1817 Paris (37 results)

Rústica. Condition: Normal. 96 pp/ Colección "Oasis", nº 106/ S/.

Cartoné. Condition: Bueno. 239 pp/ R25-3.

Holandesa, simil piel-cartoné. Condition: Normal. 214 pp/ A-208 Size: 11x18. Libro.

Couverture rigide. Condition: Bon. Adolphe Alphand (1817-1891), ingénieur, directeur des travaux de Paris. C.A., sd, 3 lignes. « Je m'associe avec empressement à l'oeuvre intéressante que poursuit monsieur le docteur Nachtel ». [464].

Lithograph, from "Iconographie des Contemporains depuis 1789 Jusqu'a 1829", a little spotting on surround,

Brossura. Condition: discrete. Musica dedicata a Mademoiselle A.Musnier De Lalisier. Cm.34,5x27. Pg.12 di musica incisa. Vistosa menda adesiva al dorso. 10 gr.

Condition: parfait état. Méaulle Paris Imprimerie Charaire, imprimeur, Le Journal illustré, editeur 1887 Une Gravure sur bois, format : 54 x 38 cm, intitulée : "L'INCENDIE DE L'OPÉRA-COMIQUE (PARIS)", Par E. MEAULLE, pour LE SUPPLÉMENT GRATUIT DU "JOURNAL ILLUSTRÉ", 1887 Imprimerie Charaire, imprimeur, Le Journal illustré, Editeur, parfait état Dans la nuit du 25 au 26 mai 1887, en pleine représentation, un morceau de décor tombe sur un bec à gaz et s'embrase. Une onde de panique atteint le personnel, les comédiens et les spectateurs qui tentent de s'échapper par tous les moyens alors qu'il n'existe aucun dispositif de sécurité ni de plan d'évacuation. Les pompiers luttent toute la nuit pour éteindre les flammes et sauver des vies mais le bilan est lourd : au moins 100 personnes ont péri et l'on compte plus de 200 blessés . SUPERBE . en parfait état (very good condition).

0. Sprache: Deutschu.

Je 22,5 x 16,5 cm (Blattgröße). Wenige vereinzelte, schwache Stock-/Braunfleckchen. Raunheim studierte am Städel'schen Kunstinstitut in Frankfurt a.M. bei Moritz Oppenheim, dem Glaubensgenossen und ersten jüdischen Künstler mit akademischer Ausbildung in Deutschland. Seit 1836 lebte und arbeitete er in Paris, war aber zwischendurch 1857-59 auch in Hamburg tätig. Sprache: de.

Condition: Good. 8vo. 12 x 18cm. 186pp. Contemporary tree calf with gilt stamping on cover and spine, worn on edgesEmbossed stamp ofDr. Paul Aubry, Saint Brieuc on title page. Cohen- De Ricci (1912): 308-311), for a different printing with only 119pp.

Leather bound. Condition: Very good. Tableaux Historiques de la Révolution Française, published in Paris in 1817, handsomely rebound in a three-quarter leather binding. (illustrator). Fifth Edition. Folio, [two volumes], ii, 50pp, [112 plates]; [51]-104pp, [111 plates]. Modern binding of three-quarter brown leather over marbled paper-covered boards, title in gilt over red leather spine label. Spine decoratively stamped in blind with gilt ruling. Solid binding, new endpapers, hinges reinforced. Untrimmed edges. 223 full-page engravings with tissue guards, including two frontispieces, 66 portraits and 155 historical scenes. Mild toning and foxing to text pages. Moderate toning and foxing to illustrative plates. About a dozen closed tears, mostly along outside edges and not affecting text or illustrations, with the exception of the frontispiece of Volume I and the portrait of Jourdan in Volume II. Some creasing to tissue guards, with a few tears and an occasional finger mark. Intermittent marginal dampstaining, mainly along bottom edges. Brief pencil notation on page 100 of text. (Cohen-De Ricci 969-971) (Tourneux 284) (Brunet V 627) An attractive example of this important collection of engravings devoted to the French Revolution. Tableaux Historiques de la Révolution Française was first announced to the public in 1791 and was sold by subscription over the next few years, being completed in 1796. Over the next twenty years, four more editions were published in 1798, 1802, 1804 and 1817, each with a different text. This edition, the fifth, is referred to as the royalist text. Aside from the reworking of the text, additions to the 1817 edition include Louis XVI's will, Marie Antoinette's last letter to Madame Elizabeth and a new plate executed by Duplessi-Bertaux illustrating King Louis XVIII's arrival in Paris on May 3, 1814. Full title: Tableaux Historiques de la Révolution Française; ou, Analyse des Principaux Evénemens qui Ont Eu Lieu en France depuis la Première Assemblée des Notables Tenue à Versailles en 1787; Contenant Cent Soixante Sujets gravés à l'eau-forte et au burin, par les premiers Artistes de Paris, ainsi que Soixante-Cinq Portraits des Hommes célèbres qui ont le plus marqué dans la Révolution, soit par leurs vertus, soit par leurs crimes. Chacun de ces Portraits est accompagné d'un Notice historique, et d'un Camée, composé et gravé à l'eau-forte, par J. Duplessi-Bertaux.

