Neuware - California Pop und Funk treffen auf Chicagos Hairy Who. Suzanne Adan erschafft mit Ihrer Kunst ein pers�nliches Universum, das Fantasie, amerikanische Popul�rkultur und biografische Elemente miteinander verbinden. Diese umfassende Monografie versammelt rund 120 ihrer Gem�lde, Zeichnungen, Scratchboards und Keramiken und erg�nzt diese mit Illustrationen und Fotografien. Suzanne Adan entwickelte schon fr�h ihre Ikonografie und ihren ganz pers�nlichen Stil, der sie schnell zu einer der renommiertesten Malerinnen Kaliforniens machte. Aufgewachsen in Yolo, einem Dorf unweit von Sacramento, verbindet sie ihre Kindheit in der Kleinstadt und Themen der verlorenen Unschuld mit Humor, Satire und Respektlosigkeit zu ikonischen Kunstwerken. In Wort und Bild f�ngt die Publikation ihre Geschichte und ihren sarkastischen Witz mit einem Hauch von Nostalgie ein - passend zu ihrer Kunst.

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Bibliographic Details

Title: Suzanne Adan : I'm No Spring Chicken
Publisher: Hirmer Verlag Gmbh Apr 2026
Publication Date: 2026
Language: English
ISBN 10: 3777446890
ISBN 13: 9783777446899
Binding: Buch
Condition: Neu
Dimensions: 286 millimeters width by 260 millimeters height by 0 millimeters depth
Weight: 1317 grams

About this title

Synopsis

The story and art of Suzanne Adan, one of California’s best and most fastidious painters.

California Pop and Funk meet Chicago’s Hairy Who in Suzanne Adan's personal universes that combine fantasy, American vernacular culture, and autobiography. This publication assembles some one hundred and twenty of her paintings, drawings, scratchboards, and ceramics, along with supplemental illustrations and photographs, making it the most comprehensive survey of her work.

Adan developed her iconography and iconic style early on and became one of California’s best and most fastidious painters. Raised in Yolo, a village not far from Sacramento, she combines her small-town childhood and adult themes of innocence lost with a sense of humor, satire, and irreverence. In word and images, this publication captures her story and sardonic wit, with a twist of nostalgia that befits her practice.

About the Author

Scott A. Shields, PhD, is the Ted and Melza Barr Chief Curator and associate director at the Crocker Art Museum in Sacramento. He has also authored numerous exhibition catalogs, including Echoes of the Earth: Ceramics by Toshiko Takaezu, Richard Diebenkorn: Beginnings, and Wayne Thiebaud 100.

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