McGill Queens University Press, 2007 Hardcover, square royal 8vo, illustrated, 342 pages A near-new, unmarked, unsoiled copy in a like, unmarked dust jacket Very Fine/A/c.

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Bibliographic Details

Title

Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art

Publisher

McGill Queens University Press

Publication Date

2007

Language

English

ISBN 10

0773532110

ISBN 13

9780773532113

Binding

Hardcover

Condition

Very Fine

Dust Jacket Condition

A/c

Seller catalogs

Art/Design

About this title

Synopsis

Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Cond� and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.

About the Author

Martha Langford is the author of Suspended Conversations: The Afterlife of Memory in Photographic Albums and the editor of Image & Imagination.

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