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  • Seller image for Hakhursha Bagiv'a [The Wood on the Hill] for sale by Meir Turner

    Yizhar, S. [Pen name of Yizhar Smilansky (27 September 1916 - 21 August 2006),

    Language: Hebrew

    Published by Hakibutz Hameuchad Ltd, Israel, 1979

    Seller: Meir Turner, New York, NY, U.S.A.

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

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    US$ 88.00

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    Soft cover. Condition: Very Good. No Jacket. Smilansky, Naomi (illustrator). In Hebrew.168 pages. 18 x 10.5 cm. Top left corner of title page has a very small rubber stamp impression in Hebrew of the former owner, Professor Milton (Michael) Arfa, the distinguished Rabbi, author and professor of Hebrew literature and philosophy. Dr. Arfa taught generations of students at Yeshiva University, Herzliah Hebrew Teachers Institute, Hunter College, HUC-JIR and NYU. As chairman of the Israel Matz Foundation, Dr. Arfa devoted himself to aiding indigent Hebrew writers, and published scholarly works of Hebrew literature and philosophy. He was a gifted teacher, humanitarian, scholar, lover of Zion and above all a modest and quiet doer of good deeds. He died in 2003. S. Yizhar was both an Israeli writer and politician. He was born in Rehovot to a family of writers. His great uncle was Israeli writer Moshe Smilansky. His father, Zev Zass Smilensky, was also a writer. After earning a degree in education, Yizhar taught in Yavniel, Ben Shemen, Hulda, and Rehovot. From the end of the 1930s to the 1950s, Yizhar published short novellas, among them Ephraim Goes Back to Alfalfa, On the Edge of the Negev, The Wood on the Hill (HaKhursha BaGiv¿a), A Night Without Shootings, Journey to the Evening's Shores, Midnight Convoy, as well as several collections of short stories. His pen name was given to him by the poet and editor Yitzhak Lamdan, when in 1938 he published Yizhar's first story Ephraim Goes Back to Alfalfa in his literary journal Galleons. From then on, Yizhar signed his works with his pen name. In 1949, he published the novella Khirbet Khizeh, in which he described the expulsion of Palestinian Arabs from their village by the IDF during the 1948 Arab-Israeli War. It became a best-seller and in 1964 was included in the Israeli high school curriculum. In the late 1950s, his massive work Days of Ziklag appeared, comprising two volumes and more than a thousand pages. This work had a powerful impact on changing the outlook for Hebrew prose on the one hand, and "war literature" on the other. Although Yizhar remained in the public eye as an outstanding polemicist, he broke his decades-long literary silence only in 1992 with the publication of his novel, Mikdamot (Preliminaries). This was quickly followed by five additional new volumes of prose, both novels and collections of short stories, including Tsalhavim, Etsel Ha-Yam (At Sea), Tsedadiyim (Asides), and Malkomyah Yefehfiyah (Beautiful Malcolmia). His last work, Gilui Eliahu (Discovering Elijah), set in the period of the Yom Kippur War, was published in 1999 and later adapted for the stage. The play won first prize at the Acco Festival of Alternative Israeli Theatre in 2001. Yizhar also wrote stories for children in which he contended with the defining themes of his youth, as in Oran and Ange concerning the Israeli cultivation of citrus fruits; Uncle Moshe's Chariot, a memoir of the character of his famous great uncle Moshe Smilansky; and others. Yizhar was a professor of education at the Hebrew University of Jerusalem. In 1986-7 he was Visiting Writer at the Center for Jewish Studies at Harvard University. He was a lecturer at Levinsky College in Tel Aviv into the late 1990s. Yizhar was elected to the first Knesset in 1949, remaining a Knesset member until the 1955 elections. He returned to the Knesset in October 1956 as a replacement for Aharon Becker. In 1965 he defected to David Ben-Gurion's new Rafi party, but resigned from the Knesset on 20 February 1967. Yizhar's early work was influenced by Uri Nissan Gnessin. His knowledge of Israeli geology, geomorphology, climate, and flora is evident in his landscape descriptions and his emphasis on the relationship between person and place. Yizhar's use of language is unique. With his long sentences and combination of literary Hebrew and street jargon, he draws the reader into his heroes' stream of consciousness. In 1959, Yizhar was awarded the Israel Prize, for literature and also the Brenner Prize for literature. . .