A Third Face: My Tale of Writing, Fighting, and Filmmaking
Language: English
Published by Knopf, 2002
- Hardcover
- Used
Condition: Used - Good
US$ 38.89
Quantity: 1 available
Add to basketItem description from seller
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Seller Inventory # M00375401652-G
- Title
- A Third Face: My Tale of Writing, Fighting, and Filmmaking
- Author
- Fuller, Samuel
- Publisher
- Knopf
- Publication year
- 2002
- Condition
- good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0375401652
- ISBN 13
- 9780375401657
his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences.
He writes of his years in the newspaper business—selling papers as a boy on the streets of New York, working for Hearst’s New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots—he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels.
Fuller writes about hitchhiking across the country, seeing America firsthand at the height of the Great Depression. He writes of his years in the army . . . fighting with the first infantry division in World War II, called the Big Red One . . . on the front lines during the invasion of North Africa and Sicily, and landing on Omaha Beach on D Day, June 6, 1944. These experiences he later captured in his hugely successful pictures The Big Red One, The Steel Helmet, and Merrill’s Marauders, which was based on the true story of a three-thousand-man infantry that fought behind enemy lines in Burma in 1944.
Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as “respected” tax-paying executives . . . about the making of the movie Shock Corridor—about a journalist trying to solve a murder in a lunatic asylum—which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount’s then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it.
Honest, open, engrossing. A must for anyone interested in movies.
"Synopsis" may belong to another edition of this title.
About the Author
Jerome Rudes was born in San Antonio, Texas. He graduated from the University of Texas and received a master’s degree in film from Northwestern University. In 1984, he created the French-American Film Workshop in Avignon, France (now the Avignon Film Festival), and in 1995 started the Avignon/New York Film Festival. Rudes lives in New York and Provence.
Christa Lange Fuller was born in Winterberg, Germany. As an actress, she appeared in New Wave films directed by Jean-Luc Godard. She graduated from UCLA, where she received a master’s degree in French literature. She was married to Samuel Fuller in 1967 and lives in Los Angeles, California, with their daughter, Samantha, and grandchild, Samira.
"About the title" may belong to another edition of this title.
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