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Orienting himself firmly in the media-present, New York artist Jonathan Horowitz replays the recent past in the incarnations of our times. This reprisal occurs particularly in video works such as "Maxell," in which the name of the now obsolete videotape company is worn down to a VHS blur, and "The Soul of Tammi Terrell," in which 1960s footage of the eponymous pop star singing "Ain't No Mountain High Enough" is juxtaposed with Julia Roberts and Susan Sarandon's rendition of the song in the 1998 film Stepmom. Horowitz himself makes no overt political critique, but always ensures that the work's underlying edge is laid plainly before the viewer. Queer and ecological themes also abound, as does sly humor and a Warholian detachment. This is the first thorough survey of Horowitz's work.
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- PublisherJRP | Ringier
- Publication date2009
- ISBN 10 3037640189
- ISBN 13 9783037640180
- BindingPaperback
- Number of pages192
- EditorBovier Lionel, Taylor Kelly
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Jonathan Horowitz: And/Or
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Jonathan Horowitz
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Book Description Condition: New. Num Pages: 192 pages, 118 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 286 x 238 x 18. Weight in Grams: 1179. . 2009. Paperback. . . . . Seller Inventory # V9783037640180
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Jonathan Horowitz
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ISBN 10: 3037640189
ISBN 13: 9783037640180
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Book Description Condition: New. Num Pages: 192 pages, 118 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 286 x 238 x 18. Weight in Grams: 1179. . 2009. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9783037640180
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Book Description Paperback. Condition: new. Paperback. The first thorough survey of multimedia artist Jonathan HorowitzOrienting himself firmly in the media-present, New York artist Jonathan Horowitz replays the recent past in the incarnations of our times. This reprisal occurs particularly in video works such as "Maxell," in which the name of the now obsolete videotape company is worn down to a VHS blur, and "The Soul of Tammi Terrell," in which 1960s footage of the eponymous pop star singing "Ain't No Mountain High Enough" is juxtaposed with Julia Roberts and Susan Sarandon's rendition of the song in the 1998 film Stepmom. Horowitz himself makes no overt political critique, but always ensures that the work's underlying edge is laid plainly before the viewer. Queer and ecological themes also abound, as does sly humor and a Warholian detachment. This is the first thorough survey of Horowitz's work. Edited by Lionel Bovier, Kelly Taylor. Text by Klaus Biesenbach, Alison Gingeras, Elizabeth Peyton. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783037640180
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Jonathan Horowitz (Paperback)
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JRP Ringier, Zurich
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ISBN 10: 3037640189
ISBN 13: 9783037640180
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Book Description Paperback. Condition: new. Paperback. The first thorough survey of multimedia artist Jonathan HorowitzOrienting himself firmly in the media-present, New York artist Jonathan Horowitz replays the recent past in the incarnations of our times. This reprisal occurs particularly in video works such as "Maxell," in which the name of the now obsolete videotape company is worn down to a VHS blur, and "The Soul of Tammi Terrell," in which 1960s footage of the eponymous pop star singing "Ain't No Mountain High Enough" is juxtaposed with Julia Roberts and Susan Sarandon's rendition of the song in the 1998 film Stepmom. Horowitz himself makes no overt political critique, but always ensures that the work's underlying edge is laid plainly before the viewer. Queer and ecological themes also abound, as does sly humor and a Warholian detachment. This is the first thorough survey of Horowitz's work. Edited by Lionel Bovier, Kelly Taylor. Text by Klaus Biesenbach, Alison Gingeras, Elizabeth Peyton. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783037640180
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