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200 S. + 63 S. mit Bildtafeln. Gebraucht, aber gut erhalten. - Inhalt: Preface -- Acknowledgements -- Papers Dedicated to the Late Professor Gaetano Kanizsa: Reprinted from Japanese Psychological Research, volumes 36 and 37. -- Special Issue: Gestalt Perception I: Shigemasa Sumi (1994), 'Incompleteness in Gestalt perception: In memory of the Late Professor Gaetano Kanizsa', 36 (3) -- Gaetano Kanizsa, Peter Kruse, Riccardo Luccio and Michael Stadler (1994), "Conditions of visibility of actual paths', 36 (3) -- Paolo Legrenzi (1994), 'Kanizsa's analysis of "prägnanz" as an obstacle to problem solving and the theory of mental models', 36 (3) -- Giovanni Bruno Vicario (1994), 'Gaetano Kanizsa: The scientist and the man', 36 (3) -- Toshio Kaihara, Shigeko Takahashi, Atsushi Takemoto and Yoshimichi Ejima (1994), 'A linkage of chromatic and achromatic cues in neon color effect1,36 (3) -- Atsuki Higashiyama and Kaoru Tanaka (1994), "What produces shrinkage of apparent size for a moving object?', 36 (3) -- Akira Ishiguchi (1994), 'Orientation of illusory oblique lines on Hermann grids', 36 (3) -- Masao Yokota (1994), 'Perception of partly occluded objects in schizophrenic patients', 36 (3) -- Yoshie Kiritani (1994), The effects of relative size of inducers and of viewing distance on perception of anomalous surface', 3 6 (3) -- Jiro Gyoba (1994), 'The visual phantom illusion under oblique inducing gratings', 36 (3) -- Hideyuki Unuma and Junko Tozawa (1994), 'Perception of illusory contour and spatio-temporal integration in the visual system', 36 (3) -- Shin'ya Takahashi (1994), 'Microgenetic process of subjective contour perception in "noise-containing" inducing patterns', 36 (3) -- Special Issue: Gestalt Perception II: Kaoru Noguchi (1995), 'In memory of Gaetano Kanizsa, in which he is still amodally present', 37 (3) -- Nicholas Wade (1995), 'Quasi-perceptual margins', 37 (3) -- Jiro Hamada (1995), The Ehrenstein illusion: Effects of contrast polarity, gap size, and line orientation', 37 (3) -- Raiten Taya (1995), 'The White effect and Kanizsa's modal/amodal completion', 37 (3) -- Shimizu Miyahara and Munehira Akita (1995), "Effect of sensory gradient on three-dimensional percept', 37 (3) -- Sachio Nakamizo and Michiaki Kondo (1995), 'Depth perception of stereokinetic cone and absolute distance information', 37 (3) -- Shuko Torii andToshiko Mochizuki (1995), Post-surgery perception of subjective contour figures in the cases of the congenitally blind', 37 (3) -- Walter H. Ehrenstein and Jiro Hamada (1995), 'Structural factors of size contrast in the -- Ebbinghaus illusion', 37 (3) -- Shigeji Soga, Masanori Motoki and Kaoru Noguchi (1995), 'Perceptual transparency and lightness assimilation with changing illumination', 37 (3) -- Shin Nozawa (1995), 'Formation of illusory 3-D surface by eccentric rotation of dot pattern1,37 (3) -- Kazuhiko Mori (1995), The influence of action lines on pictorial movement perception in pre-school children1,37 (3) -- Chizu Kano (1995), The perceived paths of apparent movements: Phenomenal cross or rebound', 37 (3) -- Shigemasa Sumi (1995), 'Bounce effect seen in opposite motions', 37 (3) -- Gaetano Kanizsa: Bibliography -- Kanizsa's Paintings and Comment on His Artistic Works: Paintings -- Drawings -- 'Gaetano Kanizsa pittore' by Luciano Caramel, Galleria Radice (1992). Sprache: Englisch Gewicht in Gramm: 550 Fadengehefteter Originalpappband.
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