From
Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.
Seller rating 4 out of 5 stars
AbeBooks Seller since March 6, 2017
This hand-colored lithograph comes from John James Audubon's first octavo edition of "Birds of America" published from 1840 to 1844. The work was completed under the direct supervision of J. J. Audubon. The lithography and hand-coloring was completed by J. T. Bowen. --- Prints from "Birds of America" are amongst the most sought after and collectible of hand-colored American prints. The first edition was the only one to be completed using strictly hand-coloring. --- John James Audubon (1785-1851) is perhaps the most famous of early American naturalists. "Birds of America" is one of the best examples of hand-colored work in America and is highly collectible. --- The work is in fair to very good condition overall. Some of the plates exhibit light text offset, toning, or scattered fox marks which is common to Audubon's works. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ ~ 6 1/4" by 10 1/2". Seller Inventory # audubonfirst353
Title: American Avocet
Publisher: Philadelphia
Publication Date: 1840
Condition: Fine
Edition: 1st Edition
Seller: Frans Melk Antiquariaat, HILVERSUM, Netherlands
Published by Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, [1971-72]. [ PROOF PRINT of the facsimile edition of this greatest bird book ]. Colour-printed lithograph . On hand-made paper [ 103 x 69 cm.] - NEAR FINE [Audubon Bijzonder / Special vogels / birds ]. Seller Inventory # #128891
Quantity: 1 available
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
last copy Colour-printed lithograph, on fine hand-made paper. Excellent condition. Image size: 14 7/8 x 19 inches. Sheet size: 26 3/4 x 39 7/8 inches (approx). [Pl. 318]. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography was chosen as the appropriate printing method. The best exponents of this art were the renowned Dutch printing firm of NV Fotolitho Inrichting Drommel at Zandvoort who were willing to undertake the task of printing each plate in up to eight different colours. The original Havell edition was published on hand-made rag paper and the publishers were determined that the paper of their edition should match the original. Unhappy with the commercially available papers, they turned to the traditional paper manufacturers G. Schut & Zonen (founded in 1625), who, using 100% unbleached cotton rags, were able to produce a wove paper of the highest quality, with each sheet bearing a watermark unique to the edition: G. Schut & Zonen [JR monogram] Audubon [OT monogram]. The publishers and their dedicated team completed their task late in 1972 and the results of these labours were affectionately known as the "Amsterdam Audubon." 250 copies were published and sold by subscription, with the plates available bound or unbound. Given all this careful preparation, it is not surprising that the prints have the look and feel of the original Havell edition. John James Audubon was born in Les Cayes, Haiti on 26 April 1785. From 1788 to 1803 he lived in France until he was sent to the United States to manage an estate that his father had bought in Pennsylvania. He returned to France in 1805, but his fascination with the United States had taken root and he returned again in May 1806. He married Lucy Bakewell in 1808 and together they embarked on a difficult period financially that was only to be resolved, through Audubon's unshakable and justified belief in his own abilities, with the publication of his masterpiece in 1827-1838. "The Birds of America" is the single greatest ornithological work ever produced and is the realization of Audubon's dream of traveling throughout the United States recording, natural size, every native bird then known. The 435 double-elephant folio sized plates, printed by the Havells of London, depict some 1,065 different species, the majority drawn from specimens that Audubon himself had captured. The Havell edition was expensive at the time of publication and this has not changed. A complete copy sold for a staggering $11,400,000 in a sale in London in December 2010. Currently, the increasingly rare individual plates from the Havell edition, when they do appear, generally sell for between $5,000 and $350,000 depending on the image. The quality of the Amsterdam Audubon plates is apparent to any discerning collector and it is becoming ever clearer that they offer the most attractive alternative to the Havell edition plates, given the latter's spiraling prices. Cf. Zimmer, p. 22; cf. Bennett, p. 5; cf. Fries, Appendix A; cf. Wood, p. 208; cf. Nissen IVB 51; cf. Sabin 2364; cf. Ripley 13; cf. Tyler, Audubon's Great National Work, 1993, Appendix I. Seller Inventory # 7749
Quantity: 1 available
Seller: Arader Galleries - AraderNYC, New York, NY, U.S.A.
No Binding. Condition: Good. Hand-colored lithograph by J.T. Bowen after John James Audubon. From the First Octavo edition of the Birds of America, From Drawings Made in the United States and Their Territories. New York and Philadelphia: J. J. Audubon and J. B. Chevalier, 1839-44. Paper dimensions: 10 x 6 ½ inches. A tireless entrepreneur, John James Audubon devoted himself to an unprecedented project, becoming the first to attempt the seemingly insurmountable task of documenting all the bird life of North America. This venture grew out of a genuine and passionate interest in his subjects, and Audubon determined not only to complete a project that no one else had undertaken, but to approach it in an entirely innovative manner. His style and his persona were much like the notion of America itself: ambitious, animated, larger than life. The artist's tireless efforts and remarkable talent culminated in the publication in London of his 435-plate Birds of America (1827-1838), undoubtedly the greatest work on birds ever produced. The celebration of this quintessentially American work, and the enterprising, talented artist who created it, has grown steadily since the time of its publication. Even before the double elephant folio edition had been completed, Audubon was planning the octavo edition in order to make his magnificent Birds of America available to a wider spectrum of people. In the introduction to the first part of his reduced format edition, Audubon wrote that he had "been frequently asked, for several years past, by numerous friends of science, both in America and Europe, to present to them and to the public a work on the Ornithology of our country, similar to my large work, but of such dimensions, and at such price, as would enable every student or lover of nature to place it in his Library." All of the birds from Audubon's original folio aquatints were reduced by camera lucida for lithography by the artist's son John Woodhouse, and new species were added. The octavo edition was expanded to 500 plates, and included the text of Audubon's "Ornithological Biography." Because it incorporates Audubon's text and several new plates, this edition is also considered the first complete edition of Audubon's Birds of America, as well as the first American edition. It was beautifully printed and colored by John Bowen of Philadelphia (with the exception of Pl.136 - Pl.150 adeptly executed by Endicott in New York), one of the finest American lithographers of his day, and issued in 100 serial parts over a five-year span. Audubon's "little work," as he called it, was a great success, attracting nearly 1,200 subscribers and becoming the format through which Audubon's ornithology was most widely disseminated in the nineteenth century. Book. Seller Inventory # 060351e
Quantity: 1 available