Past Is Not Dead. Facts, Fictions, and Enduring Racial Stereotypes.

Pred, Allan:

ISBN 10: 0816644055 / ISBN 13: 9780816644056

Published by University of Minnesota Press, 2004

About this Item

304 p. Very good. Shrink wrapped. Without dust jacket. Sprache: Englisch Gewicht in Gramm: 610.

Seller Inventory # 817255

Bibliographic Details

• Title: Past Is Not Dead. Facts, Fictions, and Enduring Racial Stereotypes.
• Publisher: University of Minnesota Press
• Publication Date: 2004
• Language: English
• ISBN 10: 0816644055
• ISBN 13: 9780816644056
• Binding: Hardcover/Pappeinband
• Weight: 610 grams
• Seller catalogs:
  • Kulturgeschichte

About this title

Synopsis

Through one figure—Badin, an eighteenth-century Afro-Caribbean slave given to the Swedish royal court—Allan Pred shows how stereotypes endure through the repeated confusion of facts and fiction, providing a highly original perspective on the perpetuation of racializing stereotypes in the West.

In the first of two interlocking montages inspired by Walter Benjamin, the book focuses on Badin, who died in Stockholm in 1822, and representations of his life that appeared from the 1840s through the 1990s. In the second montage, Pred brings the late nineteenth century and the present into play, shifting to urban sites where racialized stereotyping is on public display, including a museum that has exhibited the bodily remains of the African male.

Intriguing for its insight into the workings of race and immigration on the national imagination of a European nation—but with implications and ramifications far beyond that specific example—The Past Is Not Dead is a bold inquiry into both the collective memory and the amnesia of those who stereotype versus the personal remembering and forgetting of the stereotyped.

Allan Pred is professor of geography at the University of California, Berkeley. He is the author of numerous books, most recently Even in Sweden: Racisms, Racialized Spaces and the Popular Geographical Imagination and Recognizing European Modernities: A Montage of the Present.