Long out of print, the many adaptations that Russell has done of famous operas are finally collected again in 3 volumes, in the wake of his highly successful massive recent adaptation of Wagner’s Ring of the Nibelung. This first volume presents his adaptation of one of Mozart’s most famous works, a farcical tale mixed with fantasy. The story begins as the Queen of the Night sets Prince Tamino on a quest to rescue her daughter, Pamina from the evil Sarastro. On the way, he meets the bird-catcher Papageno, who is “persuaded” to help Tamino in his quest. Tamino’s spiritual quest is counterpoised with Papageno’s own earthly search for his one true love, Papagena. Both couples’ strivings are juxtaposed with the eternal conflict between Sarastro and the Queen of the Night.
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P. Craig Russell is one of the most respected artists in comics and is well-known for his many stunning adaptations. He lives in Kent, Ohio.
Adapting any work to sequential art is intimidating, but adapting opera takes a special kind of confidence. Adapting comic opera-particularly one by Mozart-takes a confidence that borders on hubris. Fortunately, Russell, who's adapted everything from Neil Gaiman's short stories to The Ring of the Niebelung, has the talent to back up his ambition. Sure and confident, Russell's art switches from tense action sequences to slapstick without missing a beat. His sense of physical characterization is also impressive, helping readers keep track of Mozart's often confusing cast of characters. Even traditionally less-recognized aspects of comics presentation, like color and lettering, here serve the story brilliantly. And as impressive as Russell's art is, his writing is possibly even more noteworthy. Much of this graphic novel is told without narration or dialogue (presumably to simulate the longer musical passages Mozart included in the opera), and Russell's selection of sequential images keeps the story moving along without ever losing readers. When he does use dialogue, often the hardest part of a graphic novel to pull off properly, he hits just the right tones: brash and aspiring for young Prince Tamino, earthy and hearty for cynical bird-catcher Papageno, haughty and cryptic for the mysterious Queen of Night. NBM's reprint of Russell's classic adaptation superbly displays the artist's skill at both writing and illustrating.
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