From
PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 4 out of 5 stars
Heritage Bookseller
AbeBooks member since 1996
New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9780816630158
There is more to identity than identifying with one’s culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Muñoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.
Muñoz calls attention to the world-making properties found in performances by queers of color—in Carmelita Tropicana’s “Camp/Choteo” style politics, Marga Gomez’s performances of queer childhood, Vaginal Creme Davis’s “Terrorist Drag,” Isaac Julien’s critical melancholia, Jean-Michel Basquiat’s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres’s performances of “disidentity,” and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
About the Author: José Esteban Muñoz (1967–2013) was assistant professor of performance studies at the Tisch School of the Arts, New York University.
Title: Disidentifications - Queers of Color and the...
Publisher: MP - University Of Minnesota Press
Publication Date: 1999
Binding: PAP
Condition: New
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780816630158
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. illustrated edition. 192 pages. 10.25x7.25x0.50 inches. In Stock. Seller Inventory # __0816630151
Quantity: 2 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 280. Seller Inventory # B9780816630158
Quantity: Over 20 available
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9780816630158
Quantity: 15 available
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World. Seller Inventory # LU-9780816630158
Quantity: Over 20 available
Seller: AwesomeBooks, Wallingford, United Kingdom
Paperback. Condition: New. Disidentifications: Queers Of Color And The Performance Of Politics: 2 (Cultural Studies of the Americas) Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis. Seller Inventory # 1111-9780816630158
Quantity: 1 available
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World. Seller Inventory # LU-9780816630158
Quantity: Over 20 available
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 248. Seller Inventory # 7961378
Quantity: 3 available
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # cc2cce6c8b47a8fd468a62e877529471
Quantity: Over 20 available
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 1999. Paperback. Series: Cultural Studies of the Americas S. Num Pages: 192 pages, 31 b&w photographs, 7 figures. BIC Classification: 1KBB; AS; JFSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 179 x 252 x 13. Weight in Grams: 448. . . . . . Seller Inventory # V9780816630158
Quantity: Over 20 available