After 1664 (46 results)

Booklet - Unbound Pages. Condition: Very Good. In 1664, Colonel James Turner and members of his family; John, William, Mary, and Ely Turner were tried at the Old Bailey for felony and burglary. The case was unusual not only for the involvement of a former Parliamentarian officer but for the breadth of the accused, spanning multiple generations. The Turners were charged with breaking and entering, and with theft of goods from private dwellings, a dramatic fall from the Colonel's earlier military standing. The trial drew attention for its blend of domestic scandal and criminal enterprise, and for the suggestion that political dislocation in the wake of the Restoration had driven some former Commonwealth figures into desperate circumstances. The proceedings ended with convictions, underscoring the shifting fortunes of those once aligned with Parliament's cause. 33 pages, printed in double columns. Printed between 1809 and 1826, these historic documents are vivid extracts from Cobbett's State Trials; pages from the courtroom record that preserve the voices, arguments, and verdicts which helped shape the course of British justice and still echo through its constitutional legacy. Over two centuries old, each leaf is a tangible fragment of legal history, compelling, original, and rarely encountered outside institutional collections. These are not reprints or replicas, but authentic 19th-century printings that are rich in drama, and steeped in history. This particular trial report has been removed from a volume of Cobbett's State Trials and is now preserved in a modern card cover for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 15 x 25 cms. Category: State Trials; State Trials::Octavo; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Bild-Maße: ca. 22 x 16 cm. Blatt-Maße: ca. 42 x 26 cm. -- Original Kupferstich. -- gut erhalten. || Original copper engraving. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Original Kupferstich aus dem 18. Jh. Mit Text auf der Rückseite. -- Blatt-Maße: ca. 15 x 14,5 cm. -- im Außenrand nur leicht fleckig, sonst gut erhalten. || Original engraved portrait from the 18th century. With text on verso. -- only slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Size: Folio. Disbound. Engraved. Comprising: i) WELDON, John (1676-1736), Fair Celia's Eyes (2ff., January 1705); ii) WELDON, I'm Cupids Warrior (2ff., March, 1705); iii) XIMENES, Charles, Why shou'd women be so coy (1f., March, 1705); iv) CLAYTON, Thomas (1673-1725), Wanton Zephyrs, in the Opera of Arisnoe (1f., May, 1705); v) PURCELL, Daniel (1664?-1717), Why Belvidera, song in the Tender Husband (1f., May, 1705); vi) YOUNG, Anthony (ca 1685-1747), Damon Restrain your Wand'ring Eyes (1f., May, 1705); vii) WELDON, The Welfare of all on blest Anna, Song in the Subscription Musick (1f., June, 1705); viii) LEVERIDGE, Richard (1670-1758), A Song in the Play call'd the Quacks, or Lov's the Physitian, Sung by the Boy. ['To gentle Strephon'] (2f., June, 1705). RISM A/I/5 and A/I/12 L 2282. BUC p.617; ix) WELDON, With sighing (2ff., November, 1706); x) BARRETT, John (1674-1738), Cruell Charmer (1f., November, 1706); xi) TOWNSHEND, James (Organist of Lym Riges), Fly Damon (1f., November, 1706); xii) WILLIS, Thomas, She's come, T'immortalize our toast (1f., June, 1707); xiii) RAMONDON, Littleton (1684-after 1715), When first Amintas Charm'd my heart (1f., June, 1707); xiv) WELDON, Cease Aminta to complain (1f., August, 1707); xv) LEVERIDGE, A New Song. ['If to love or good Wine'] (2f., August, 1707). RISM A/I/5 L 2225 and BUC p.616 reference the same single copy; xvi) YOUNG, Anthony, Cupid designing to Disarm poor Strephon (1f., August, 1707); xvii) WELDON, The Wakefull Nightingale (1f., January, 1708). The monthly mask of vocal music, 1702-1711, a facsimile edition, edited by Olive Baldwin and Thelma Wilson, nos 93, 98, 100, 104, 105, 107, 109, 164, 165, 166, 186, 187, 192, 194.

A woman seated on a bench, facing towards the right, holding a jug, after Cornelis Bega.Signed bottom left: 'c bega'. Etching on paper with small margins; plate mark: 79 x 58 mm, total: 83 x 63; smudges and repairing, the latter visible on verso; copy of Hollstein 12.

A woman seated on a bench, facing towards the right, holding a jug, after Cornelis Bega. Etching on paper with small margins; plate mark: 79 x 58 mm, total: 83 x 63; signed "C. Bega" smudges and repairing, the latter visible on verso; copy of Hollstein 12.

