Aden Maike (9 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condition: New. Prima edizione (First Edition). Volume illustrato in b/n sulla storia della libreria Boekie Woekie. Con contributi di Maike Aden, Christa-Maria Lerm Hayes e Anne Thurmann-Jajes . Cm 24x17. pp. 168. . Nuovo (New). . Prima edizione (First Edition). . Questo libro esplora quasi quarant'anni di Boekie Woekie, la leggendaria libreria e galleria gestita da artisti di Amsterdam. Fondata nel 1986 da un gruppo di artisti, Boekie Woekie si è evoluta fino a diventare un centro autosufficiente per libri d'artista e un'opera d'arte vivente a sé stante. Il libro riflette sulle radici di Boekie Woekie nella tradizione Fluxus, sulla sua filosofia editoriale radicale e sulla sua continua sfida alle convenzioni del mondo dell'arte. Include materiale d'archivio, estratti dal diario di Jan Voss, una lista delle opere esposte e la documentazione delle pratiche di stampa sovversive e delle collaborazioni internazionali del gruppo. Book.…

Taschenbuch. Condition: Neu. Neuware - Archive und Depots. und Lager und Halden und Haufen und Bunker und Verliese und KammernDer Lockdown hat den Schädlingen - Motten, Schimmelpilzen und Käfern - in den Archiven gut getan. Die relative Ruhe, Dunkelheit und fehlende Störungen durch Besucher und Mitarbeiter haben seit März perfekte Bedingungen für Larven und erwachsene Tiere gleichermaßen geboten.Die 'relative Ruhe' hat in der Redaktion dazu geführt, diese Ausgabe endlich fertigzustellen. Wie hoffen dass sie ungestört durch Mitarbeiter oder Besucher aber bei guter Beleuchtung, Zeit finden werden diese Ausgabe zu lesen, inhaltlich gibt es (bis auf eine private Anzeige) keinerlei Verbindungen zur Pandemie.Die Zeiträume sind andere. Die Bildstrecke der Rabenhügel in diesem Heft macht die Sachlage deutlich. Diese Hügel, weit verteilt in der Landschaft, sind von Raben- und Raubvögeln angelegt. Sie entstanden, weil die Vögel immer auf dieselben Stellen schissen, die im Laufe von Jahrzehnten und Jahrhunderten zu ansehnlichen Aussichtsposten heranwuchsen.Der Terminus »Archiv« hat auf dem Weg durch die Historien und Disziplinen einige Bedeutungsverschiebungen und -erweiterungen erfahren. Er wird heute zunehmend metaphorisch benutzt (s.o.) oder im globalen Sinne als Kulturtechnik und Institution der Gedächtnisbildung aufgefasst, weniger institutionell oder situativ-konkret gedacht.Wir haben uns ein wenig umgetan in diesen Kontexten und haben Stichproben zusammengetragen. Soviel vorweg, die Ideen wie ein Archiv auszusehen und zu funktionieren hat, unterscheiden sich eklatant von den tatsächlichen Verhältnissen in diesen Institutionen.…

Bookstamp of Simon Lee, Fine in publishers decorated wrappers. Text in German. ISBN 3832522956.

Taschenbuch. Condition: Neu. Kultur & Gespenster 21: Archive und Depots | Kultur und Gespenster 21, Textem-Magazin | Maike/Bandel, Jan-Frederik/Baumgarten, Lothar u a Aden | Taschenbuch | 352 S. | Deutsch | 2021 | Textem Verlag | EAN 9783864851476 | Verantwortliche Person für die EU: Textem Verlag GbRNora Sdun und Gustav Mechlenburg, Nora Sdun, Schäferstr. 26, 20357 Hamburg, norasdun[at]textem[dot]de | Anbieter: preigu.…