PARIS, Libr.Techener - 1858 - In 8° - Broché, accroc au 1 er plat - - XV ,508 pages - 1 planche des monogrammes des empereurs et rois d'Italie - rousseurs éparses - bon exemplaire Livres 113993803747).

0. Sprache: Deutschu.

0. Schönes, breitrandiges Blatt. Sprache: Deutschu.

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0. An den Blatträndern etwas angegraut bzw. stockfleckig. - SONDERPREIS! Sprache: Deutschu.

Condition: Good. 22 x 14.2 cm. on 34 x 47cm. support sheet. cm. Photographic salt price from the 6e livraison of "Planches Photographiques . Notice Sur La Vie De Marc Antoine Raimondi Graveur Bolonais Accompagnée de Reproductions Photographiques De Quelques unes de ses Estampes Par M. Benjamin Delessert." .This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).

Condition: Good. 31 x 22 cm. on 34 x 47cm. support sheet. cm. Photographic salt price from the 6e livraison of "Planches Photographiques . Notice Sur La Vie De Marc Antoine Raimondi Graveur Bolonais Accompagnée de Reproductions Photographiques De Quelques unes de ses Estampes Par M. Benjamin Delessert." .This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).

Condition: Good. 23.5 x 20 cm. on 34 x 47cm. support sheet. cm. Photographic salt price from the 6e livraison of "Planches Photographiques . Notice Sur La Vie De Marc Antoine Raimondi Graveur Bolonais Accompagnée de Reproductions Photographiques De Quelques unes de ses Estampes Par M. Benjamin Delessert." .his was one of the first significant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).

Condition: Good. 25 x 18cm. on 34 x 47cm. support sheet. cm. Photographic salt price from the 6e livraison of "Planches Photographiques . Notice Sur La Vie De Marc Antoine Raimondi Graveur Bolonais Accompagnée de Reproductions Photographiques De Quelques unes de ses Estampes Par M. Benjamin Delessert." .This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).

ORIGINAL-STAHLSTICH (gesamt ca. 30 x 42,5 cm, gut erhalten, in Passepartout eingelegt) MOTIV : BOZEN, Schloss Tyrol / Innsbruck. ( Aus: Carl Ludwig Frommel, Tyrol und seine nächsten Umgebungen (Karlsruhe: Kunst-Verlag 1842), 3 weitere Motive aus dem Werk zum jeweils gleichen Preis vorhanden, teils leichte Gebrauchsspuren bzw. etwas stockfleckig, alle in Passepartout).

