Para el hombre adecuado, todas las puertas están abiertas... Mike Mackenzie es un hombre hecho a sí mismo, con mucho tiempo en sus manos... y un trozo de diablo en su alma. Él está buscando algo para animar su vida y dar un nuevo sentido a su existencia. Un encuentro casual en una subasta de arte le ofrece la oportunidad de
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Ian Rankin is a worldwide #1 bestselling writer, and has won an Edgar Award, a Gold Dagger for fiction, a Diamond Dagger for career excellence, and the Chandler-Fulbright Award. He lives in Edinburgh, Scotland, with his wife and their two sons.
Mike Mackenzie is “thirty-seven years old, rich and bored.” Having sold his software company, he hasn’t found a replacement for the thrill of high-stakes entrepreneurship; only collecting art satisfies his soul. Then barroom banter with friends—Why should great paintings languish in warehouses when they could belong to people who properly appreciate them?—suggests another pastime. Talk turns serious, and soon the unlikely thieves are ready to execute their plan, swapping originals for fakes on “Doors Open Day,” when nonpublic institutions offer tours. Mackenzie feels alive again, but as the number of conspirators grows to include professional criminals, the rank amateurs’ perfect crime begins to unravel. Fans of Rankin’s excellent, just-ended John Rebus series will likely be disappointed by this offering. While Rankin builds some suspense with a dogged DI named Ransome and a Hell’s Angel named Hate—the tension remains perfectly bearable. Mackenzie seems unfazed by the threat of jail time, characters are glib when they ought to be scared, and the tepid ending takes a page, if you will, right out of Scooby-Doo: in danger, Mackenzie buys time by explaining the plot, while the villains assist him by bloviating about how painful everyone’s death will be when eventually inflicted. Finally, in a novel where art forgery plays a starring role, the details of the forgery are too sketchy. We can’t help but wonder if Rankin is like his character here: having retired Rebus, he’s still looking for a new thrill to equal the old one. --Keir Graff
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