Adrian Kohn (18 results)

Condition: good. Hardcover Book.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Near Fine. 1st Edition. Softcover, 56 pgs. 9.5 x 10 in. Catalog for exhibition held January 26 - March 16, 2017. Minimal corner wear, near fine.

Condition: Very Good. An exhibition catalog from Nahmad Contemporary Gallery featuring paintings by Jan Frank. This book is from the estate of Chuck Close. There is a letter tucked in the front cover from Jan Frank to fellow artist Chuck Close. The book is in very nice condition. The pages are clean and unmarked.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

Hardcover. Condition: New.

263 pp.; 20.9 x 13.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Volume of texts published in conjunction with a symposium on the work of John Chamberlain hosted by The Chinati Foundation, Marfa, Texas, April 22 - 23, 2006. Introduction by Marianne Stockebrand and Richard Shiff, moderator. Transcriptions of lectures by Steven Nash, Klaus Kertess, Dieter Schwarz, Adrian Kohn, Donna De Salvo, Francesca Esmay, David J, Getsy and William C. Agee. Includes contributor biographies. Good. Overall soiling of covers with rubbing of cover edges and light dust soiling of text block edge. Bumping of right side edge of title page with light soiling, contents otherwise clean and unmarked.…

Condition: Used. pp. 216.

Condition: Used. pp. 216.

Condition: Used. pp. 216.

Gebunden. Condition: New. During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists embraced light as their primary medium. This title explores and documents the unique traits of the work produced in Southern California during the 1960s and 1970s and traces its i.

Hardcover. Condition: As New. In great shape, clean text, tight binding, no stickers, still sealed.

Hardcover. Condition: New.

Hardcover. Condition: New. John Chamberlain rose to prominence in the late 1950s with energetic, vibrant sculptures hewn from disused car parts, achieving a three-dimensional form of Abstract Expressionism that astounded critics and captured the imaginations of fellow artists. For a seven-year period in the mid-1960s, the artist abandoned automotive metal and turned to other materials. Motivated by scientific curiosity, Chamberlain produced sculptures in unorthodox media, such as urethene foam, galvanized steel, paper bags, mineral-coated Plexiglas and aluminum foil. Since returning in 1972 to metal as his primary material, Chamberlain limited himself to specific parts of the automobile, adding color to found car parts, dripping, spraying and patterning on top of existing hues to an often wild effect. In recent years, the artist has embarked on the production of a new body of work that demonstrates a decided return to earlier themes. John Chamberlain: Choices accompanies the Guggenheim Museum exhibition, which comprises 95 works, from the artist's earliest monochromatic iron sculptures to the outsized foil creations he is working on today, encompassing shifts in scale, material and methods informed by the collage process that has been central to Chamberlain's working method. This fully illustrated exhibition catalogue includes essays by Susan Davidson, Donna De Salvo, Dave Hickey, Adrian Kohn and Charles Ray with an extensive chronology by Helen Hsu and a lexicon by Don Quaintance.…

Hardcover. Condition: New. During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists--including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler--more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or playing with light through the use of reflective, translucent, or transparent materials, each of these artists created situations capable of stimulating heightened sensory awareness in the receptive viewer. Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, explores and documents the unique traits of the phenomenologically engaged work produced in Southern California during those decades and traces its ongoing influence on current generations of international artists. Foreword by Hugh M. DaviesAdditional contributors: Michael AupingStephanie HanorAdrian KohnDawna SchuldArtists:Peter AlexanderLarry BellRon CooperMary CorseRobert IrwinCraig KauffmanJohn McCrackenBruce NaumanEric OrrHelen PashgianJames TurrellDe Wain ValentineDoug Wheeler.…