0. Sprache: Deutschu.

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Condition: Good. Engraving on laid paper. 21.3 x 29.1cm. sheet size. Stains and folds in the margins.References: BM Museum number1952,0405.109; Met Museum Object Number: 64.682.109 ; Barraud Vol I.16; Port and Beraldi Vol 3 part I.41.6 .Lunchtime at Ferney, after Denon: Voltaire, seated in his bed, conversing with people surrounding him, from left to right Father Adam, Jean Benjamin de Laborde, Madame Denis, and a maidservant; a print entitled 'La malheureuse famille Calas' has been hung above the bed; in oval. 1775.Etching and engraving.Inscription8:24:14 PM 'De Non d'après Nature à Ferney le 4 juillet 1775 - Gravé par Née et Masquelier même année', publication line: 'A Paris chez les Auteurs; rue des Francs-bourgeois près l'Arquebuiser Pte St Michel', and title. Signed on verso by Masquelier.Denon profite de son séjour en Suisse pour solliciter une rencontre avec Voltaire, l'homme des Lumières. Le 3 juillet 1775, Denon est à Genève , il adresse de cette ville une lettre à « l'ermite de Ferney ».Denon s'y rendra entre le 3 et le 5 juillet. C'est à cette occasion qu'il aurait esquissé le fameux dessin, gravé par Née et Masquelier sous le titre «Le déjeuné de Ferney ». On y voit Voltaire caricaturé d'une façon quelque peu grotesque en compagnie d'un abbé, de Mme Denis, nièce du philosophe et de Laborde, il est précisé que ce document, signé De Non, a été confectionné « d'après nature le 4 juillet 1775 à Ferney ». La gravure connaît un très grand succès dans les salons parisiens.Expertise by : Elvire Poulain, Cabinet Poulain, 5, rue de Saintonge75003 Paris .

Condition: Good. Large folio. 63 x 47cm. 6 salt print photographs on 4 leaves. Sheets loose as issued in original paper folder, title page and index. The index calls for 11 prints.This was one of the first significant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).

Condition: Good. Small folio. 39.5 x 29cm. 9 salt print photographs on 9 leaves. Sheets loose as issued in original paper folder, title page and index. The index calls for 10 prints.This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).

3 bei volumi in-8° (cm. 21,6x13 all'esterno cm.21x12,6 all'interno, superbe LEGATURE in mezza pelle nocciola coeva, titolo oro su tasselli rossi, 10 ricchi fregi e tomaison oro ai tre dorsi, tagli picchiettati in beige, nastrini segnalibro azzurri, angoletti in rgamena , piatti in carta decorata a tonalità color legno . Pp. X, 440 + pp. (4), 424 + pp. (4) 395, (2, con errata) . L'ultima grande opera, pubblicata postumo dal genero, il duca de Broglie, e dal figlio Auguste, della grande romanziera e storica DE STAEL, figlia del ministro Jacques NECKER, formata su Rousseau, Montesquieu e Condorcet, esiliata da Parigi (1803) per ordine di Napoleone, intraprese un viaggio in Germania dove incontrò Goethe, Schiller, Wieland, Fichte, e di A. W. Schlegel, curatore di quest' opera militante che esamina dal 1789 al 1815 con occhio critico e libertario anche Napoleone I e il suo Impero; opera che l'Autrice afferma legata alla propria esperienza di testimone e a suo padre, Jacques NECKER (autore anche lui di un'opera fondamentale e anche più critica sulla stessa Rivoluzione). Imperdibile opera di una donna libera.

Condition: Good. Small folio. 39.5 x 29cm. 10 salt print photographs on 10 leaves. CompleteSheets loose as issued in original paper folder, title page and index. The index calls for 10 prints.This was one of the first signifcant uses of photography for art history, the prints being replicated at the size of the originals. . Each plate is pasted onto a sheet carrying a brief printed caption and a numeric reference to Bartsch.References:Truthful Lens 46; OCLC Number / Unique Identifier: 457566239;R. van Straten, Marcantonio Raimondi and his school: an iconographic index to A. von Bartsch, Le Peintre-graveur, vols. 14, 15 and 16 (1988); I.H. Shoemaker and E. Broun, The engravings of Marcantonio Raimondi (1981); K. Oberhuber, The works of Marcantonio Raimondi and of his school (1978) (26-27 (XIV 1, 2) of The illustrated Bartsch, ed. W. Strauss).