This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including: the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.

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Bibliographic Details

Title: Color, The Film Reader
Publisher: Taylor and Francis Ltd, GB
Publication Date: 2006
Language: English
ISBN 10: 0415324424
ISBN 13: 9780415324427
Binding: Paperback
Condition: New
Weight: 340 grams

About this title

Synopsis

This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

the development of colour technology
how visual stule was affected by the shift from black and white to colour
colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima
colour in the films of Godard, Hitchcock, Almodovar and many more.

Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.

About the Author

Angela Dalle Vacche, Brian Price

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