Sonny Stitt (28 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. "An Introduction to the World's Greatest" ain't books but rather a boxed set of five, 12-inch, 33-1/3 rpm vinyl jazz LP records, World's Greatest Music Series WGM(S)-2A, "from the catalogue of Roulette Records Birdland Series," the vinyl very-good-plus (no real problems, but these records have been played), four of the five discs marked "Stereo," the box intact and "very good" with some edge rub and what's probably a sticker pull to bottom of rear panel. On the bright side, Charlie Parker and Miles Davis offer "Crazeology" and "Bird Feathers"; Dizzy Gillespie and Charlie Parker bring us "School Days" and "Swing Low Sweet Cadillac"; Art Tatum offers "Dark Eyes"; the Stan Getz Quartet brings us "Hershey Bar"; we find Sonny Stitt with "Spinning" and "Hitsburg." Maynard Ferguson, Sarah Vaughan ("Stormy Weather") and Joe Williams each get a full disc to themselves, set of five now reduced from $12. For Maynard Ferguson fans we'll throw in OUR SECOND BOXED SET of two Roulette LPs, "The Maynard Ferguson Years," K-101, appear to be mono, very-good-plus vinyl in a "good" original 1965 box, including "Hip Twist," "Stella By Starlight," "Mambo La Mans" (sic), "The Party's Over," etc. -- that second boxed set being about a $4 value, the pair of boxed sets now reduced from $14.…

Paperback. Condition: Brand New. 28 pages. 12.00x9.00x0.25 inches. In Stock.

Vinyl. Condition: Used - Like New. Near mint vinyl in a near mint sleeve Whos Who WWLP 21022.

Audio CD. Condition: Neu. Neu & OVP - CD - Sonny Stitt, ( NR. 878 ) VM-82ZG-CAIL Sprache: Englisch Gewicht in Gramm: 82.

Audio CD. Condition: Sehr gut. Auflage: VG651 600039. 1 CD. Disc im sehr guten Zustand, minimal gebrauchsspurig. Case im guten Zustand, lediglich Cover leicht stumpf/ berieben. ISBN: 3072666000394 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Englisch Gewicht in Gramm: 550.…

Soft cover. Condition: As New. Dust Jacket Condition: No Dust Jacket as Issued. Arranged by Don Sickler; Jazz Recording Session Series; Jazz Combo: Sextet, inclludes full score, recorded parts & alternate parts; as new; Hal Leonard Stock Number: HL00000750; 073999005462.

Audio CD. (Lager: Klassik 3) K3-WRD6-KBU4 Sprache: Englisch Gewicht in Gramm: 82.

Audio CD. Condition: Sehr gut. 13 tracks. CD sehr gut erhalten! LÄUFT! Sprache: Englisch Gewicht in Gramm: 550.

Audio CD. Condition: Used - Very Good.

Audio CD. Condition: Used - Very Good Plus.

Paperback. Condition: Brand New. 71 pages. 11.75x9.00x0.25 inches. In Stock.

Schallplatte. Condition: Gut. LP Good (G) / Cover Very Good (VG). Trackliste A1 Will You Still Be Mine? A2 Joy Spring A3 Gal In Calico A4 52nd Street Theme B1 Monitor Blues B2 Willow Weep For Me B3 Autumn In New York B4 Roy's Son Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 1001.…

Condition: As New. french édition - sous blister - idéal pour offrir - envoi rapide et soigné dans une enveloppe à bulle depuis France. 25x14x1cm. 2004. CD. Traduit de Sénès Florence - Illustrations de Jankovics györgy. As New.

