Stage Irish

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Paul Fagan

Published by WVT Wissenschaftlicher Verlag Trier Aug 2021, 2021

ISBN 10: 3868219196 ISBN 13: 9783868219197

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Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany

Seller rating 5 out of 5 stars

Taschenbuch. Condition: Neu. Neuware -Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing 'Irishness' from a twenty-first-century vantage. The time is ripe for such an inquiry. The Celtic Tiger and Brexit, the Marriage Equality referendum and the #Repealthe8th and #WakingTheFeminists campaigns compel us to turn to history and representation (in literature, drama, art, music, film, television, non-fiction, popular, and digital culture) to reassess how 'Irishness' has been shaped and reshaped through parochial, national, and international performances and gazes as a variously class-coded, gendered, sexual, religious, national, and artistic identity. This focus on the cultural, societal, historical, and political interfaces between performance, performativity, spectatorship, and identity in diverse Irish and international contexts reveals tensions between self-image and Othering, innovation and clich�, cultural production and negotiated reception. Contents:Introduction: Transcultural Refractions and Receptions of Irishness on Page, Stage, and Screen (Paul Fagan, Dieter Fuchs, Tamara Radak) - Groves of Blarney: Fake Songs, Mock-Hoaxes, and Stage Irish Identity in William Maginn and Francis Sylvester Mahony (Paul Fagan) - Staging Irishness in the Transnational Marketing of Local Colour Fiction (Margu�rite Corporaal) - Staging Irishness in Ethel Colburn Mayne's 'The Happy Day' (Elke D'hoker) - Dion Boucicault, Arrah-na-Pogue, and Stage Irishry in Finnegans Wake (Richard Barlow) - Austria and the Irish Paddy: Se�n O'Casey's Juno and the Paycock Staged in 1930 and 1934 Vienna (Dieter Fuchs) - 'And Trieste, ah Trieste.': Stage Ascendancy and Charles Lever's Irish Characters (Elisabetta d'Erme) - James Joyce and the Slovenians: Auto- and Hetero-Stereotypes (Igor Maver) - 'Beguiling Shenanigans': Ireland and Hollywood Animation 1947-1959 (Michael Connerty) - Object Lessons and Staged Irishness in Darby O'Gill and the Little People (Michelle Witen) - 'Wear Something Green': The Re-Invention of the St. Patrick's Day Parade (Eimer Murphy) - Deconstructing Stereotypes and Othering Through Humour in Lisa McGee's Derry Girls (Ver�nica Membrive) - Reconfigurations of Gender in Contemporary Irish Stage Adaptations, 2019-2020: Deirdre Kinahan's The Unmanageable Sisters, Edna O'Brien's The Country Girls, Marina Carr's Hecuba, and Michael West's Solar Bones (Anne Fogarty) - Set Piece, Set Peace Negative Emotions and the Possibility of Change in Recent Stage Images of the North (Clare Wallace) - Regarding the Rights of Others: Spectres of the Middle East in Conall Morrison's The Bacchae of Baghdad (Natasha Remoundou) 282 pp. Englisch. Seller Inventory # 9783868219197

