After 1594 (36 results)

Seltenes in Farben gedrucktes Schabkunst-Blatt von 1790. -- Blatt-Maße: ca. 32 x 23 cm. -- gut erhalten. || Rare color printed mezzotint from 1790. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Original Kupferstich aus dem 18. Jahrhundert. -- Blatt-Maße: ca. 16 x 21 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from the 18th century. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Seltenes in Farben gedrucktes Schabkunst-Blatt von 1790. -- Blatt-Maße: ca. 32 x 23 cm. -- im Außenrand leicht fleckig, ansonsten gut erhalten. || Rare color printed mezzotint from 1790. -- slightly stained in the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 21 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 20 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 21 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 20 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 20 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 20 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Bild-Maße: ca. 24 x 17 cm. Blatt: ca. 47 x 33 cm -- Kupferstich -- gut erhalten. || Copper engraving -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 1500.

Original Zeichnung von Jean-Baptiste Francois Arnaud-Durbec (1827-1910) aus dem 19. Jh. Auf Papier montiert. -- Blatt-Maße: ca. 30 x 19 cm. -- gut erhalten. || Die auf dem zweiten Photo abgebildete Biographie ist nicht Teil des Angebots. || Original drawing by Jean-Baptiste Francois Arnaud-Durbec (1827-1910) from the 19th century. Beautiful sketch after Nicolas Poussin. -- Mounted on paper. -- in very good condition. || The attached picture of the biography of the artist is not included with the listing. || Jean Baptiste François Arnaud-Durbec (Marseille, 1827 - Paris, 1910), known as Arnaud-Durbec, was a French painter from the city of Marseille. Faced with the need to provide for his family, Arnaud-Durbec, the oldest of a numerous family, decides to quit his classical studies and becomes an apprentice in a academy where interior decoration was taught. The skills he learned during his apprenticeship will be highly important in his development as an artist. He later enrolls in the École des Beaux-Arts in Marseille, first under the direction of the Augustin Aubert (1781-1857), later unter the painter Émile Loubon (1809-1863). Loubon directs him to start working on various side projects votive offerings, decorations for cafés, church paintings, portraits, lithographs. Upon spending some time in Marignane, he gets sick from malaria and is confined to bed, in a serious condition, for three months. After surviving the disease, he returns to Marseille, where he executes paintings for the Church of Estaque. He later paints and decorates parts of the Église Saint Pierre in Avignon, as well. In 1868, he leaves for Paris, where his career truly takes off. After the Franco-Prussian War in 1870, Arnaud-Durbec meets Félix Philippoteaux (1815-1884), under whose command, together with a group of Parisian artists, he works on the Panorama du siege de Paris (1870-71). Arnaud-Durbec was also a member the Paris Commune. He is later commissioned to do the decoration of the hunting hall in the Neudeck Castle. Further works on commission follow, as Arnaud-Durbec's reputation grows; he works in various theaters, including Montpellier, and does part of the central dome of the Exposition Universelle of 1881, as well as the hall dedicated to the establishment known as Menus-Plaisirs du Roi. Arnaud-Durbec died in Paris in 1910, ending a long and fruitful career. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Seltene altkolorierte Kupferstich-Karte von ca. 1650. -- Mit lateinischem Text auf der Rückseite. -- Blatt-Maße: ca. 49 x 58 cm. -- teils etwas gebräunt, im unteren Mittelbug hinterlegt, sonst gut erhalten. || Rare old colored engraved map from c. 1650. With Latin text on verso. -- partly somewhat browned, deposited on the lower part of the centerfold, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 1550.

Condition: Good. Lithograph. 15 x 19.2 cm. (image). 20.5 x 25 cm. (sheet). Very Good. Light surface soiling and specks of foxing. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques, choix de dessins d'après les grands maitres de toutes les Ecoles, tirées du Musée de S.M. le roi de Bavière par Strixner, Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty, and was published by J Stuntz in Munich in 72 parts each of 6 sheets, with 432 prints in total, between 1810 and 1816 (so Düssler: no complete copy is recorded in London, and the BM only has oddments from it). It was followed by the separate series of plates after paintings, the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv', 87 1965, pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821.

Condition: Good. Etching on laid paper. 28.5 x 38.5cm. Met Museum Accession Number: 62.5701. References: De Vesme 65.2.ii; Le Blanc II.11.2.Painter and engraver; born in Rome. Made a small number of etchings after Poussin, including 'Mars and Venus in a Landscape', 'Venus and Adonis' and 'Venus and Mercury'.

