Art museums and public galleries amass collections in order to preserve, document, research and exhibit collective histories as a culture. Edited by Anthony Kiendl, Obsession, Compulsion, Collection is a compilation of essays by leading Canadian and International curators and artists who explore collecting as a cultural act. Examining the meaning of art objects in a broader context, the book seeks to uncover the human impulse to collect and the social context, rhetoric, politics and science associated with cultural collections.
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The fourth in a series of books by the Banff Centre Press and the Walter Phillips Gallery about curating and contemporary art, Obsession, Compulsion, Collection is an important touchstone for artists and curators alike. Other books in the series include Beyond the Box: Diverging Curatorial Practices (edited by Melanie Townsend), Naming a Practice: Curatorial Strategies for the Future (edited by Peter White), and The Edge of Everything: Reflections on Curatorial Practice (edited by Catherine Thomas).
Anthony Kiendl is a Canadian curator of Contemporary Art. His curatorial practice has theorized weakness, pathos, failure - and related sentiments such as nostalgia - as responses to modernism. This strategy has been manifested in diverse forms including exhibitions such as Little Worlds (1998), an exploration of diminutive environments by artists; Space Camp 2000: Uncertainty, Speculative Fictions and Art (2000), a inter-disciplinary cocktail of speculative fictions and alterity; and Godzilla vs. Skateboarders: Skateboarding as a Critique of Social Spaces (2001) all at Dunlop Art Gallery, Regina. Kiendl 's writing has been included in multiple publications such as Parachute, FUSE, Flash Art, and numerous catalogue essays. In 2007 he was Leverhulme Visiting Research Fellow at the School of Arts, Middlesex University, London; and in 2009 while Director of Plug In Institute of Contemporary Art, Winnipeg, he was awarded the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art.
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Seller: Homeward Bound Books, Campbellcroft, ON, Canada
Softcover. Condition: Very Good+. 384 p. 23 cm. Sound and square binding in cardstock covers, with French flaps. Minor edge wear. Inside pages are clean and unmarked. Individually authored essays pertaining to collectors and collecting. May require extra postage due to weight of book. Seller Inventory # 5921
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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_464877339
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Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Near Fine trade paperback, a clean copy. French flaps. Seller Inventory # 006740
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Seller: Frabjous Books, Calgary, AB, Canada
Soft cover. Condition: Very Good. 9" x 7.5". 384 pp. Collection of essays. ".the human impulse to collect and the social context, rhetoric, politics, and science associated with cultural collections." Illustrated with b&w photos and figures. A bright clean copy. Seller Inventory # 015991
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Paperback. Condition: New. Seller Inventory # Abebooks464223
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-L-011-01645
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