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Bride of a Distant Isle: A Novel (2) (The Daughters of Hampshire) - Softcover

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9781476717890: Bride of a Distant Isle: A Novel (2) (The Daughters of Hampshire)

Synopsis

An unforgettable romance set in Victorian England, Bride of A Distant Isle is the engrossing story of Annabel Ashton, who fights to save her family home and her mother's honor while trying to figure out if the man she loves wants her—or just wants to use her to achieve his own ambitions.

Miss Annabel Ashton is a teacher at the Rogers School for Young Ladies in Winchester when she takes a brief visit to her family home, Highcliffe Hall at Milford-on-Sea. She believes her stay will be short but soon learns that she will not be returning to the safety of the school. Instead, she remains at Highcliffe, at the mercy of her cousin, Edward Everedge.

Annabel protests, but as the illegitimate daughter of a woman who died in an insane asylum, she has little say. Edward is running out of money and puts the house up for sale to avoid financial ruin. He insists that Annabel marry, promising her to a sinister, frightening man. But as the house gets packed for sale, it begins to reveal disquieting secrets. Jewelry, artifacts, and portraits mysteriously appear, suggesting that Annabel may be the true heir of Highcliffe.

She has only a few months to prove her legitimacy, perhaps with assistance from the handsome but troubled Maltese Captain Dell’Acqua. But does he have Annabel’s best interests at heart?

And then, a final, most ominous barrier to both her inheritance and her existence appears: a situation neither she nor anyone else could have expected. Will Annabel regain her life and property—and trust her heart—before it’s too late?

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From the Author

An interview with Sandra by Jenny Quinlan of Let Them Read Books.

What inspired you to take on the Gothic genre? I loved reading old-school Gothic romances, ones filled with atmosphere and suspense, such as those written by Victoria Holt, but I found it difficult to find many new ones still written with the "traditional ingredients."

As an author, I also wanted to update the concept a little for modern readers, and put my own spin on it, as authors will. I like more of the hero on the page than was present in many of the Gothic romance novels of years past, and I like my heroines to be a little bit less waifish and a little stronger minded than was popular then. I wanted to include just a wee bit more hard history, and I like weaving in an element of faith. But I tried my best to stick to the elements many readers expect from a Gothic romance, which might include:

  • A large country house in need of attention and affection, already in disrepair. In some ways, the house represents the heroine.

  • A Byronic hero, who might be questionable and always conflicted. The heroine falls in love, but she has to know before she commits - will he prove true?

  • Characters--especially servants, but others, too--that may be untrustworthy; our heroine does not know and must puzzle it out.

  • Psychological underpinnings, perhaps including madness or a suspicion of it.

  • A supernatural element, whether naturally explained or not.

  • Parents who are not present or who are dead, so the heroine must rely on her own wit and resources.
Women in the Victorian Era were defined and constrained by strict social mores and expectations. Can you talk a bit about creating a heroine from that era that today's readers can still identify with? They had major constraints, and the heroines in my books cannot just solve their problems like you or I might - they are forced to cleverly use the tools at hand. Truthfully, all of us, then and now, are constrained in some way from the full self-determination we would prefer, and perhaps that is one way we identify with them. And yet ... the human spirit, a strong woman's spirit, faces those challenges head on, tries to think through what she wants, and then plots a way toward it. When roadblocks occur, she finds a way over, around, or through.That was true a thousand years ago and is still true, now.

The very freedom of our age has wrought a new set of challenges. But we still find a way to triumph. Seeing women do that, then, encourages me as a woman to do that, now. If they can be contenders, so can I!

Also - we must all be risk-takers to gain what we want: love, respect, a meaningful life, and personal fulfillment. Today's readers certainly have that in common with yesterday's women, my historical heroines.

How does your faith shape the inspirational aspects of your fiction? 
My faith is central to my worldview and interests, so it informs the subjects I pursue in my books. Honestly, I felt it would be anachronistic to write about 19th Century England and not have any mention of or interaction with faith; it was completely integrated into daily and weekly life. It interests me how a strong Christian woman approaches challenges in her era and setting. I don't set out to teach, only to show and reveal and understand through the heroine's eyes. Hopefully, that makes a good story whether the reader is a Christian or not!

About the Author

Award-winning and bestselling author Sandra Byrd has published four dozen books in the fiction and nonfiction markets, including Mist of Midnight, Bride of a Distant Isle (A Romantic Times Book Reviews Top Pick), and her most recent, A Lady in Disguise. For nearly two decades, Sandra has shared her secrets with the many writers she edits, mentors, and coaches. She lives in the Seattle, Washington area.

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  • PublisherHoward Books
  • Publication date2016
  • ISBN 10 1476717893
  • ISBN 13 9781476717890
  • BindingPaperback
  • Number of pages384
  • Rating
    • 4.06 out of 5 stars
      785 ratings by Goodreads

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