Condition: Good. Folio. 34 x 21 cm. Original contemporary stiff vellum with 6 raised bands. [2], viii, 602, [10], 224pp. Two columns printed in Latin and Greek in the first part and Latin only in the second part. Waterstain in the lower right corner throughout. The map is bound in front of page 1 and is in fine and fresh condition.This unique map was first printed as part of Isaac Casaubon's edition of Strabo's Geographia in 1587. In this, the first printing there are columns of text underneath rhe map with the heading, "Lectori S. P." In later editions the map was included in the well known Mercator atlas, which Rumold compiled. In 1603, the plate developed cracks in the top edge of the plate; two distinct cracks can be seen in the title.The preeminent example of Rumold Mercator's map of the world, first printed in this edition in Geneva in 1587. It is based on Gerard Mercator's celebrated 1569 world map and was made while Gerard was still alive (1512- 1594). This is the only collectible world map with direct input from Gerard Mercator, the greatest geographer of his era. Both his 1538 and 1569 world maps are unobtainable rarities.The present work is a reduced version of the 1569 wall map of the world, on which the revolutionary Mercator Projection was introduced. This edition makes the map into a double-hemisphere format, rather than the projection style.To the left is the western hemisphere. The prominent bulge in South America, a characteristic introduced by Gerard Mercator and evident on his 1569 world map, has been retained here. Tierra del Fuego forms part of a gigantic southern continent that continues in the eastern hemisphere. At the north pole, two of the four islands that Gerard Mercator thought surrounded the pole are evident. There is also a suggestion of a Northwest Passage via the Straits of Anian.Isaac Casaubon, (1559, Geneva ?died July 1, 1614, London). French classical scholar and theologian who was one of the leading scholars of the era.He was born in Geneva on 18th February 1559, a son of Huguenot parents Arnaud and Jeanne. He was educated at the university in his home town and taught Greek there. His first wife was Marie Prolyst but she and their daughter died. In 1586 in Geneva he married Florence, daughter of Henry Estienne and they had seventeen children, of whom about half did not survive infancy. His first major published work was on the Greek geographer Strabo and many other works followed. The invitation to come to England seems to have come from Richard Bancroft, Archbishop of Canterbury. Isaac was later made a prebendary of Canterbury but died in London on 1st July 1614.References: This first edition not in OCLC. Shirley, The Mapping of the World - Early Printed World Maps 1472 - 1700, Nr. 157; van der Krogt, Koeman's Atlantes Neerlandici, Vol. I, 0001:1A; Adams S-1908; Graesse VI:505. (Map) Koeman Me12; Moreland & Bannister p. 243; Shirley 157; Wagner Northwest Coast 146 . In-folio, reliure de l'époque vélin, dos à 6 nerfs, titre à l'encre dans le caisson de tête. Qq. taches, petites déchirures (nerfs et coiffe inférieure), coins usés. (8)-602-(2 bl.)-(8)-223 pp. et planisphère à double page rempliée. Trace de mouillure dans la partie inférieure droite sur tout l'ouvrage, marquée sur le premier quart puis s'amenuisant et s'estompant jusqu'à la fin du volume. Planisphère en belle condition (mouillure à peine visible, pas de déchirure, impression contrastée). Exemplaire complet des deux pages de titre gravées sur bois à décor identique de cariatides soutenant une couronne et de la planisphère (Orbis Terrae Compendiosa Descriptio) gravée par Rumold Mercator d'après la carte de son père Gérard Mercator et légendée en latin.Expertise by Christine CHATON Expertise en livres anciens et modernes (C.N.E.S.), 17100 SAINTES.

Condition: Fine. ~ Copper engraving, late 17th century, after «Paysage avec Orphée et Eurydice» (ca. 1650) by Nicolas Poussin, oil at the Musée du Louvre in Paris. Size approx. 57cm (22.2in) x 75cm (29.2in). Title at bottom: « Dedié a Louis le Grand Roy de France et de Navarre. Par son tres humble tres Obeissant serviteur et sujet E. Baudet. Dans ce tableau le Poussin a voulu particulierement représenter la veüe d'un païs délicieux. Mais il y exprime aussy d'une maniere nouvelle le Charme puissant de la voix et de la lyre d'Orphée. Euridice blessée a mort par un Serpent tombe et n'a pas la force de se relever pour s'approcher de son Epoux dont elle entend la voix. D'un autre costé Orphée tout transporté hors de luy mesme en chantant et joüant de sa lyre, ne voit point l'accident funeste qui luy enleve sa chere épouse, parce que deux jeunes nymphes attentives a l'écouter, et plus loin un homme debout proche d'Euridice la cache entierement a ses yeux » - REF: Andresen, A. «Catalogue des graveurs de Poussin», Gazette des Beaux-Arts, vol. 60, 1962, p. 198. ~ In fine condition // We accept PayPal & EU bank transfer in EUROS //. Fine Art Print.

