2006. 1st Edition. Paperback. With case studies on such figures as Hitchcock, Godard and Almovodar, this anthology is devoted to the subject of colour in film and its history, production and technology. It is suitable for students starting a film studies course. Editor(s): Vacche, Angela Dalle; Price, Brian. Series: In Focus: Routledge Film Readers. Num Pages: 214 pages, 1 black & white tables, 6 colour illustrations. BIC Classification: APF; GT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 156 x 13. Weight in Grams: 352. . . . . . Books ship from the US and Ireland.

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Bibliographic Details

Title: Color, The Film Reader
Publisher: Taylor & Francis Ltd
Publication Date: 2006
Language: English
ISBN 10: 0415324424
ISBN 13: 9780415324427
Binding: Soft cover
Condition: New

About this title

Synopsis

This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:

the development of colour technology
how visual stule was affected by the shift from black and white to colour
colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima
colour in the films of Godard, Hitchcock, Almodovar and many more.

Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.

About the Author

Angela Dalle Vacche, Brian Price

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