Sadeler, Raphael I (27 results)

Sehr schöner Kupferstich aus der Serie "Oraculum Anachoreticum" von ca. 1600. Diese Serie enthält Kupferstiche von Johann und Raphael Sadeler nach Maarten de Vos. -- Blatt-Maße: ca. 19,5 x 27 cm. -- gut erhalten. || Very beautiful engraving from c. 1600 out of the series "Oraculum Anachoreticum", which contains engravings by Johann and Raphael Sadeler after Maarten de Vos. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Edition : First edition anthology of five works. , 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers., Captions in Latin. The work depicts hermits, saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. , Size : Oblong folio (335x263mm)., 103 copper-engravings; of these 102 illustrated; these include: three titles [to the first three works]; the paragramma with engraved border. The first work, ?SYLVA SACRA? being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints, one is dedicated to female hermits: Work II or the ?SOLITUDO, SIVE VITAE FOEMINARUM? has 14 plates (of 25); Work III or the ?ORACULVM // ANACHORETICVM. // ? MDC? has 22 plates (of 26); Work IV or the ?Solitudo // sive // vitae patrum // eremicolarum?? has 12 plates (of 30); Work V or the ?Trophaeum vitae solitariae. // ? Venetiis? (1598, Martin de Vos figur.) has 23 plates (of 26). , Volume : five works in one volume, References : Graesse VI: 211-212. , Ll: bl., [ill.102ff]. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired.

Softcover. Originaler Kupferstich mit folgenden Abmessungen: 14 x 19,7 cm Platte, Blatt: 14,5 x 20,3 cm. Mit kurzen Papierstreifen locker unter ein Passepartout montiert. Rückseitig mehrere alte Vermerke und Signaturen: links unten 'R S', oben die Zahl '63', rechts unten eine unklare Signatur ( alle in Bleistift ), mittig ein stark verblasster dreizeiliger Vermerk in Tinte ( bitte beachten Sie dazu unsere Fotos ). Seltenes Exemplar in gutem Zustand. -- Original copperplate engraving with the following dimensions: 14 x 19.7 cm plate, sheet: 14.5 x 20.3 cm. Loosely mounted under a passe-partout using short strips of paper. Several old notes and signatures on the back: 'R S' at the bottom left, the number '63' at the top, an unclear signature at the bottom right (all in pencil), a very faded three-line note in ink in the middle (please see our photos). Rare copy in good condition. Einer von 4 Stichen: Gravuren nach Zeichnungen/Gemälden von Paulus Bril. Eingraviert und erschienen in München von Raphael Sadeler Junior (1584-1632). -- One of 4 engravings: engravings based on drawings/paintings by Paulus Bril. Engraved and published in Munich by Raphael Sadeler Junior (1584-1632). -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! GM20links429155.

1. Original-Kupferstich von Sadeler mit dekorativ abgesetztem Plattenrand auf rückseitig unbedrucktem Büttenblatt, unterhalb der bildlichen Darstellung lateinische Beschreibung "Edomat indomitas Aetnaea potentia cautes usw.", Tafel aus "Bavaria sancta" von Mathaeus Raderus SJ, Band I, Blattgröße ca. 22,5 x 15 cm, alt am rechten Blattrand knapp bis in die bildliche Darstellung hinein beschnitten (es fehlen jedoch nur ca. 0,5 cm), im unteren Blattrand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten gut erhalten, selten antiqaurisch nicht nachweisbar 2100 gr.

Plate nr. 10 from the serie SYLVAE SACRAE MONUMENTA . ANACHORETAUM published by Johannes I and Raphael I Sadeler in 1594. This plate is in reverse and slighly wider than the original. Possibly by Charles van Boeckel (fl. 1597-1617) [Hollstein de Vos, 1004a], or by Marcus Christoph Sadeler (1614-1650), Giacomo Piccini (ca. 1617- ca.1669) and Giovanni Merlo (17th cent.) from the first half of the seventeenth century [Hollstein de Vos, 1004f]. Besides the latin verses beneath the picture no other signatures are to be found on the plate. Lettered under the picture: '[M]ARTIVS Aruvernae pater & contemptor honoris / Permutat sacram sponte ligone pedum. / Atass sibi caueam fodit in qua Vivere possit / Immo mori cui mors nil nisi vita fuit'; plate is numbered '10'. l Engraving on paper; platemark: 170 x 202 mm, total: 213 x 265. Broad margins, close to the top margin two holes, probably for it was bound with oher plates. PB01SS(Martius-Martinus).

