In recent years there has been a lot of talk about the possible death of art. This text challenges that view, and seeks to demonstrate the continued relevance of Heidegger’s reflections on the issue, summed up in his essay ‘The Origin of the Work of Art’.
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In recent years there has thus been a great deal of talk about a possible death of art. As the title of Heidegger’s "The Origin of the Work of Art" suggests, the essay challenges such talk, just as it in turn is challenged by such talk, talk that is supported by the current state of the art-world. It was Hegel, who most profoundly argued that the shape of our modern world no longer permits us to grant art the significance it once possessed. Hegel’s proclamation of the end of art in its highest sense shadows this commentary, as it shadows Heidegger’s essay. Heidegger’s problematic turn from the philosopher Hegel to the poet Hölderlin is born of the conviction that we must not allow Hegel to here have the last word. At stake is the future of art. But more importantly, if we are to accept Heidegger’s argument, at stake is the future of humanity. But all who are eager to find in Heidegger’s essay pointers concerning where not just art, but we should be heading, should be made wary by Heidegger’s politicizing of art and aestheticizing of politics. Both remain temptations that demand a critical response. This commentary demonstrates the continued relevance of Heidegger’s reflections.
Karsten Harries is Brooks and Suzanne Ragen Professor of Philosophy at Yale University and is author of The Meaning of Modern Art (Evanston, Northwestern,1968), The Bavarian Rococo Church: Between Faith and Aestheticism (New Haven: Yale, 1983), The Broken Frame: Three Lectures (Washington, D.C.: CUA Press,1990), The Ethical Function of Architecture (Cambridge, Mass.: MIT, 1997), winner of the American Institute of Architects 8th Annual International Architecture Book Award for Criticism, and Infinity and Perspective(Cambridge, Mass.: MIT, 2001), among many other publications.
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Book Description Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In recent years there has been a great deal of talk about a possible death of art. As the title of Heidegger's 'The Origin of the Work of Art' suggests, the essay challenges such talk, just as it in turn is challenged by such talk, talk that is supported by the current state of the art-world. It was Hegel, who most profoundly argued that the shape of our modern world no longer permits us to grant art the significance it once possessed. Hegel's proclamation of the end of art in its highest sense shadows this commentary, as it shadows Heidegger's essay. Heidegger's problematic turn from the philosopher Hegel to the poet Hölderlin is born of the conviction that we must not allow Hegel to here have the last word. At stake is the future of art. But more importantly, if we are to accept Heidegger's argument, at stake is the future of humanity. But all who are eager to find in Heidegger's essay pointers concerning where not just art, but we should be heading, should be made wary by Heidegger's politicizing of art and aestheticizing of politics. Both remain temptations that demand a critical response. This commentary demonstrates the continued relevance of Heidegger's reflections. 216 pp. Englisch. Seller Inventory # 9789400726024
Book Description Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The first critical commentary on this important essayAnyone interested in the currently much discussed end of art should read this bookDoes art still matter? This book makes a convincing case that it does.The origin of the Work o. Seller Inventory # 5825947
Book Description Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In recent years there has been a great deal of talk about a possible death of art. As the title of Heidegger's 'The Origin of the Work of Art' suggests, the essay challenges such talk, just as it in turn is challenged by such talk, talk that is supported by the current state of the art-world. It was Hegel, who most profoundly argued that the shape of our modern world no longer permits us to grant art the significance it once possessed. Hegel's proclamation of the end of art in its highest sense shadows this commentary, as it shadows Heidegger's essay. Heidegger's problematic turn from the philosopher Hegel to the poet Hölderlin is born of the conviction that we must not allow Hegel to here have the last word. At stake is the future of art. But more importantly, if we are to accept Heidegger's argument, at stake is the future of humanity. But all who are eager to find in Heidegger's essay pointers concerning where not just art, but we should be heading, should be made wary by Heidegger's politicizing of art and aestheticizing of politics. Both remain temptations that demand a critical response. This commentary demonstrates the continued relevance of Heidegger's reflections. Seller Inventory # 9789400726024
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