A R Practice (99 results)

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Condition: Good. 6 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Condition: Very Good. Sixth. Used - Very Good.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Paperback. Condition: Very Good. Forensic Nursing and Mental Disorder in Clinical Practice is an ideal companion for qualified mental health nurses and for students on clinical placements. It is designed to be practical and relevant to the everyday realities when nursing patients with mental disorders.* Includes analysis of the development of forensic mental health services around the UK * Covers the whole spectrum of care including crisis intervention * Provides recommendations on how clinicians can best develop services in the future. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condition: Very Good. Clinicians from many disciplines rely on this definitive reference for its consistent, topical format of case studies and paradigms in crisis resolution. This edition includes new chapters on violence in society, infertility, substance abuse, and coverageof Acute Stress Disorder, a new DSM-IV category. Expanded coverage is included on hot topics such as the recent earthquake in Los Angeles, the Oklahoma City bombing, crisis hotlines, and the latest crisis intervention modalities. A new epilogue outlines the author's vision of the future of crisis intervention. Crisis Intervention Paradigms are included at the end of chapters that can be filled out by the reader based on the case study. The completed paradigms can be found in the appendix. New appendices cover relevant legal and ethical terms, DSM-IV criteria for PTSD and ASD, infertility resources, and the completed paradigms. * A comprehensive, current, and readable look at crisis intervention for nursing students, students in related disciplines, as well as professionals and volunteers throughout the field of health care. * Forty-six paradigms demonstrate the methodology and steps in crisis intervention. * Examines the differences between crisis intervention and other psychotherapeutic approaches to stress the similarities and differences. * Concentrates on the problem-solving process, introduces the reader to basic terminology used in this method of treatment, and explains the intervention paradigm, providing an important tool to the reader. * Examines the legal and ethical issues in psychotherapy, such as sexual harassment and malpractice to prepare the reader for these sensitive situations. * Explores the relatively new area of posttraumatic stress disorder, covering its causes, diagnoses, and treatments, to provide a well-rounded picture. * Focuses on situational crises and the stressful events that can cause them, with case studies from the author's files and theoretical material to illustrate the techniques used by therapists in crisis resolution. * Looks at the changes and crises that occur during developmental and social transitions to prepare the reader for these common crises. * Delves into the concerns of persons with AIDS/HIV, and includes the most current understanding of the disease and all its ramifications. * Examines the burn-out syndrome that is prevalent in today's high-stress environments.New chapters look at: violence in our society, violence in the schools and the workplace, as well as spousal, child, and elderly abuse, the psychological trauma of infertility, providing a framework of the major types of infertility and the unique crisis intervention that each may require, and substance abuse, covering the use and abuse of drugs like cocaine, heroin, and the new street drugs, to ensure currency. Includes new content on cognitive and behavioural therapy, as well as the newest crisis intervention modalities, including information on crisis hot lines, psychiatric emergency teams, and crisis rape lines, for easy reference.Covers recent incidents of ethical and legal breaches between therapists and clients, and the state board's responsibilities in these cases to prepare the reader for these difficult situations. Features a new category, Acute Stress Disorder, which was added in the DSM-IV, clearly differentiating between persons with PTSD and ASD and the different approaches they require.Includes case studies on natural and man-made disasters such as the Los Angeles earthquake and the Oklahoma City bombing to illustrate crisis intervention in current, high-profile cases. Features crisis intervention paradigms that can be filled in by the reader based on the preceding case study to make the text a more interactive learning tool.Includes an epilogue briefly outlining the past, the present, and the author's vision of the future of crisis intervention based on expected trends and changes in society, technology, and health care delivery. Includes new, rapid-access appendices with definitions of legal and ethical terms, the new DSM-IV criteria for Posttraumatic Stress Syndrome and Acute Stress Disorder, infertility resources, and the completed paradigms. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

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paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condition: Very Good. Dust Jacket Condition: 17071269. 1793199109. 10/28/2026 2:51:49 PM.

Condition: New.