Condition: buona. Bulino e acquaforte. I re magi in adorazione di fronte al Bambino e alla Madonna con san Giuseppe, sullo sfondo delle architetture e delle montagne, nel cielo degli angioletti, in calce l'iscrizione. Bell'impressione con discreto margine in buono stato di conservazione. Formato: 265x205mm.

Incisione originale eseguita a bulino incisa su lastra di rame, firmata in basso \"Bassan prinxit\" e \"R.Sadeler sculp\". Magnifica prova in stato unico e con buoni margini, tratta da un soggetto di JacopoBassano. Carta vergellata con filigrana \"Corona\" databile seconda metà XVI secolo. Ottimo stato di conservazione.

Condition: Sehr gut. [Hollstein Bd. XXI, S. 278, Nr. 50]. Platte ca. 19,3 x 26,8 cm Schöner detailreicher Druck, feines Rändchen , fast bis an die Umfassungslinie beschnitten, in ein altes Fensterpassepartout montiert, geglättete Mittelfalte, dort drei kleine Fehlstellen , etwas fleckig, hinterlegter Einriss oberer Rand rechts, sonst in sehr gutem Zustand. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1001 Auf Bütten, ca 20,1 x 27,1 cm. Wz. Laubwappen.

View on a harbour with rough sea, harbour on the right. Lettered below eight lines of Latin text:'Fluctiuago. aquas' Signed on the bottom right:'P. Stephan. in / . Raph. Sadeler ex' l Engraving on paper, trimmed to platemark; total: 209 x 277 mm; damages along the margins, spots, mold on the right margin; only state; Hollstein 55, W 127 (as R. Sadeler I).

St Theobaldus in the wilderness, kneeling with opened arms. Signed with privilege on the bottom: 'Vos figur. / Cu privil. Sumi Potif. et Ce.M. / Ioan Sadeler scalp et excud.', lettered further: 'Venit in Italiam , Senonum THEOBALDVS ab oris; / Et Vicentinis incola mansit agris / Mente super stellas atrijs habitabat in amplis; / Sic docuit multos; silvaque ludus erat'. Engraving on paper with margins; plate mark: 167 x 207 mm, total: 216 x 271 mm; Hollstein 1074 (Maarten de Vos).

Ephestius running after a couple who left him a small bag with coins. Late impression. Inscribed on the bottom left on a rock 'Vos fig.'; on the bottom right: 'cu privil Sum. Pontifici / Joa Sadeler fecit et excu.'; lettered on the bottom: 'Melana in tecto, quod EPHAESTIO pauper habebat,/ Fraude pia loculos condidit; is repeit. / Currit, et exclamat: cape numos; illa recusat. Tum senior. non vis ego. dentur aquis' Hollstein de Vos, 1053 Engraving on paper; broad margins; platemark: 167 x 208 mm; total: 218 x 272 mm. The outline of the heremit, of the small bag and of the couple on the right have been marked with an ink-free needle or pen. PB01SS(Ephestius).

Leonardus on the right under a tree reading from the Bible. Towards the left a chapel with Mary and Child. A friar digging a whole in the ground and further a landscape. Late impression. Inscribed on the bottom left: 'cu privilegio / Su Ponti. et Cae'; 'Joa. Sadeler /sculpsit et exc.'; towards the right: 'Martin de Vos figur.'; lettered on the bottom: 'Nobilio hic ille est LEONARDUS; sustulit olim / De sacris puerum Rex Clodoueus aquis. / Discipulos, edemq[ue]' habuit; Pastorq[ue] virorum / Ne fieret, socius maluit esse feris.' Hollstein de Vos, 1061 l Engraving on paper; broad margins; platemark: 168 x 207 mm; total: 216 x 271 mm. In the sky towards the right a line in ink. PB01SS(Leonardus).

Eulogius in the wildness, under a tree on the left, eading the Bible; on the right a landscape with houses and figures. Late impression. Nr. 16 from the series. Signed on the bottom left: 'Sadeler excudit' Lettered in latin below:'Malui EVLOGIVS desertas quaerere sedes, / Qua terere urbani splendida tecta soli. / Hinc fratres munire suos pietate laborat / Impiaq. plangere facta suae.' Hollstein, de Vos 980. l Engraving on paper; broad margins; platemark: 176 x 216 mm; total: 221 x 272 mm. Close to the top margin holes for previous binding PB01SS(Eulogius).

