Die Vervielfältigung des Humors. Editionen i. d. Sammlung Axel Ciesielski.

Polke, Sigmar:

ISBN 10: 3864420423 / ISBN 13: 9783864420429

Published by Köln, Siegen; Snoeck, Museum für Gegenwartskunst, 2013

About this Item

175 S., mit zahlreichen Abbildungen. Deutsch-Englisch-Französisch. Die Vervielfältigung des Humors/The Multiplication of Humor/La démultiplication de l humour. Die Editionen in der Sammlung/The Editions in the Collection/Les éditions dans la collection Axel Ciesielski. Anlässlich der Ausstellungen vom 17. März - 1. Juli 2013 im Museum für Gegenwartskunst Siegen und vom 31 janvier - 4 mai 2014 im Les Abattoirs - Frac Midi-Pyrénées/The Old Slaughterhouse, Toulouse. Herausgeber/editor/sous la direction de: Eva Schmidt, Oliver Michelon. Einband teils leicht fleckig. Sonst guter Gesamtzustand. Sprache: Englisch Gewicht in Gramm: 1290 4°(=30-35cm), Hardcover/Pappeinband. Seller Inventory # 45885

Bibliographic Details

Title: Die Vervielfältigung des Humors. Editionen i...

Publisher: Köln, Siegen; Snoeck, Museum für Gegenwartskunst

Publication Date: 2013

Condition: Gut

About this title

Synopsis:

Orbit

Sigmar Polke’s work contains around 200 editions dating from 1963 to 2009, and the collection Ciesielski has collected them worldwide in their entirety. The book accompanying the exhibition showcasing this collection and its juxtaposition with works in the Lambrecht-Schadeberg collection in the Museum of Contemporary Art Siegen, is intended to facilitate an intense discussion of work of individual, outstanding editions by the late winner of the City of Siegens Ruben’s Prize (2007) lead by a younger generation of critics, but also by specialists with intimate knowledge as well as close associates. The authors embark upon an exciting adventure to formulate new approaches to the work of the ambivalent and ironic Grand Master.

With his sheets, maps, books, photographs and objects, Sigmar Polke opened up completely new pathways for art in the twentieth century by means of surprising themes and experimental techniques. The editions drew upon his paintings, on the one hand in order to feed back into them, but on the other, to develop completely individual media-based aspects—almost as if to say: a life of its own. The special feature of Sigmar Polke's editions is of course the fact that a camouflage-like blurring principle is granted full thematic exploration within them. He produced photos here reminiscent of reportage and social criticism and juxtaposed them as equals with his colourful, serial prints containing everyday motifs, his so-called »German-pop« style-mix of simple fabrics. His critical attitude towards both the media and culture shines through in his multiples, especially when he worked with historical engravings or optical equipment, or even when simulating magical procedures.

Exhibitions:
Museum für Gegenwartskunst Siegen, 16/3–23/6/2013
les Abatoirs, Toulouse, 31/1–4/5/2013

About the Author:

Sigmar Polke (1941–2010) was one ot the outstanding German artists in the 20th century. Together with Gerhard Richter and Konrad Lueg he founded 1963 the artist group Kapitalistischer Realismus (capitalistic realism). On the contrary to Gerhard Richter the work of Sigmar Polke was lifelong charterized from his bias to irony. With his thematic shifts and integration of surprising materials he is a precusor of generations of artists since the Postmodern era. Sigmar Polke was professor at the academy in Hamburg 1977–1991, participated at documenta 5 (1972), 6 (1977) and 7 (1982), in the same year his work was exhibited at the spectacular show ZEITGEIST in Berlin. 2002 he was honored with the Praemium Imperiale and get 2009 honory member of the American Academy of Arts and Letters.