An archival dive with fresh interpretations of the legendary New York gallery and cultural laboratory that catalyzed collaboration among Black artists and their counterparts of diverse backgrounds
Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art―including David Hammons, Butch Morris, Senga Nengudi, Lorraine O’Grady and Howardena Pindell―as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.
Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM’s history―artworks, ephemera and photographs―that collectively document the gallery’s communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project.
“I walked in and I was like, Yes! And I remember thinking, ‘I don’t care if I never show there, I’m so glad to know it exists.’ It was like it gave my brain another dimension. I had something to look to.” –Janet Olivia Henry, JAM volunteer and artist
”JAM has always been like a snowball on a hill, always gaining momentum. I’m still connected with all the things that happened there. Just Above Midtown―as much as it is a physical entity, it’s also a spiritual entity. It has never not been a part of my thinking as an artist, or a part of my life as an artist, or a part of my momentum as an artist.” –Randy Williams, artist and educator
"synopsis" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK. Seller Inventory # M1633451372Z3
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK. Seller Inventory # M1633451372Z4
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
Paperback. Condition: Good. Dust Jacket Condition: Good. Covers show wear and creasing. All pages intact, binding is sound. Clean and unmarked. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. This copy is the Limited Edition of the published work. Secure packaging for safe delivery. Seller Inventory # 1880465358
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
paperback. Condition: fine. Dust Jacket Condition: fine. Color and black & white illustrations throughout. 183 pages. Large 4to, tan printed wrappers, charcoal gray d.w. with an overlaid photographic illustration at the front and rear covers. New York: The Museum of Modern Art/The Studio Museum in Harlem, (2022). A fine copy in a fine dust wrapper. Catalogue published in conjunction with the 2022 MoMA exhibition regarding the history of "The Just Above Midtown (JAM) Gallery, New York City's First Black Contemporary Art Gallery". Seller Inventory # 327761
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 44371401-n
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Seller Inventory # OTF-S-9781633451377
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9781633451377
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 44371401
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Just Above Midtown, or JAM, was an art gallery and self-described laboratory led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 until 1986, it was a place where black art flourished and debate was cultivated. The gallery offered early opportunities for artists now recognized as pivotal figures in late-20th-century art, including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady, and Howardena Pindell. Published in conjunction with the first museum exhibition to focus on this extraordinary gallery, on view at The Museum of Modern Art, New York, in Fall 2022, Just Above Midtown: 1974 to the Present showcases rarely seen material from the JAM archive of artworks, ephemera, and unique documentation of administrative and programmatic activities. The richly illustrated catalogue includes a conversation between Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem, and Linda Goode Bryant, a complete exhibition chronology with nearly 50 annotated entries, and excerpts from an oral history of JAM. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781633451377
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # HU-9781633451377