Nathaniel rejects an incursion of the Devil who took the shape of a kid in need of help o move his donkey. Late impression. Inscribed on the bottom center, towards the right: 'cum privil. Sum Pontif. et Caes. Ma.'; 'Raph. Sadeler sculp M. de Vos fig. '; lettered on the bottom: 'Mentitus puerum Daemon, mentitus Aselli / Casum, implorabat NATHANAELIS opem. / Ars erat hec, dulci qua clausum educeret antro. / Stulte puer speras huic dare verba seni?' Hollstein de Vos, 1054 l Engraving on paper; broad margins; platemark: 166 x 208 mm; total: 218 x 272 mm. PB01SS(Nathaniel).

Ammon reading on the left and on the right other friars in a landscape. Inscribed on the bottom left: 'Sadeler ex'; lettered on the bottom: 'AMMON in Nitra squallentis cultor eremi, / multiplicis fulget fons et origo boni. // sacraque sparsurus pietatis semina, fratrum / undique sollicito convocat ore gregem' numbered below:'26' l Engraving on paper; broad margins; platemark: 168 x 209 mm; total: 220 x 268 mm.

Onofrius in the wlderness, kneeling on the rocks and praying after the Bible. Late impression. Signed on the bottom left, close to the center: 'Sadeler excudit' Lettered in latin below: 'Divinis oculis pergratus ONOFRIUS, aeuum / Traduxit rara sobrietate suum. / Inq[ue] cavo degens, palmaru ubi copia, monte, / Herbarum pastu depusit esuriem' Hollstein, de Vos 991. l Engraving on paper; broad margins; platemark: 178 x 215 mm; total: 226 x 276 mm. PB01SS(Onofrius).

Late impression. Inscribed on the bottom right: 'cum privil Sum Ponti / M de Vos figu'; lettered on the bottom: 'Anglorum de gente, nepos Regis, contemtor honoris / Est VINVALOCIUS, quem dare vota vides. / Interea fures tectum expilare, sed ecce / Hic oculo, hic membris captus, et ille iacens' Hollstein de Vos, 1061 Engraving on paper; broad margins; platemark: 166 x 208 mm; total: 216 x 271 mm. In the sky towards the right a line in ink. PB01SS(Vinvalocius).

D'après Renaldi Mytens 18,5 x 12,5.

St Fiacrius, seen from behind, with a basket of vegetables in a well tended allotment; plate 18.Lettered below centre with a privilege and at right "Raph. Sad. fe Vos fig". and further: 'Clarus Hybernorum regione FIACRIVS horti / Exigui cultor, prodigiosa facit. Dum signat fossam in fossa multa insilitabros / Dum sedet in saxo, saxum abit in Cathedram.'De heilige Fiacrius (Ierland, rond 610- Meaux, rond 670), in het Iers 'Fiachra', en in het Frans 'Fiacre' of ook 'Fèvre' genoemd, verliet zijn geboorteland Ierland en werd kluizenaar in een bos nabij Meaux, dat hij van de plaatselijke bisschop Faro gekregen had. Op deze plaats ontstond later een klooster. Volgens de legende werd het bos een bloemenhof toen Fiacrius de grond met zijn staf aanraakte. Fiacrius bezat ook de gave van genezing door handoplegging. Zo genas hij koorts, blindheid, poliepen en bovenal fistels. Engraving on paper with margins; plate mark: 165 x 207 mm, total: 215 x 272 mm; small brown stain among the trees on the left; Hollstein 1068 (Maarten de Vos).

Wooded landscape with a birdcatcher in the foreground. On the right a fortified construction and on the left between the trees a village. Lettered below in Latin, eight lines in four columns:'Auceps dum . velle redire, deest' signed on the bottom:'Raph. Sadeler Iunior fecit. P Stephanus Inuent.' l Engraving on paper, trimmed to platemark; total: 210 x 275 mm; damages along the margins, traces of folding in the middle; only state; Hollstein 54, W 127 (as R. Sadeler I).

Landscape with ruins, man on horse and shepherd.Signed on the bottom: 'P. Stephani inuentor'and on the right:'Raph [.] excud.' Engraving on paper, trimmed to platemark; total: 206 x 273 mm; dirt and mold above and a lacuna on the bottom right; only state; Hollstein 221.

