Show Time: The 50 Most Influential Exhibitions of Contemporary Art - Hardcover

Hardcover

ISBN 10: 1938922336 ISBN 13: 9781938922336

Publisher: D.A.P./Distributed Art Publishers, 2014

Synopsis

This monumental new book explores the recent history of exhibition-making, looking at the radical shifts that have taken place in the practice of curating contemporary art over the last 20 years. Tracing a history of curating through its most innovative shows, renowned curator Jens Hoffmann selects the 50 key exhibitions that have most significantly shaped the practice of both artists and curators. Chosen from the plethora of exhibitions, biennials and art events that have sprung up across the world since the 1990s, each exhibition reviewed here has triggered profound changes in curatorial practice, and reanimated the potential of contemporary art. The book includes an international roster of curators, and exhibition venues that span the globe, from the USA, Mexico, Brazil and South Africa to France, Germany, the Netherlands, Turkey and Spain. It is comprised of nine themed sections, including: "New Lands" (on shows such as Magiciens de la Terre, The Short Century and After the Wall); "Biennial Years" (which documents influential biennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); "New Forms" (including experiments in exhibition-making such as Do It and NowHere); "Others Everywhere" (on ‘identity politics’ shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); "Tomorrow’s Talents Today" (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and "History" (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!). A bold proposition for the future of exhibition culture as well as a means of making the recent past accessible, Show Time is essential reading for any student of curating or museum studies, for professional curators and for all those interested in one of today’s most dynamic forms of cultural production.

Jens Hoffmann is an exhibition maker and writer based in New York. He is Deputy Director and Head of Exhibitions and Public Programs at The Jewish Museum, New York. He has curated and co-curated a number of large-scale exhibitions, including the 2nd San Juan Triennial (2009), the 12th Istanbul Biennial (2011) and the 9th Shanghai Biennial (2012).

About this title

Review:

One of art history’s more modern must-reads. Curator and Director and Head of Exhibitions and Public Programs at The Jewish Museum Jens Hoffmann has selected a list of shows that have “triggered profound changes in curatorial practice, and reanimated the potential of contemporary art” since 1990.... Show Time presents these ground-breaking exhibitions in an engaging and easy-to-follow way. (Kelly Richman-Abdou My Modern Met)

Hoffmann (The Jewish Museum in New York) focuses his analysis on 50 art exhibitions that primarily took place post-1990. This date is significant since it marks the end of the Cold War and the beginning of the globalization of the art world. The selected shows demonstrate innovative curatorial practices and document the evolution of the curatorial profession in an increasingly multicultural world. The exhibitions are presented thematically rather than chronologically. Topics include exhibitions in public spaces; the artist as curator; multidisciplinary exhibitions; the international art biennial and its role in shaping contemporary art; sociopolitical issues; and underrepresented art and artists, such as non-Western artists and performance work. Each chapter includes a brief overview and five to eight exhibitions that illustrate the theme, including dates, locations, curators, contributing artists, installation photos and floor plans, and information about the exhibition catalogue and promotional materials. Although international in scope, the exhibitions took place mainly in Europe and North America. The book concludes with an interview with seven international curators and suggested readings for further consideration of the history of curatorial practice. Summing Up: Recommended. Upper-division undergraduates through professionals/practitioners. (C.B. Cannon CHOICE)

Of definite benefit to both professional curators and all who aspire to join their number... (Robert Radford University of East Anglia)

With fact sheets for every show, both legendary and lesser known, the book feels like an essential field guide to the past 20 years of curatorial innovation.... a good swath of exhibitions, from South Africa to South Carolina, that illustrate the controversial nature of exhibiting art. (Zoë Lescaze ArtNews)

It's appropriate that Hoffmann-who has built his career on remounting historically significant exhibitions―should be the brains behind this definitive list. Though the exhibitions Hoffmann has chosen to highlight have little commonality in their geographies, artworks or even curatorial methodologies, they share a preoccupation with what curation means today, and how curators might take charge of staging experiencies with artworks. (Canadianart)

It's a must-read for the art history nerds out there, and a fascinating introduction to a nascent field for everyone else. (Ian Wallace Artspace)

Show Time examines the most game-changing and risk-taking exhibitions of the past 30-ish years.... The book surprised me. I knew I’d find beautiful images, compelling ideas and elegant texts in there and I haven’t been disappointed.... definitely puts the whole curatorial practice into a more challenging and ‘challengeable’ perspective. (Regine Debatty We Make Money Not Art)

About this edition

• Publisher: D.A.P./Distributed Art Publishers
• Publication date: 2014
• ISBN 10: 1938922336
• ISBN 13: 9781938922336
• Binding: Hardcover
• Number of pages: 256
• Editor: Hoffmann Jens