Paperback. Condition: New. Edited by A. R. practice (Ann Richter and Agnieszka Roguski), Introduction by A. R. practice (Ann Richter and Agnieszka Roguski), Texts by Melanie Bühler, Erika Landström, Agnieszka RoguskiWhen the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity? Echoing Exhibition Views. Subjectivity in Post-Digital Times explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition?With images from João Enxuto and Erica Love, Calla Henkel and Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hanna Stiegeler, Jasmin Werner, and Jonas Paul Wilisch, as well as texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski, this publication gathers artists, curators, and writers who frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format-understanding the exhibition as a fluid and diverse view. How is our view on exhibitions influenced by their digital re-/presentation on the internet? How can art affect the normalized, circulating installation views in a creative way--and articulate a subjective view in this way? And how, above all, do seemingly objective standards and subjectivity affect each other?The publication Echoing Exhibition Views. Subjectivity in Post-Digital Times focuses on the subjectivity of the supposedly objective exhibition documentation. It is about how artists realize a kind of subjective view when they are presenting an exhibition--in terms of performative, spatial, visual or technological aspects--and how that view can broaden, reflect or criticize the standardized claim of exhibition views. For Echoing Exhibition Views. Subjectivity in Post-Digital Times, a total of seven international artistic positions articulate their personal interpretation of the 'installation view'. Most important is their disciplinary versatility, which provides a multifaceted and complex approach to the topic. Artistic photography, illustration, conceptual art and performance art together respond to the apparent objectivity emanating from exhibition documentation and the photographic installation view. The medium of disp.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Edited by A. R. practice (Ann Richter and Agnieszka Roguski), Introduction by A. R. practice (Ann Richter and Agnieszka Roguski), Texts by Melanie Bühler, Erika Landström, Agnieszka RoguskiWhen the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity? Echoing Exhibition Views. Subjectivity in Post-Digital Times explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition?With images from João Enxuto and Erica Love, Calla Henkel and Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hanna Stiegeler, Jasmin Werner, and Jonas Paul Wilisch, as well as texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski, this publication gathers artists, curators, and writers who frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format-understanding the exhibition as a fluid and diverse view. How is our view on exhibitions influenced by their digital re-/presentation on the internet? How can art affect the normalized, circulating installation views in a creative way--and articulate a subjective view in this way? And how, above all, do seemingly objective standards and subjectivity affect each other?The publication Echoing Exhibition Views. Subjectivity in Post-Digital Times focuses on the subjectivity of the supposedly objective exhibition documentation. It is about how artists realize a kind of subjective view when they are presenting an exhibition--in terms of performative, spatial, visual or technological aspects--and how that view can broaden, reflect or criticize the standardized claim of exhibition views. For Echoing Exhibition Views. Subjectivity in Post-Digital Times, a total of seven international artistic positions articulate their personal interpretation of the 'installation view'. Most important is their disciplinary versatility, which provides a multifaceted and complex approach to the topic. Artistic photography, illustration, conceptual art and performance art together respond to the apparent objectivity emanating from exhibition documentation and the photographic installation view. The medium of disp.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Fine.

Paperback. Condition: new. Paperback. Edited by A. R. practice (Ann Richter & Agnieszka Roguski), Introduction by A. R. practice (Ann Richter & Agnieszka Roguski), Texts by Melanie Buehler, Erika Landstroem, Agnieszka RoguskiWhen the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity? Echoing Exhibition Views. Subjectivity in Post-Digital Times explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition?With images from Joao Enxuto & Erica Love, Calla Henkel & Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hanna Stiegeler, Jasmin Werner, and Jonas Paul Wilisch, as well as texts by Melanie Buehler, Erika Landstroem, and Agnieszka Roguski, this publication gathers artists, curators, and writers who frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and formatunderstanding the exhibition as a fluid and diverse view.How is our view on exhibitions influenced by their digital re-/presentation on the internet? How can art affect the normalized, circulating installation views in a creative wayand articulate a subjective view in this way? And how, above all, do seemingly objective standards and subjectivity affect each other?The publication Echoing Exhibition Views. Subjectivity in Post-Digital Times focuses on the subjectivity of the supposedly objective exhibition documentation. It is about how artists realize a kind of subjective view when they are presenting an exhibitionin terms of performative, spatial, visual or technological aspectsand how that view can broaden, reflect or criticize the standardized claim of exhibition views.For Echoing Exhibition Views. Subjectivity in Post-Digital Times, a total of seven international artistic positions articulate their personal interpretation of the installation view. Most important is their disciplinary versatility, which provides a multifaceted and complex approach to the topic. Artistic photography, illustration, conceptual art and performance art together respond to the apparent objectivity emanating from exhibition documentation and the photographic installation view.The medium of display always shapes the work, therefore the form of the book becomes the venue for a visual tension between specification and ambiguity. To underline the modification as a productive act, A. R. practice interfered with book production standards and used a special RGB-three-color printing technique instead of CMYK. RGB (red green blue) is the digital color range and refers to the online format. However, it will evoke experimental effects for this analogue format.The guiding principle is the idea of transformation through various media and formats. Thus, the featured artists represent a practice in which various media and spaces are crossed; from the virtual exhibition on the internet to the actual exhibition space to the photographic image from the exhibition. All works become independent exhibition practices and works of art.TABLE OF CONTENTEditorial (A. R. prac Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New. 2020. Paperback. . . . . .

Condition: New.