First Language

Carson, Ciaran

ISBN 10: 1852351292 / ISBN 13: 9781852351298

Published by Gallery Books 1993, Oldcastle, 1993

About this Item

Presentation copy to Northern Ireland-based novelist & poet Grace Ingoldsby. Inscribed on the title page by the author. 77 pp. Hardback in dust jacket. Wear to dj spine ends & extremities. Internally clean. 1852351292 8vo.

Seller Inventory # 56291

Bibliographic Details

• Title: First Language
• Publisher: Gallery Books 1993, Oldcastle
• Publication Date: 1993
• Language: English
• ISBN 10: 1852351292
• ISBN 13: 9781852351298
• Binding: Hardback
• Condition: Very Good
• Dust Jacket Condition: Very Good
• Seller catalogs:
  • Poetry
  • Irish Interest

About this title

Synopsis

Ciaran Carson won the first-ever T. S. Eliot Poetry Prize for First Language

About the Author

Born in 1948 in Belfast, Northern Ireland, Ciaran Carson studied at Queen’s University, Belfast, where, from 2003 2015, he served as the director of the Seamus Heaney Centre for Poetry. Though recently retired from that post, he continues to teach a postgraduate poetry workshop there, in addition to overseeing the Belfast Writers’ Group. Earlier in his career (from 1975 1998), Ciaran Carson acted as an arts officer for the Arts Council of Northern Ireland. He is also a member of Aosdána and is a Fellow of the Royal Society of Literature. A writer of both poetry and prose fiction and non-fiction alike Ciaran Carson has also translated many texts, including The Midnight Court, a work of the eighteenth-century poet Brian Merriman, and a version of Dante’s The Inferno, which won the Oxford Weidenfeld Translation Prize. His other awards include the first-ever T. S. Eliot Prize (1994, for First Language), and the Forward Prize for Best Collection (2003, for Breaking News). As well as being a significant poet and careful translator, Carson is also a scholar of traditional Irish music; he frequently plays the flute alongside his wife, the accomplished Irish fiddler Deirdre Shannon. He has said: I’m not interested in ideologies . . . I’m interested in the words, and how they sound to me, how words connect with experience, of fear, of anxiety . . . Your only responsibility is to the language.”