Hugo Riemann and the Birth of Modern Musical Thought: 11 (New Perspectives in Music History and Criticism, Series Number 11)

Rehding, Alexander

ISBN 10: 0521096367 / ISBN 13: 9780521096362

Published by Cambridge University Press, 2009

About this Item

Demonstrates how Riemann's theories advanced an understanding of the tonal tradition as both natural and German. Series: New Perspectives in Music History and Criticism. Num Pages: 232 pages, 47 music examples. BIC Classification: AVA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 166 x 14. Weight in Grams: 356. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780521096362

Bibliographic Details

• Title: Hugo Riemann and the Birth of Modern Musical Thought: 11 (New Perspectives in Music History and Criticism, Series Number 11)
• Publisher: Cambridge University Press
• Publication Date: 2009
• Language: English
• ISBN 10: 0521096367
• ISBN 13: 9780521096362
• Binding: Soft cover
• Condition: New

About this title

Synopsis

Hugo Riemann (1849-1919) is generally acknowledged as the most important musicologist of his age. By analyzing his musical thought within the turn-of-the-century context of interest in the natural sciences, German nationhood and modern technology, this book reconstructs how Riemann's ideas not only "made sense" but advanced a belief of the tonal tradition as both natural and German. Riemann influenced the ideas of generations of music scholars because his work coincided with the institutionalization of academic musicology around the turn of the last century.

About the Author

Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001.