: Near Fine. Stated First Edition. hard cover shows only a small abrasion at the bottom; dust jacket has a very short crease at the bottom right; otherwise excellent. xiv, 65pp. An essay on the; Very Good Crisp, clean pages except for a heavy black felt-tip mark on the bottom edge of the book right front corner front corner, a short crease on the front interior flap and some gentle folding along upper edges paintings of Edward Hopper by a Pulitzer-winning poet. Seller Inventory # 00091984
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Signed by the poet on the title page. Stated First Edition. A Fine copy in a Near Fine jacket (unread, only wear is a crease to the front flap of the jacket). Signed By Author. Seller Inventory # 668276
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Hardcover. First Edition, Second Printing. Octavo, xi, xiv, 65 pages. In Very Good condition with a Very Good dust jacket. Dust jacket protected with a mylar covering. Spine green with light grayish blue lettering. Exterior has extremely light wear including sunning to the spine and minimal soiling. Boards have mild wear including few white spots to the front. Text block has extremely mild wear. Illustrated. First edition, second printing. Inscribed by the author to Ronald Paulson. NOTE: Shelved in Netdesk Column Q, ND-Q. 1393423. FP New Rockville Stock. Seller Inventory # 1393423
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First Edition. First edition and first printing. Hardcover. 65 pages. A critique of twenty three of Edward Hopper's paintings by Pulitzer Prize winning poet Strand. A fine copy in paper covered boards with a cloth spine and in a fine dust jacket. Surprisingly uncommon. Seller Inventory # 202610