No Binding. Condition: Fair. Portrait of Andreas Colvius. Born c. 1594 in Dordrecht, The Netherlands. Died 1 July 1671 in Dordrecht, The Netherlands. Etching and Engraving by Salomon Savery (1594 - after 1666), after Aelbert Jacobsz. Cuyp (1620-1691), c. 1680. Reasonable condition. Margins trimmed to the border (probably with loss of text below the image). Paper a bit soiled. Some creasing. Verso: blank. Mounted onto a later album leaf. Dimensions: 178 x 160 mm. Andreas Colvius was Poet, Preacher, Preacher in Dordrecht, Protestant preacher, Walloon preacher, Preacher in Rijsoord, and Preacher to the Dutch Embassy in Venice. c. 1680. Print.

No Binding. Condition: Fair. Portrait of Dirk Rafaelsz Camphuysen. Born 1586 in Gorinchem, The Netherlands. Died 9 July 1627 in Dokkum, The Netherlands. Etching and Engraving by Salomon Savery (1594 - after 1666), after Casper Casteleyn (1625/1635-1661), c. 1680. Reasonable condition. Margins trimmed to the border. Paper slightly soiled. Mounted onto a later album leaf, with some manuscript annotations on it. Provenance: collection Dr. J.G. de Lint, with his collection stamp on the verso of the mount. Dimensions: 231 x 183 mm. Dirk Rafaelsz Camphuysen was Poet, Preacher, Painter, Theologian, Artist, and Preacher in Vleuten. c. 1680. Print.

Portrait of Dirck Jansz van Oirschott, calligrapher in Amsterdam. Bust directed to the right, head slightly turned to face the observer, wearing a hat, cloak and a flat white collar; within ornamental frame with tablet below. Reference to the portrayed added in pencil within the frame. Etching and engraving on paper; trimmed within the margins; total: 287 x 200 mm; Hollstein 127.

No Binding. Condition: Fair. Portrait of Dirk Rafaelsz Camphuysen. Born 1586 in Gorinchem, The Netherlands. Died 9 July 1627 in Dokkum, The Netherlands. Etching and Engraving by Salomon Savery (1594 - after 1666), after Casper Casteleyn (1625/1635-1661), c. 1680. Reasonable condition. Small margins. Paper a bit soiled. Some minor creasing. Verso: blank. Mounted onto an old album leaf. Provenance: collection Dr. J.G. de Lint, with his collection stamp on the verso of the mount. Dimensions: 232 x 184 mm. Dirk Rafaelsz Camphuysen was Poet, Preacher, Painter, Theologian, Artist, and Preacher in Vleuten. c. 1680. Print.

No Binding. Condition: Fair. Portrait of Andreas Colvius. Born c. 1594 in Dordrecht, The Netherlands. Died 1 July 1671 in Dordrecht, The Netherlands. Etching and Engraving by Salomon Savery (1594 - after 1666), after Aelbert Jacobsz. Cuyp (1620-1691), c. 1680. Reasonable condition. Paper a bit soiled and slightly browned. With some folds (as issuedh). Lacking a piece of the margin in the lower left corner (as issuedh), repaired using old paper. A small tear in the lower left corner of the image, repaired on verso. Verso: blank. Mounted onto a later album leaf. Provenance: collection Dr. J.G. de Lint, with his collection stamp on the verso of the mount. Note: dimensions reflect the entire leaf, excluding the mount. Dimensions: 240 x 163 mm. Andreas Colvius was Poet, Preacher, Preacher in Dordrecht, Protestant preacher, Walloon preacher, Preacher in Rijsoord, and Preacher to the Dutch Embassy in Venice. c. 1680. Print.

The Moses of Michelangelo in the church of St. Pietro in Vincoli in Rome. Signed and numbered on the pedestal: "FP B 20", FP monogrammed and the B stands for "Bergognone". From 'Segmenta Nobiliarum Signorum et Statuarum', a series of 101 etched plates (frontispiece and 100 illustrations) representing statues from Rome, first published in Rome in 1638, and reprinted five times before the end of the seventeenth century. On verso, on the bottom right corner collector's mark: "P" in black (stencilled?). Date of publishing print: 1638. Etching on laid paper; plate mark: 219 x 129 mm, total: 292 x 180 mm; some soiling on the external margins, a brownish stain towards the bottom right, otherwise very nice impression. Le Blanc 38-137.

Cavalier seen from back, resting his left arm on a balustrade; in the background a palace; monogrammed on the bottom right: 'PQ'. On the verso collector's mark: Rijksprentkabinet, Rijksmuseum, Amsterdam (L. 2228a) l Etching on paper; trimmed within platemark; margin lined in brown ink; total: 137 x 86; Hollstein 60.

