About the Author:
Charles Davidson, a Presbyterian minister and psychotherapist, was the Darrel Rollins Professor of Holistic Ministry in Pastoral Theology, Care, and Counseling at Virginia University of Lynchburg, until retiring to Black Mountain, North Carolina, where he lives with his wife, dog, cats, saxophone, and clarinet.
Review:
This richly detailed and deeply felt account of van Gogh's tormented and self-tormenting life, together with many telling quotations from his correspondence with his faithful brother Theo, will be essential reading for all who see him as one of the geniuses of the nineteenth century. --Frederick Buechner, author of Secrets in the Dark and The Yellow Leaves
Charles Davidson's book viewing Vincent van Gogh's life and work is an excellent contribution to ways we might best understand the artist's struggle and spirituality. The flow of the narrative and the presence of theological and psychological motifs help us re-vision the artist in a postmodern framework that opens new and creative channels for understanding. --Cliff Edwards, author of Van Gogh and God
This work of supreme art unveils Vincent van Gogh's own great art in life, work, and death. It accomplishes this in amazingly varied fashion and unpretentious, religious depth. It is remarkably attuned to, and mostly uses, Vincent's own strikingly honest, poetic statements in company with some of Vincent's paintings. In the process, it interprets both with every conceivably appropriate tool, drawing in others' profoundly insightful responses to Vincent with the author's own. From beginning to end, Charles Davidson pastor, teacher, clinician, poet, musician, and scholar has created, reflectively, a rare, simply magnificent portrayal. Any attentive reader who has known either deprivation or struggle in life can find here a healing love and joy. --Terrence N. Tice
Charles Davidson's book viewing Vincent van Gogh's life and work is an excellent contribution to ways we might best understand the artist's struggle and spirituality. The flow of the narrative and the presence of theological and psychological motifs help us re-vision the artist in a postmodern framework that opens new and creative channels for understanding. --Cliff Edwards, author of Van Gogh and God
This work of supreme art unveils Vincent van Gogh's own great art in life, work, and death. It accomplishes this in amazingly varied fashion and unpretentious, religious depth. It is remarkably attuned to, and mostly uses, Vincent's own strikingly honest, poetic statements in company with some of Vincent's paintings. In the process, it interprets both with every conceivably appropriate tool, drawing in others' profoundly insightful responses to Vincent with the author's own. From beginning to end, Charles Davidson pastor, teacher, clinician, poet, musician, and scholar has created, reflectively, a rare, simply magnificent portrayal. Any attentive reader who has known either deprivation or struggle in life can find here a healing love and joy. --Terrence N. Tice
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