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Stage Irish

Paul Fagan

Published by WVT Wissenschaftlicher Verlag Trier Sep 2021, 2021

ISBN 10: 3868219196 ISBN 13: 9783868219197

New Taschenbuch

Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany

Seller rating 5 out of 5 stars

Taschenbuch. Condition: Neu. Neuware -Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing 'Irishness' from a twenty-first-century vantage. The time is ripe for such an inquiry. The Celtic Tiger and Brexit, the Marriage Equality referendum and the #Repealthe8th and #WakingTheFeminists campaigns compel us to turn to history and representation (in literature, drama, art, music, film, television, non-fiction, popular, and digital culture) to reassess how 'Irishness' has been shaped and reshaped through parochial, national, and international performances and gazes as a variously class-coded, gendered, sexual, religious, national, and artistic identity. This focus on the cultural, societal, historical, and political interfaces between performance, performativity, spectatorship, and identity in diverse Irish and international contexts reveals tensions between self-image and Othering, innovation and clich�, cultural production and negotiated reception. Contents:Introduction: Transcultural Refractions and Receptions of Irishness on Page, Stage, and Screen (Paul Fagan, Dieter Fuchs, Tamara Radak) - Groves of Blarney: Fake Songs, Mock-Hoaxes, and Stage Irish Identity in William Maginn and Francis Sylvester Mahony (Paul Fagan) - Staging Irishness in the Transnational Marketing of Local Colour Fiction (Margu�rite Corporaal) - Staging Irishness in Ethel Colburn Mayne's 'The Happy Day' (Elke D'hoker) - Dion Boucicault, Arrah-na-Pogue, and Stage Irishry in Finnegans Wake (Richard Barlow) - Austria and the Irish Paddy: Se�n O'Casey's Juno and the Paycock Staged in 1930 and 1934 Vienna (Dieter Fuchs) - 'And Trieste, ah Trieste.': Stage Ascendancy and Charles Lever's Irish Characters (Elisabetta d'Erme) - James Joyce and the Slovenians: Auto- and Hetero-Stereotypes (Igor Maver) - 'Beguiling Shenanigans': Ireland and Hollywood Animation 1947-1959 (Michael Connerty) - Object Lessons and Staged Irishness in Darby O'Gill and the Little People (Michelle Witen) - 'Wear Something Green': The Re-Invention of the St. Patrick's Day Parade (Eimer Murphy) - Deconstructing Stereotypes and Othering Through Humour in Lisa McGee's Derry Girls (Ver�nica Membrive) - Reconfigurations of Gender in Contemporary Irish Stage Adaptations, 2019-2020: Deirdre Kinahan's The Unmanageable Sisters, Edna O'Brien's The Country Girls, Marina Carr's Hecuba, and Michael West's Solar Bones (Anne Fogarty) - Set Piece, Set Peace Negative Emotions and the Possibility of Change in Recent Stage Images of the North (Clare Wallace) - Regarding the Rights of Others: Spectres of the Middle East in Conall Morrison's The Bacchae of Baghdad (Natasha Remoundou) 282 pp. Englisch. Seller Inventory # 9783868219197

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Stage Irish : Performance, Identity, Cultural Circulation

Paul Fagan

Published by WVT Wissenschaftlicher Verlag Trier Sep 2021, 2021

ISBN 10: 3868219196 ISBN 13: 9783868219197

New Taschenbuch

Seller: AHA-BUCH GmbH, Einbeck, Germany

Seller rating 5 out of 5 stars

Taschenbuch. Condition: Neu. Neuware - Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing 'Irishness' from a twenty-first-century vantage. The time is ripe for such an inquiry. The Celtic Tiger and Brexit, the Marriage Equality referendum and the #Repealthe8th and #WakingTheFeminists campaigns compel us to turn to history and representation (in literature, drama, art, music, film, television, non-fiction, popular, and digital culture) to reassess how 'Irishness' has been shaped and reshaped through parochial, national, and international performances and gazes as a variously class-coded, gendered, sexual, religious, national, and artistic identity. This focus on the cultural, societal, historical, and political interfaces between performance, performativity, spectatorship, and identity in diverse Irish and international contexts reveals tensions between self-image and Othering, innovation and clich�, cultural production and negotiated reception. Contents:Introduction: Transcultural Refractions and Receptions of Irishness on Page, Stage, and Screen (Paul Fagan, Dieter Fuchs, Tamara Radak) - Groves of Blarney: Fake Songs, Mock-Hoaxes, and Stage Irish Identity in William Maginn and Francis Sylvester Mahony (Paul Fagan) - Staging Irishness in the Transnational Marketing of Local Colour Fiction (Margu�rite Corporaal) - Staging Irishness in Ethel Colburn Mayne's 'The Happy Day' (Elke D'hoker) - Dion Boucicault, Arrah-na-Pogue, and Stage Irishry in Finnegans Wake (Richard Barlow) - Austria and the Irish Paddy: Se�n O'Casey's Juno and the Paycock Staged in 1930 and 1934 Vienna (Dieter Fuchs) - 'And Trieste, ah Trieste.': Stage Ascendancy and Charles Lever's Irish Characters (Elisabetta d'Erme) - James Joyce and the Slovenians: Auto- and Hetero-Stereotypes (Igor Maver) - 'Beguiling Shenanigans': Ireland and Hollywood Animation 1947-1959 (Michael Connerty) - Object Lessons and Staged Irishness in Darby O'Gill and the Little People (Michelle Witen) - 'Wear Something Green': The Re-Invention of the St. Patrick's Day Parade (Eimer Murphy) - Deconstructing Stereotypes and Othering Through Humour in Lisa McGee's Derry Girls (Ver�nica Membrive) - Reconfigurations of Gender in Contemporary Irish Stage Adaptations, 2019-2020: Deirdre Kinahan's The Unmanageable Sisters, Edna O'Brien's The Country Girls, Marina Carr's Hecuba, and Michael West's Solar Bones (Anne Fogarty) - Set Piece, Set Peace Negative Emotions and the Possibility of Change in Recent Stage Images of the North (Clare Wallace) - Regarding the Rights of Others: Spectres of the Middle East in Conall Morrison's The Bacchae of Baghdad (Natasha Remoundou). Seller Inventory # 9783868219197

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