1756 Seutter (8 results)

Condition: ottimo. Splendida incisione in rame (i. 507 x 588mm) settecentesca raffigurante la città di Venezia, impressa su carta forte, finemente inchiostrata e impreziosita da una vivace coloritura coeva. L'esemplare si presenta in ottimo stato di conservazione. La composizione è articolata in due registri distinti ma armonicamente integrati. Nella parte superiore si trova una dettagliata pianta della città, derivata dal celebre modello cartografico realizzato da Matthäus Merian e pubblicato nel 1635, mentre il registro inferiore è occupato da due suggestive vedute affiancate di Piazza San Marco di particolare interesse. Nell'angolo superiore sinistro si trova un'iscrizione in lingua italiana "Venetia Potentissima e la più Magnifica, Fiorentissima e la più ricca Città Capitale della Serenissima Republica, edificata sopra 72 le Isole piccole nello Mare Adriatico, tagliata in rame di Matt. Seüttero, Tagliatore in rame in Aug.", accompagnata dalla corrispondente traduzione tedesca. Analoga impostazione bilingue caratterizza le due vedute di Piazza San Marco. L'apparato decorativo è di notevole qualità. Nell'angolo superiore sinistro compare la rosa dei venti, mentre in quello opposto è collocato un elegante cartiglio ornato dal Leone di San Marco e sormontato dal corno ducale. (Schulz, 97; Cassini, 73; Moretto, 157.) Cornice originale Atelier Bruno Rizzato, 61,5 x 70,5 cm A splendid eighteenth-century copper engraving (i. 507 x 588mm) depicting the city of Venice, printed on strong paper, finely inked and enhanced by vibrant contemporary hand-colouring. In excellent condition. The composition is arranged in two distinct yet harmoniously integrated registers. The upper section contains a detailed plan of the city derived from the celebrated cartographic model produced by Matthäus Merian and published in 1635, while the lower register is occupied by two attractive side-by-side views of Piazza San Marco, of considerable iconographic interest. In the upper left corner appears an Italian inscription reading: "VENETIA Potentissima e la più Magnifica, Fiorentissima e la più ricca Città Capitale della Serenissima Republica, edificata sopra 72 le Isole piccole nello Mare Adriatico, tagliata in rame di Matt. Seüttero, Tagliatore in rame in Aug.", accompanied by a corresponding German translation. The same bilingual arrangement characterises the two views of Piazza San Marco. The decorative programme is of notable quality. A compass rose occupies the upper left corner, whilst the opposite corner contains an elegant cartouche adorned with the Lion of Saint Mark and surmounted by the ducal corno. (Schulz, 97; Cassini, 73; Moretto, 157.) Original frame made by Atelier Bruno Rizzato, 61,5 x 70,5 cm.

Carta raffigurante il nord ovest dell'Italia in coloritura coeva.Bibliografia: Motta, p. 11; Arrigoni-Bertarelli, n. 1049; Colombo-Rondanini-GRSD, p. 38, illustr. p. 39.

Carta dell'Italia settentrionale con parte dei Grigioni e del Tirolo. L'incisione ripropone la carta del De Fer Les frontieres d'Allemagne et d'Italie del 1701. Vivace coloritura coeva all'acquerello, bel foglio con ampi margini. Bibliografia: Arrigoni-Bertarelli, n. 1050.

Kupferstich, altkoloriert Blattgrösse 50.5x59.5cm; Bildgrösse 54.5x62.5cm Mittelfalz, Wasserflecken some waterstaines,

Condition: Gut bis sehr gut. historische Kupferstich-Landkarte mit schönem Altkolorit von Matthaeus Seutter, ((1678-1756) Augsburg um ca. 1741 links unten schöne große Titelkartusche mit Wappen und Königsporträt, rechts mit Meilenzeigerkartusche. Seutter war als Kaiserlicher Geograph tätig, die Karte trägt das kaiserliche Privileg, welches 1741 verliehen wurde. Größe: 59,5cm x 51cm english: shows Hungary, Transylvania, Serbia, Bosnia, Dalmatia etc. At the left bottom great title cartouche with crest and portrait of the king. At the right side benchmark cartouche. Nice contemporary colour! size: 59,5cm x 51cm.

Condition: Gut bis sehr gut. AFRIKA seltene, historische, original altkolorierte Kupferstichkarte um 1730 von Matthaeus Seutter, Augsburg (1678-1756) Matth. Seuttero, S. Caes Maj. Geograph Aug. Atlas Novus Sive Tabulae Geographicae Größe: 57,5cm x 50cm english: beautiful dark impression of Seutter's map of Africa. It`s a highly detailed and richly engraved map. Seutter's maps are among the most beautifully engraved maps of the period. Atlas Novus Sive Tabulae Geographicae size: 57,5cm x 50cm.

Sin Encuadernar. Condition: Bien. Materia: Mapa antiguo de la primera mitad del siglo XVIII. Peloponeso. Grecia - Matthäus Seutter. Publicación: Augsburgo, 1727. Descripción: Bonito ejemplo de los mapas de Seutter representa el Peloponeso (Grecia) Preciosa cartela con motivos ornamentales y alegóricos, titulo y escalas. Medidas: 48 x 58 cm [huella], 53'5 x 60'5 cm [papel]. Técnica: Grabado calcográfico coloreado a mano con acuarela en la época. Sin texto en el reverso. Conservación: Buen estado. RES1 Este artículo necesita permiso de exportación / this item needs an export permit.

Excellent. Few marginal mends not impacting image, else fine with original wash color. Size 18.5 x 22.75 Inches. This is an attractive example of Matthias Seutter's c. 1745 map of Jerusalem following the influential 1584 model of Christian van Adrichem's. For centuries, Adrichem's portrayal of Jerusalem provided the basis for a sort of 'virtual pilgrimage' to the holy sites when actual travel there was, for most, impossible. Seutter's version of the plan here appears in its Lotter imprint of 1756. A Closer Look The Holy City is portrayed in a rectilinear form, divided into three historical zones and listing 244 specific locations, lavishly annotated and keyed to the plan. Named locations are tied to Biblical events from the central Temple of Solomon, to a scene of the Crucifixion, to the prophesied second coming on the Mount of Olives. Stations of the Cross Adrichem's plan was instrumental in codifying elements of Christian veneration of the Holy City, in particular the Stations of the Cross. Catholic practice had, since the Middle Ages, incorporated the reenactment by the faithful of the Via Dolorosa , the route followed by Jesus on the day of Crucifixion. Pilgrims to Jerusalem would follow the route through the Holy Land, but with the expansion of the Turkish Empire such travel was impossible for most. Many Christian cities began to assemble pilgrimage routes locally to allow pilgrims to follow a metaphorical Via Dolorosa without dangerous travel to distant lands. Churches and cathedrals replicated the Stations of the Cross - the different scenes along the Via Dolorosa - in their architecture and decoration. Adrichem's text and plan of Jerusalem provided a model that all could follow, and that the faithful could practice even from the comfort of home, in a sort of 'Pilgrimage of the Mind.' Publication History and Census Seutter's engraving has been sometimes dated as early as 1730, but the practice of tipping newer maps into older atlases has confused the field. For this example, we are adhering to Laor's date of 1745. Lotter's edition was produced in 1756, with only changes to the imprint. The map appears on the market from time to time. We see four examples of the separate Lotter map in institutional collections. References: OCLC 1200494015. Laor, E., Maps of the Holy Land: Cartobibliography of Printed Maps, 1475 - 1900, 1130.