Achille Devéria (136 results)

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New. In.

Pas de couverture. Condition: Très bon. Gravure ancienne en couleur,format 24 x 32 cm avec les marges,vers 1930,très bon état,pas de rousseurs et sur beau papier.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: D'occasion - Très bon état. Livre en très bon état général, envoi rapide et soigné en suivi. C2.

Loose Leaf. Condition: New. Reproduction. Original title: Self-Portrait German: Selbstporträt French: Autoportrait Spanish: Autorretrato High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1835). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: James Parry German: James Parry French: James Parry Spanish: James Parry High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (1828). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. x, 396 pp., [8] pp. of plates : illustrated ; 25 cm. ; LCCN: 88-21919 ; OCLC: 18191403 ; grey and mauve cloth with silver lettering, in pictorial dustjacket ; 1st ed., 1st printing ; crease to back dustjacket flap ; VG/VG. Book.

Soft cover. Condition: Very Good. This catalog entry features a 1985 publication from the Musee Renan-Scheffer, focusing on Achille Deveria, a notable figure in Parisian Romanticism during the early 19th century. The book provides a detailed overview of Deveria's contributions to the artistic scene of his time, with illustrations and scholarly commentary. The publication is a hardcover edition, offering durable binding and clear print quality. From the Library of John Russell Taylor.

No Binding. Condition: Good. First Edition. 33.8 X 23.8 Cm. Dampstaining In Upper Right Corner, Small Intrusion Into The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

Condition: New.

No Binding. Condition: Good. First Edition. 34.7 X 27.8 Cm. Dampstaining In Lower Right Corner, Outside The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

Condition: Good. Lithograph. 23 x 30 cm. From magazine publication "Le Charivari"; printed text on verso. Signed A. D. and Lith. de Benard in the plate. VG.

Maße: ca. 20 x 14 cm. -- Seltene Lithographie. -- leicht fleckig, sonst gut erhalten. || Rare lithograph. -- slightly stained, otherwise in good condition. -- Under the Restoration, the Extinguisher was a caricature motif very popular in liberal circles. The editors of the newspaper Le Nain Jaune (1814-1815) imagined ridiculing the men in power and the supporters of the clergy by awarding them the Order of the Extinguisher, denouncing the obscurantism and blindness of royalist circles. This lithograph is one of the rare works by Devéria with an anticlerical and satirical spirit. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

rigide. Condition: Assez bon. 150 Vignettes par Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Édouard May, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un Catalogue complet des Romans, Drames, Poésies, ornés de vignettes, de 1825 à 1840, 1 vol. in-4 reliure demi-vélin à coins, reliure signée de Paul Vié, E. Dentu, Libraire-Éditeur. Paris, 1883,VIII-438 pp. Etat très satisfaisant (reliure un peu frottée avec 2 petits accrocs en dos, rouss., bon état par ailleurs) Langue: Français.

Kein Einband. Condition: Gut bis sehr gut. Dust Jacket Condition: Kein Schutzumschlag. Lithographie (1843) von Achille Devéria (1800-1857) aus dem Journal des Demoiselles. Rolandssage: Karl der Große vergibt seiner Schwester Bertha. Verso Montagespuren, Altersspuren. Darstellung (15.3 x 11.5cm) auf Papier (18.3 x 12.5cm) Lithograph (1843) by Achille Devéria (1800-1857) from Journal des Demoiselles. Roland legend: Charlemagne forgives his sister Bertha. Verso traces of mounting, signs of age. Image (15.3 x 11.5cm) on paper (18.3 x 12.5cm)# Jahr: 1843 Frankreich France Frankreich France Mythologie Mythology Achille Devéria, Lithographie, lithograph, Rolandssage, legend of Roland, Karl der Große, Charlemagne, Frankreich, France, 19. Jahrhundert, 19th century, Romantik, romanticism.

