Abbing Hans (103 results)

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Paperback or Softback. Condition: New. The Changing Social Economy of Art: Are the Arts Becoming Less Exclusive. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. 2019 ed. Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on.In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.…

Paperback. Condition: New. 2019 ed. Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on.In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.…

Couverture souple. Condition: Très bon.

Condition: Good. Paperback, 8vo.; Rechter bovenhoek gebutst.

Condition: Good. Paperback, 8vo.

Condition: very good. Amsterdam. Vossiuspers UvA, 2006. Paperback. 35. (Oratiereeks). Inaugurele rede Universiteit van Am. 9789056294335 Condition : very good copy. ISBN 9789056294335. Keywords : .

PF. Condition: New.

Paperback met flappen, nette staat, 142 pagina's.

Condition: New. In English.

Paperback. 273 pagina's. Als nieuw. Een economie van de kunsten, kan dat wel? De verhouding tussen kunst en economie is problematisch: zijn de kunsten goed voor de economie, kan de economie nuttig zijn voor de kunsten? Hoe kunnen we de kunsten op waarde schatten, en wie doen dat eigenlijk? Is de kunst voor het volk, of is kwaliteit klasse? Aan de hand van voorbeelden uit de praktijk wordt het vrije gebruik en de principiële openbaarheid van de kunsten besproken en wordt ingegaan op de fictieve controverse tussen levende kunst en technisch gereproduceerde kunst. Ook de opleiding van de kunstenaar, de aantrekkingskracht van zijn beroep, zijn positie op de arbeidsmarkt en de oorzaken van de beperkte werkgelegenheid worden kritisch onderzocht. Daarbij worden zowel de erkende als de niet-erkende kunsten in de beschouwingen betrokken: van popmuziek tot videoclip, van literatuur tot strip, van klassieke muziek tot mime en van drumband tot opera. In dit verband behandelt de auteur tevens het overheidsbeleid en de legitimering van kunstsubsidies. Heeft het beleid, dat de laatste decennia gericht was op de spreiding van cultuur, gefaald? En bieden privatisering of sponsoring werkelijk nieuwe economische mogelijkheden? Welke rol dient de overheid te vervullen bij de financiering van artistieke of culturele vernieuwingen? De opzet van dit boek is om een overzichtelijke introductie te geven in de economie van de kunsten. Een economische beschouwing kan het niet meer stellen zonder de inzichten die de cultuurpsychologie en met name de kunstsociologie hebben ontwikkeld. De gekozen interdisciplinaire benadering lijkt de beste methode te zijn om een eenzijdige economische visie op de kunsten te vermijden. Dit boek biedt niet alleen een theoretische fundering voor het kunst- & cultuurbeleid, maar wil vooral een gedegen aanzet zijn voor de vorming van een algemene kunsteconomie. 777g.…

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Paperback. Condition: Brand New. 257 pages. 9.00x6.00x0.75 inches. In Stock.

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Condition: New. . . . . . .

Condition: New.

Condition: New. In English.

Condition: Very Good.

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