Paperback. Condition: New. On Air showcases a distinctive art form, the sound sculpture, retracing its evolution from the early 1950s, when artists begin dismantling the conventional boundaries of art, to the early 1970s. In no more than a quarter-century, the range of possible answers to the question "What is art?" grows vastly larger. Propelled by the idea of the work of art as a machine and instrument, sounds, noises, tones, vibrations, silence, words, breath become a "tangible" sculptural material. Artists enrich visual perception by adding the acoustic dimension, interweave seeing and hearing, explore time and space with fresh zeal.In emerging artistic genres such as performance, installation, or media art, sound is an integral component of the work. The book focuses on sound objects by Yaakov Agam, Joseph Beuys, Hermann Goepfert, Yves Klein, Jannis Kounellis, Bruce Nauman, Robert Rauschenberg, Jean Tinguely, David Tudor, Timm Ulrichs, and others.With five scholarly essays and numerous illustrations and notes on individual works, the comprehensive publication offers an attractive introduction to the subject.…

Paperback. Condition: New. On Air showcases a distinctive art form, the sound sculpture, retracing its evolution from the early 1950s, when artists begin dismantling the conventional boundaries of art, to the early 1970s. In no more than a quarter-century, the range of possible answers to the question "What is art?" grows vastly larger. Propelled by the idea of the work of art as a machine and instrument, sounds, noises, tones, vibrations, silence, words, breath become a "tangible" sculptural material. Artists enrich visual perception by adding the acoustic dimension, interweave seeing and hearing, explore time and space with fresh zeal.In emerging artistic genres such as performance, installation, or media art, sound is an integral component of the work. The book focuses on sound objects by Yaakov Agam, Joseph Beuys, Hermann Goepfert, Yves Klein, Jannis Kounellis, Bruce Nauman, Robert Rauschenberg, Jean Tinguely, David Tudor, Timm Ulrichs, and others.With five scholarly essays and numerous illustrations and notes on individual works, the comprehensive publication offers an attractive introduction to the subject.…

Soft cover. Condition: As New. Madrid: Museo Reina Sofía, 2016. Softcover. 272 pages with CD. English language. New and sealed. Key figure in Mexican conceptual art, Ulises Carrión was an artist, editor, curator, and theorist of the post-1960s international artistic avant-garde. Dear Reader. Don't Read, an A4-size, 272-page book with CD, issued in collaboration with the Museum Reina Sofia in Madrid within the context of Carrion large retrospective, is focused on Ulises Carrión's personal and groundbreaking approach, managing to illustrate all aspects of his artistic and intellectual work. This includes books, magazines, videos, films, sound pieces, mail art, public projects, and performances, along with Carrión's initiatives as curator, editor, distributor, lecturer, archivist, art theorist, and writer. It is a significant body of original work structured to place a spotlight on every facet of his production. Without losing sight of the unclassifiable nature of his oeuvre, this book emphasizes Ulises Carrión's constant search for new cultural strategies and the extent to which his projects were determined by two fundamental themes: structure and language. These represent artistic guidelines influenced by a literary education, which he invariably struggled against, and are pervasive in his work. This duality corresponds to the exhibition title Dear Reader. Don't Read which illustrates his ambiguous relation to literature, a recurring theme in his work. Due to his interest in new art forms and innovative trends, Carrión actively participated in most of the artistic disciplines of his time. He co-founded the independent artist-run space In-Out Center in Amsterdam and founded the legendary bookshop-gallery Other Books and So (1975-79), the first of its kind dedicated to the presentation, production, and distribution of publications that were no longer literary texts nor about art, but rather books that were art or, as Carrión himself called them, "non-books, anti-books, pseudo books, quasi books, concrete books, visual books, conceptual books, structural books, project books, statement books, instruction books". Along with his artistic activities, Ulises Carrión developed a wide range of theoretical work having a great influence on young visual artists. It is fascinating to see that Ulises Carrión's theories are seemingly precursors to more recent art theories of the twenty-first-century digital world. During his most creative artistic period, he participated in the international mail art network which Carrión considered a kind of guerilla strategy.…