Kein Einband. Condition: Gut bis sehr gut. Dust Jacket Condition: Kein Schutzumschlag. Lithographie von Achille Devéria (18001857) aus dem 'Journal des Demoiselles'. Verso NS-Stempel. Darstellung (10.8 x 15.7cm) auf Papier (13.6 x 17.4cm) Lithograph by Achille Devéria (18001857) from the 'Journal des Demoiselles'. Verso Nazi stamp. Image (10.8 x 15.7cm) on paper (13.6 x 17.4cm)# Jahr: 1838 Frankreich France Aristokratie Aristocracy Lithographie, lithograph, Achille Devéria, 19. Jahrhundert, 19th century, Damen, ladies, Mode, fashion, Gesellschaft, society.

Reliure signée. Condition: Bon. DEVERIA, Achille (illustrator). VIII + 398 pp. + 443 pp. + 452 pp. + 470 pp. + 468 pp., 5 volumes in-8, demi-basane havane, dos 4 nerfs avec titre et tomaison dorés, filets dorés, tranches jaspées. Reliure signée CHAPIN. Contes orientaux traduits du turc, du persan et de l'arabe par Petis-de-la-Croix, Galland, Cardonne, Chawis et Cazotte, etc. Avec une notice par M. Collin de Plancy. 10 gravures hors-texte en noir par Achille DEVERIA. Mors du second plat du tome I fendu, quelques épidermures et frottements sur les plats, papier et gravure d'une belle fraicheur. Bon ensemble.

reliure signée. Condition: Très bon. Achille Devéria (illustrator). edition originale. Louis-Pierre-Marie-François BAOUR-LORMIAN. Légendes, ballades et fabliaux. 1829, Delangle Frères, Paris. 1 vol. petit in-12 (16 x 11 cm) relié de 242 (1) et 237 pages (2 tomes reliés en un volume). Reliure de l'époque demi veau glacé grenade réalisée et signée à l'or fin sur le dos ORFMAT. Dos à 5 nerfs orné de filets, frises, fleurons, et titre, frappés à l'or fin, larges fleurons noirs estampés à froid, deux pièces de titre en maroquin vert bouteille. Bon état, somptueuse reliure, infime mouillure en bas du second plat, côté peau, intérieur frais. Rare édition originale illustrée de 25 vignettes d'Achille Devéria gravées Sur Bois par Henri Porret. Exemplaire enrichi d'une belle lettre manuscrite dépliante signée de l'auteur adressée au Docteur Paul AUBRY, montée sur onglet, in-fine, avec son enveloppe cachetée. Exemplaire du Docteur Paul Aubry (ex-libris estampé à froid en relief en haut de page de titre). Dédicacé par l'auteur.

Couverture rigide. Condition: Bon. Deux volumes in-8°, (4) III 439 et (4) 438 pp. Reliure de l'époque en demi-basane, dos à nerfs orné de pièces de titre et de tomaisons en maroquin rouge, de palettes dorées ainsi que de fers et de palettes estampées, gardes cailloutées. (reliures légèrement frottées, petite perte de cuir aux coiffes supérieures, présence de rousseurs sur la gouttière et dans l'intérieur des volumes, néanmoins ces rousseurs restent peu soutenues et éparses dans l'ensemble, plusieurs planches sont uniformément brunies). Ouvrage illustré, selon Vicaire (I, 402-403) de 40 magnifiques lithographies hors texte coloriées d'Henri Monnier et de vignettes de Devéria. La plupart des exemplaires, comme celui-ci, n'en contiennent que 33 (27-6). Exemplaire non rogné. RARE.

Couverture rigide. Louis Janet | Paris 1929 | 14.50 x 22 cm | relié | Edition originale collective. Reliure en demi veau olive, dos lisse orné de motifs décoratifs romantiques dorés, un petit accroc en tête du dos, plats de papier marbré, coins inférieurs émoussés, gardes et contreplats de papier à la cuve, tranches marbrées, reliure romantique de l'époque. Ouvrage illustré d'un portrait de l'auteur en frontispice. Quelques rousseurs. | [ENGLISH DESCRIPTION FOLLOWS] First collected edition. Half olive calf binding, smooth spine decorated with gilt romantic decorative motifs, small tear at head of spine, marbled paper boards, lower corners slightly bumped, marbled endpapers and pastedowns, marbled edges, contemporary romantic binding. Work illustrated with a portrait of the author as frontispiece. Some foxing. *.