The work of New York–based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and ’70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: "As if made for a Euclidean mystery cult, [Dudley’s work] is classically modern and modernistically timeless." This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley’s minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.
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Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Z : 25 x 28,5 cm, 240 Seiten/pages with 97 color & 8 bw.illustrations. - The work of New York based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and 70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: "As if made for a Euclidean mystery cult, [Dudley s work] is classically modern and modernistically timeless." This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley s minimalism, with its striking optical effects and its ongoing exploration of object, surface and color. Seller Inventory # ABE-1589193867173
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Hardcover. Condition: new. Hardcover. The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley's minimalism, with its striking optical effects and its ongoing exploration of object, surface and color. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783863357641
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