Theodor W. Adorno described artworks as “windowless monads”: closed, autonomous worlds that both contain society and turn away from it. This essential contradiction is at the core of any discussion of art that aspires to shake off the exhibition space and extend itself into the social sphere. In 2011, in conjunction with the unveiling of a new documentary artwork by Mischa Kuball, a conference was held in Germany on socially engaged art. New Relations in Art and Society is the result, gathering together a range of writers reflecting on the role of participation in art: the theoretical frameworks that have redefined the relationship between artwork and viewer; art projects that have employed participation effectively; the political and institutional challenges in promoting participatory art; and the transformation in curatorial practices that has resulted. Essayists include Claire Bishop, Beatrice Gibson, Thomas Hirschhorn, Sandra Höptner, Kristin Marek, Nina Möntmann, Eva Schmidt, Gerald Schröder, Beate Söntgen and Apolonia Sustersic.
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Seller: The Paper Hound Bookshop, Vancouver, BC, Canada
Soft cover. Condition: Very Good. Seller Inventory # 175110
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Seller: Antiquariat UEBUE, Zürich, Switzerland
Softcover. Condition: Gut bis sehr gut. 1. Auflage. 17 x 24 cm (softcover) 336 pages (89 color & 38 b/w ill.) - various authors reflected on positions of participation in socially engaged art, discussing theoretical frameworks, artistic projects, and institutional challenges. This book presents participatory art projects and includes contributions from Claire Bishop, Beatrice Gibson, Thomas Hirschhorn, Sandra Höptner, Mischa Kuball, Kristin Marek, Nina Möntmann, Jacques Rancière, Eva Schmidt, Gerald Schröder, Beate Söntgen, Apolonia Sustersic, Franz Erhard Walther, Friederike Wappler, Astrid Wege, Lawrence Weiner and Harald Welzer. Seller Inventory # ABE-1676548908062
Quantity: 1 available