Jodocus van Winghe (illustrator). 'INCAUTUS THARSES (FORTES HAEC) FIT PRÆDA, RECLUDENS / OCULORUM LUCES, CRIMEN, VANITATEM & ANIMAMQUE / SEDITIO & INSIDIAE DOLI ASTUTAQUE MULIER / FRANGIT AMOR: SUPERANS POSTQUAM REVERENTIA CESSIT.'Samson lies powerless on the ground while Delilah cuts his hair. Around him soldiers prepare to seize him. The dramatic setting and intense composition exemplify the Power of Women theme.Made by Raphael Sadeler I after Jodocus van Winghe.Medium: Engraving on hand laid (verge) paper. Watermark: Winged eagle coat of arms.Sheet size: 33.4 x 25.6 cm (13.15 x 10.08 inch). Image size: 28.8 x 22.5 cm. (11.34 x 8.86 inch).SAMSON, DELILAH, BIBLICAL, POWER OF WOMEN, BETRAYAL, RAPHAEL SADELER, JODOCUS VAN WINGHE, 16TH CENTURY, MANNERISM, DUTCH PRINT | PCO-A56-15BACKGROUND INFORMATIONPublished by Raphael Sadeler I in 1589 as part of the 'power of woman of men' series.Reference: Hollstein Dutch and Flemish XXI.250.180.Early edition.Biography engraver: Raphael Sadeler I (1560/1561-1628/1632), Flemish engraver and publisher, was one of the most prominent members of the Sadeler family of printmakers. Working in Venice, Munich, and Prague, he created and published a vast range of prints, especially after Northern Mannerist artists.Biography artist: Jodocus van Winghe (1544-1603), a Flemish painter and designer, was known for his courtly allegorical and biblical works. He worked in Frankfurt and was a central figure in early Northern Mannerism, designing many scenes reproduced in print. Condition: very good, given age. Light foxing, creasing and soiling. Wide margins. Small tear at top left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

View on a harbour with sailing boats. Ascending land on the left. Fishermen in the center. Signed on the bottom right:'Paulus Bril inventor Raphael Sadeler sculp.' l Engraving on paper, trimmed to platemark; total: 197 x 269 mm; some dirt but good impression; only state; Hollstein 217, W 125, 1.

After a composition by Jacopo Bassano a young milkmaid is giving out milk to a child and an older lady. Sheeps and a dog on the left. In the background a landscape.Underneath six lines of Latin text: 'Multiplicem. caue.' One line :'PER HONESTI VIRI CAROLI HALEMANNI CIVIS ANDOCERPIANI LIBERALITATE, TABVLAM IACOB. BASSANI ARTE ET MANV DEPICTAM, RAPH. SADELER EXCVLPSIT.'Within picture on the bottom: 'Cum privil Summi Pontif. et S. Caes. Mai R. Sadeler excud 1601.' Engraving on paper, trimmed within platemark; total: 228 x 296 mm; some dirt and some repaired margins along the margins; only state; Hollstein 215, W 109.

Tiny print representing the Biblical episode of the Visitation, the pregnant Mary visiting her cousin Elizabeth, also pregnant with St. John.Signed on bottom right: "R. Sadeler excud." with two verses of Latin text below: "Spectabam pulchro vinciri brachia nexu, / Et dixi: haec inter vincula captus ero". Possibly designed to decorate a small book like the "Otium Spirituale", published in Munich in 1617 by Anna Bergia with plates by Sadeler. The closest composition to this is perhaps the Visitation by Maarten de Vos, engraved by Johann Sadeler: on the Virgin's back hangs a hat and her right arm unfolds outwards to hold the shoulder of Elizabeth. The elder woman's right hand reaches around the neck of Mary. In this small impression, the respective husbands of the women stand on each side of the representation, whereas in de Vos' they stand both on one side. Rare. Engraving on paper with small margins; plate mark: 78 x 48 mm, total: 85 x 54 mm; traces of previous mountings; undocumented in Hollstein.

Condition: buona. Bulino e acquaforte. L'incisione riproduce l'affresco, oggi perduto, che Federico Zuccari realizzò tra il 1566 e il 1567 nella cappella dell'Annunciazione nella chiesa della SS. Annunziata al Collegio Romano, con ogni probabilità Raphael Sadeler ha avuto come modello, non l'affresco, ma l'incisione a bulino dello stesso affresco realizzata da Cornelis Cort nel 1571. Fascinosa impressione in buono stato di conservazione. Formato: 295x445mm.

First print of the series: Love. In the foreground a young man playing a lute under a tree with Cupid aiming an arrow at him; beyond is a park with a loggia and figures making music, eating and drinking at a table in the open air; at left is a Diana fountain, a female torso spurting water from her breasts atop a turtle; by the musician's feet are various musical instruments, a sport racket, a sword, gloves and a moneybag. Inscribed on the bottom:'Dum mihi. foelix qui potuit dicere talis eram.'; number '253' added with brown ink, titled above:'AMOR' Inscription Content: Lettered above with "AMOR". Below left "Martin de vos inventor / Raphael Sadeler scalpsit et excudit" and date "1591". In the margin two columns of Latin, each four lines "Dum mihi eram". l Engraving on paper, pasted on cardboard, rimmed within paltemark; total: 216 x 251; Hollstein 1462, copy c.