Cavalier in right profile, wearing a double plumed hat. In the left backgroung a man on horse. Signed on the bottom right: 'PQ'. From the collection of the Rijksprentkabinet, Rijksmuseum, Amsterdam l Etching on paper; trimmed within platemark; margin lined in brown ink; stain on the top margin and on the lower left corner; total: 134 x 89; Hollstein 58.

Satirical print with a portrait of the English Admiral Henry Appleton, commander of the English fleet defeated during the sea battle at Livorno by a Dutch fleet under the command of Jan van Galen, on 14th March 1653. The Admiral stands ashore, pointing with his left hand towards the viewer. In the background the sea battle with the name of Jan van Galen. The print is part of a set of ten plates with representations of beggars and peasants in which also several figures from the First English War (Eerste Engelse Oorlog) are included, ca. 1653-1654. Monogrammed ad numbered on the bottom left with nr. "10". On verso some transfer-ink. Etching on paper; with some margins; platemark: 136 x 91; total: 151 x 108; some staining, also affecting the sky; damp stain towards the bottom, toning paper.

Bust portrait of Carolus Niellius seated by a table with his right hand turning the pages of a book on the table itself. In lettered oval frame: 'DN CAROLUS NIELLIUS IS GEBOOREN.' Six lines of Dutch text on cartouche below: 'Dus Stond NIËLL. kraaght con stillen / P. Niellius Excud. / V. Ryp'. Signed below the oval frame: 'T. Keyser pinxit / Crisp. de pas incid'. l Engraving on paper; trimmed within plate mark, pasted on cardboard; total: 304 x 200 mm; Hollstein 94, Franken/Passe 771.

No Binding. Condition: Fair. Portrait of Simon Episcopius. Born 8 January 1583 in Amsterdam, The Netherlands. Died 4 April 1643 in Amsterdam, The Netherlands. Etching and Engraving by Salomon Savery (1594 - after 1666), after Hendrick Martensz. Sorgh (c. 1611 - 1670), c. 1650. Reasonable condition. Paper slightly soiled, with a faint stain in the upper and lower left corner. Mounted onto later paper. Dimensions: 155 x 125 mm. Simon Episcopius was Professor, Theologian, Remonstrant, Dutch Remonstrant theologian, Participant in the Synod of Dort (1618?1619, Professor at the University of Leiden, and Theological founder of Arminianism. c. 1650. Print.

An elderly beggar couple seen from behind. After Savery, after Quast. The original plate was part of a series of twenty-six prints depicting beggars and peasants.Numbered at bottom right, hardly visible: 2.[NL] Bedelaar en bedelares. Man met stok en vrouw in haveloze kleren, gezien van achteren. Op de achtergrond soldaten en ruiters. Prent naar after Salomon Savery. Etching on paper, with some margin; total: 176 x 142 mm; some light discolouration, some staining and rubbing due to handling, a hole in the bottom margin, possibly due to hanging, but overall in good condition. Mounted on paper passepartout. Hollstein (Savery) 87 (Quast) 24.

1633. Oblong etching on paper. Holy Family, in the foreground on the left the Virgin Maria sitting, watching the Christ Child embracing a lamb held by the infant John the Baptist; in the background on the right, Saint Joseph at work, surrounded by two angels, one of them pointing upwards. Below image two lines of inscription in Italian: "Scherzano i duoi Bambin: gode Maria, l'Angel mostra a guiseppe eterna via." At bottom signed and dated in the plate: "Franciscus Perier Burgundus inv sculp. - Le B - Cum privilegio Regis. 1633." 19,6 x 21,4 cm.*Copy in reverse of Robert-Dumesnil VI, 162, No. 2.II (second state, published by Jean Leblond I). François Perrier, also known as Le Bourguignon, was a French painter and etcher, he worked in Rome and Paris, was founder member of the Académie in 1648. - Small margins, somewhat soiled, tiny pinhole to the right.[(6099)].

Half-length portrait of Cornelis Danckaert (1510-1568) at the age of 51; he was a teologian in Amsterdam. He is portrayed in an oval with a book in his hands. Inscribed in the oval frame: 'MR. GRATIANVS CORNELY.S. THEOLO. BACCALAVREVS FORMATVS. AETA. LI', in a banderol underneathfive lines Dutch text: 'Diet al. hieten. JJ' at the bottom of this cartouche signatures:'W.C. heda pinx.', 'J.V.Velde sculp.' and 'C. Koning Excudit' l Engraving trimmed to plate mark; total: 245 x 166 mm; state II/2; Franken 19; Hollstein 394, v. Someren 1206.