The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, 'Icons of Dissent' offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world.
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Hardcover. Condition: new. Hardcover. The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, 'Icons of Dissent' offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world. Through the medium of iconic figures, Prestholdt traces the development of shared global imagery, highlighting the mutability of common references and the commodification of political sentiment since the 1960s Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781849046657
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Condition: New. Through the medium of iconic figures, Prestholdt traces the development of shared global imagery, highlighting the mutability of common references and the commodification of political sentiment since the 1960s Num Pages: 244 pages. BIC Classification: JFC; JPWJ. Category: (G) General (US: Trade). Weight in Grams: 256. . 2019. Hardcover. . . . . Seller Inventory # V9781849046657
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Condition: New. Through the medium of iconic figures, Prestholdt traces the development of shared global imagery, highlighting the mutability of common references and the commodification of political sentiment since the 1960s Num Pages: 244 pages. BIC Classification: JFC; JPWJ. Category: (G) General (US: Trade). Weight in Grams: 256. . 2019. Hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9781849046657
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Hardcover. Condition: new. Hardcover. The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, 'Icons of Dissent' offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world. Through the medium of iconic figures, Prestholdt traces the development of shared global imagery, highlighting the mutability of common references and the commodification of political sentiment since the 1960s Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781849046657
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Condition: New. Through the medium of iconic figures, Prestholdt traces the development of shared global imagery, highlighting the mutability of common references and the commodification of political sentiment since the 1960sKlappentextrnrnThrough the mediu. Seller Inventory # 597100419
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