CD. 1 CD "The Modern jazz sextet" avec Dizzy Gillespie - Sonny Stitt - John Lewis - Skeeter Best - Percy Heath - Charli Persip : 1. Tour de force 2. Dizzy meets Sonny 3. Ballad Medley 4. Mean to me 5. Blues for bird, boîtier cartonné ; légers frottements aux coins, très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.…

Soft cover. Condition: Near Fine. White label Promo DJ Copy LP. Mono. With Robin Kenyatta & Rufus Harley. Scarce.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Not a book but an "as new" 12-inch, 33-1/3 rpm vinyl jazz record album, still sealed in the record company's original shrink wrap. Sonny Stitt on sax, Leon Spenser (who wrote this LP's "Goin' to D.C.," "Black Vibrations," and "Them Funky Changes") on the organ, Idris Muhammad drums, Virgil Jones trumpet. 1972. Reduced from $147. art direction and front cover photo by Tony Lane (illustrator).…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

CD. 1 CD "Sonny Stitt - Autumn In New York" ; 1. Stardust 2. Cherokee 3. Autumn In New York 4. The Gypsy 5. Loverman 6. Matter Horns 7. Hello 8. Night Work ; quelques marques d'usage sur le boîtier, disque en très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Condition: Good.

audioCD. Condition: Gut. *Werktagsversendung innerhalb von 24 Stunden* -- Exempl. in einem guten Gesamtzust., geringe Gebrauchsspuren möglich -- Alle Sendungen werden mit beiliegender Rechnung, inkl. ausgewiesener MwSt., verschickt. Sprache: Deutsch Gewicht in Gramm: 1200.

Vinyl. Condition: Sehr gut. Mono. Ca. 40 min Spieldauer. Jap. Pressung. Cover etw. berieben, LP sehr gut erh.! Tadellos!! Sprache: Englisch Gewicht in Gramm: 1550.

Condition: Neu. Neuware.

Condition: Sehr gut. 1 CD Hülle mit minimalen Lagerspuren, CD / CDs wie neu H539F7CD24 Sprache: Deutsch Gewicht in Gramm: 505 14090029056,0 x 12630025216,0 x 1370002816,0 cm, Audio CD CD.

Condition: Sehr gut. Zustand: Sehr gut | Produktart: Vinyl | Keine Beschreibung verfügbar.

0,0 x 0,0 x 0,0 cm, Audio CD. Condition: Sehr gut. 1 CD Mit altersbedingten Lager- und Gebrauchsspuren. E-K148 Sprache: Deutsch Gewicht in Gramm: 80.

Two vintage borderless oversize photographs of bebop and hard bop jazz saxophonist Sonny Stitt, taken in New York in 1953 and struck by legendary jazz photographer Herman Leonard circa mid-1990s. One photograph titled and signed by Leonard along the bottom edge. The other photograph, used by Leonard in publications, bears two photographer labels on the verso. Also included is a shipping notice on Leonard's personal letterhead, addressed to noted jazz photographer Jeff Kliman, with a brief annotation in Herman's hand: "(The Sonny Stitt is a TCC print. I'll get you a fiber based one as soon as I can!)." Herman Leonard received a BFA in photography from Ohio University in 1947, and opened his first studio a year later, in Greenwich Village. He worked as a freelance commercial photographer by day, and spent his nights at the Royal Roost and Birdland, photographing jazz icons such as Charlie Parker, Dizzy Gilespie, Duke Ellington, Miles Davis, and of course Billie Holiday. His photographs from this period, which are now archived at the Smithsonian Museum in Washington DC, represent a valuable and unique record of the jazz scene of the 1940s, 1950s, and 1960s. 14 x 11 inches and 11 x 13.5 inches. Vertical photograph with some light edgewear and light creasing at the extremities, else Near Fine overall.…

Original art for an unused poster design for the 1959 film. A graphite, black pencil, ink, and white paint on paper mock-up for an unused design for Bert Stern's classic 1959 jazz documentary, created by an unidentified artist, likely for the film's production company, Galaxy Productions. A handsome, minimal abstract design, befitting jazz-oriented design of the late 1950s and early 1960s. The legendary 1959 jazz documentary, set at the 1958 Newport Jazz Festival in Rhode Island, shot in high style by commercial and fashion photographer Stern, and featuring performances by Louis Armstrong, Thelonious Monk, Dinah Washington,and Eric Dolphy, among others. Stern's naturalistic approach to shooting a festival event, the first of its kind to be attempted on such a scale, influenced and predicted by several years many similar documentaries, such as Monterey Pop" (1968), "Woodstock" (1970), and "The Concert for Bangladesh" (1972). 16 x 18.25 inches, archivally framed to 17.75 x 20 inches. Very Good plus, with light toning overall and staples and staple holes at the corners. National Film Registry.…