A study of George Bellows' brief but prolific career considers the influences of his early life, examines his more intimate work in portraiture, and offers a perspective on his last work, "The Picket Fence"
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Joyce Carol Oates is the Roger S. Berlind Distinguished Professor in the Humanities at Princeton University.
Born in Columbus, Ohio, in 1882, George Bellows journeyed east in 1904, against his conservative father's wishes, and reinvented American art with his poetic realist canvases of New York City's teeming street life. Novelist/essayist Oates articulates what was radical in Bellows's approach: the formally sophisticated presentation of the dynamic, the vulgar, the authentic, the brutal. She finds his "perversely ecstatic" vision of urban tumult Whitmanesque in its embracing of disorder and its unswervingly optimistic mysticism. Yet Bellows, who died of a ruptured appendix at the age of 42, also did throbbing, visceral seascapes, allegories and urban dreamscapes that call to mind Albert Pinkham Ryder. These works, in Oates's estimation, reveal Bellows as a visionary, a poet of violent emotions, akin to van Gogh, Gauguin and Emil Nolde. Oates's assured, uncannily insightful essay brings us closer to Bellows's spiritual center than most scholarly studies of him. Illustrated.
Copyright 1995 Reed Business Information, Inc.
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