NEW HNIC DEATH OF CIVIL RIGHTS

Todd Boyd

ISBN 10: 0814798950 / ISBN 13: 9780814798959

Published by New York University Press, 2003

About this Item

In this provocative book, Boyd suggests that hip hop culture has emerged as a social movement in its own right, replacing the Civil Rights and Black Power movements in influencing and defining today s generation.

Seller Inventory # 595048905

Bibliographic Details

• Title: NEW HNIC DEATH OF CIVIL RIGHTS
• Publisher: New York University Press
• Publication Date: 2003
• Language: English
• ISBN 10: 0814798950
• ISBN 13: 9780814798959
• Binding: Gebunden
• Condition: New

About this title

Synopsis

Frames hip-hop as the defining cultural force in the aftermath of the Civil Rights and Black Power eras

When Lauryn Hill stepped forward to accept her fifth Grammy Award in 1999, she paused as she collected the last trophy, and seeming somewhat startled said, “This is crazy, ‘cause this is hip hop music.’“ Hill’s astonishment at receiving mainstream acclaim for music once deemed insignificant testifies to the explosion of this truly revolutionary art form. Hip hop music and the culture that surrounds it―film, fashion, sports, and a whole way of being―has become the defining ethos for a generation. Its influence has spread from the state’s capital to the nation’s capital, from the Pineapple to the Big Apple, from ‘Frisco to Maine, and then on to Spain.

But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era. Todd Boyd maintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas. Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop.

The New H.N.I.C., like hip hop itself, attempts to keep it real, and challenges conventional wisdom on a range of issues, from debates over use of the “N-word,” the comedy of Chris Rock, and the “get money” ethos of hip hop moguls like Sean “P. Diddy” Combs and Russell Simmons, to hip hop’s impact on a diverse array of figures from Bill Clinton and Eminem to Jennifer Lopez.

Maintaining that Martin Luther King, Jr.’s “I Have a Dream” speech is less important today than DMX's It's Dark and Hell is Hot, Boyd argues that Civil Rights as a cultural force is dead, confined to a series of media images frozen in another time. Hip hop, on the other hand, represents the vanguard, and is the best way to grasp both our present and future.

About the Author

Todd Boyd is Professor of Critical Studies in the USC School of Cinema-Television. His books include Am I Black Enough for You? Popular Culture from the 'Hood and Beyond and, as co-editor, Basketball Jones: America above the Rim, available from NYU Press. He produced and co-wrote the Paramount Pictures film The Wood.