This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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John Tyndall resides in London, Ontario. His publications include Thirteen Poems: From the Bruce Peninsula (1974), Howlcat Fugues. This book was also chosen by the Library Journal as one of the ten best small-press poetry books of 1976.His first book published by Black Moss was titled Free Rein (2001). His poems have also appeared on thespoken-word CD entitled Souwesto Words: 25 Poets In Southwestern Ontario, Canada (1999) and in the anthologies That Sign of Perfection, Losers First, I Want to Be the Poet of Your Kneecaps, Henrys Creature, and Following the Plough..Tyndalls poetry has been praised in the University of Toronto Quarterly for its strange iridescent language, and by the Library Journal for its Osurrealistic melding of poetry and art.
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