Adrian Sudhalter (118 results)

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover, 230 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. 4°, 28,5 x 23 cm. Original cloth, well protected in the original envelope, only this is slightly rubbed. 352 pages, richly illustrated in color and monochrome. Probably unused and in very good condition. --- Originaler Leinenband, gut geschützt im originalen Umschlag, nur dieser ist geringfügig berieben. 352 Seiten, reich farbig und einfarbig bebildert. Wohl unbenutztes, sehr gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! KuAllg2.…

hardcover. Condition: Fine.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Oversized Hardcover. Condition: Good. Unique in its approach, this handsome volume places the artwork at center stage, presenting some seventy Dada works from the Museum's collection-books, collages, drawings, films, painting, photographs, photomontages, prints, readymades, reliefs-in large-scale reproductions and accompanied by in-depth research to provide unparalleled access to the broader themes at the heart of this revolutionary movement.…

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Very Good. Hardback--excellent condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Hardcover. Condition: new. Hardcover. Carl Grossberg's (1894-1940) painting career was bracketed by the two world wars. He drew his subject matter from "the enormous wealth of new forms in the world of technology," recognising both its potential and its dangers. The publication examines the paintings, drawings and prints of the German New Objectivity painter in the Merrill C. Berman Collection. Long associated with the German New Objectivity movement of the 1920s, Grossberg is revered for his precise paintings of industry, devoid of human figures but vibrant with colour. His "Dream Pictures" envision industrial settings inhabited by unexpected creatures, such as monkeys, bats and birds, which act to destabilise the certainty of such materialised rationalism. This lavishly illustrated book takes an unprecedented object-based approach and focuses on the reception of the works during the artist's lifetime. It highlights his Bauhaus training, his interrelated practices as a painter and interior designer, the centrality of commissions, and his relationship with the National Socialist regime after 1933. It is a robust study of Carl Grossberg's work and life with a full scholarly armature including historical photographs, documents and publications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: new. Hardcover. We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Hoech, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.' How the modernist avant-garde from Dada to constructivism re-conceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

Condition: New. pp. 352.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: fine. Dust Jacket Condition: Fine. First edition. Published in conjunction with the exhibition Engineer, Agitator, Constructor: The Artist Reinvented, 1918-1939 at the Museum of Modern Art, New York, May 10-September 12, 2020, curated by the Department of Drawings and Prints. Very gently used, no edition specified. 9¼" - 12¼". book. …

Hardcover. Condition: Very Good Plus. Near Fine. Second Printing. cloth, hardcover in dust jacket. large, heavy book., four pages have a faint corner-crease. minor signs of use. no writing or markings. not bumped. no tears or chips. strong binding.; english text.; 344pp., 475 illustrations in color, aside from period b/w photos.texts from 22 contributors on many aspects of the bauhaus. Size: Folio - over 12" - 15" tall. Exhibition Catalogue. …

Hardback. Condition: New. Carl Grossberg's (1894-1940) painting career was bracketed by the two world wars. He drew his subject matter from "the enormous wealth of new forms in the world of technology," recognising both its potential and its dangers. The publication examines the paintings, drawings and prints of the German New Objectivity painter in the Merrill C. Berman Collection. Long associated with the German New Objectivity movement of the 1920s, Grossberg is revered for his precise paintings of industry, devoid of human figures but vibrant with colour. His "Dream Pictures" envision industrial settings inhabited by unexpected creatures, such as monkeys, bats and birds, which act to destabilise the certainty of such materialised rationalism. This lavishly illustrated book takes an unprecedented object-based approach and focuses on the reception of the works during the artist's lifetime. It highlights his Bauhaus training, his interrelated practices as a painter and interior designer, the centrality of commissions, and his relationship with the National Socialist regime after 1933. It is a robust study of Carl Grossberg's work and life with a full scholarly armature including historical photographs, documents and publications.…

Condition: new.

Soft cover. Condition: Near Fine. Softcover. Still in plastic wrap. A clean and unmarked copy. 4to.

Condition: New.

Hard Cover. Condition: Very Good Plus. Dust Jacket Condition: No Jacket, as Issued. First English Language Edition. hard cover, illustrated boards, as issued., trace of a small, faint smudge to top edge. else, clean. no markings. no bumps, tears, creases. tight binding.two text blocks, one is 3/4" smaller, from left to right, afterwhich is the dadaglobe reconstruction of tzara's dada anthology project that was never published. 143pp. of illustrated essays followed by 159pp. of illustrated material from tzara's archive. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. …