Condition: Good. Sanguine drawing on old laid paper. 12.5 x 9.7cm. Tipped on a support sheet. Provenance:Né en 1906 à Lezay (Deux-Sèvres), Jacques Cathy a exercé d'abord la profession de caricaturiste à l'hebdomadaire Ğ Le Rire ğ. Il a rejoint vers 1927 l'équipe du Cabaret Ğ La Vache Enragée ğ conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d'acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l'élection en 1949.,Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle, 92200 Neuilly-sur-Seine.

No Binding. Condition: Good. Portrait of Cornelis Evertsen the Elder. Born 4 August 1610 in Vlissingen, The Netherlands. Died 11 June 1666 in North Sea. Copper engraving by Henrick Rochuszn van Dagen (1633 - after 1664), c. 1900. Good condition. Paper with ample margins. A rather weak impression. Verso: blank, with traces of former mounting. Note: a late impression, c. 1900. Note: dimensions reflect the plate mark. Dimensions: 245 x 167 mm. Cornelis Evertsen the Elder was Captain, Vice-admiral, Naval officer, Admiral of Zeeland, Military leader, and Vice-admiral of Zeeland. c. 1900. Print.

No Binding. Condition: Good. Portrait of Johan Evertsen. Born 1 February 1600 in Vlissingen, The Netherlands. Died 5 August 1666 in North Sea. Copper engraving by Henrick Rochuszn van Dagen (1633 - after 1664), after Hendrick Berckman (1629 -1679), c. 1900. Good condition. Paper with ample margins. A rather weak impression. Verso: blank, with traces of former mounting. Note: a late impression, c. 1900. Note: dimensions reflect the plate mark. Dimensions: 245 x 166 mm. Johan Evertsen was Lieutenant admiral, Admiral, Served in the First Anglo-Dutch War, and Served in the Second Anglo-Dutch War. c. 1900. Print.

Copy in reverse of the 3rd plate from the set Views of Roman ruins and landscapes; in foreground a herdsman sleeping on the ground, with several horses standing or seated next to him, with the Baths of Diocletian behind at centre; from a series of 13 round compositions. [NL] Antieke prent naar de oude meester Stefano della Bella. Een landschap met een slapende herder met zijn paarden op de voorgrond. Op de achtergrond andere herders met paarden voor de ruine van de Thermen van Diocletianus. Etching on laid paper; total: 133 x 133 mm; four corners cut, handling traces, some light staining, otherwise in good condition ; de Vesme Massar 830 (copy).

Copy in reverse of a plate from the set Animali (Animals/Dieren). Two women walking through a river; one at centre holding a baby and seen from behind, the other to left facing right, following their herd of cows walking up a river bank to right; with hills behind; a round composition. [NL] Antieke ets naar oude meester Stefano della Bella uit ca 1650. Twee herderinnen, één met kind, steken achter een kudde runderen aan een rivier over. Etching on laid paper; total: 133 x 135 mm; four corners cut, handling traces, some light staining, otherwise in good condition ; de Vesme Massar 718 (copy).

Copy in reverse of the 6th plate from the set Views of Roman ruins and landscapes; cows passing through a valley in a wooded landscape; from a series of 13 round compositions. A crescent moon is shining in the sky.[NL] Antieke prent, ets, naar de oude meester Stefano della Bella. Een landschap met een kudde runderen in een vallei. Op de achtergrond een bos en een ruïne op een heuvel. In de lucht de maan als halve maan, sikkel. Etching on laid paper; total: 133 x 133 mm; four corners cut, handling traces, some light staining, otherwise in good condition ; de Vesme Massar 824 (copy).

Full title: Woman with child on horseback in the middle of herd [Vrouw met kind te paard te midden van kudde (Animali)]Copy in reverse of a plate from the set Animali (Animals/Dieren). Peasant girl on horseback with a herd of animals; the girl to right, holding a baby in her arms and driving a herd of cows, sheep and goats in front of her towards left; a round composition. [NL] Antieke prent naar de oude meester Stefano della Bella, uit ca 1650. Een vrouw te paard met een jong kind in haar armen. Om het paard een kudde van runderen en geiten. Op de voorgrond een hond. Etching on laid paper; total: 133 x 135 mm; four corners cut, handling traces, some light staining, otherwise in good condition ; de Vesme Massar 718 (copy).

Copy in reverse of the 11th plate from the set Views of Roman ruins and landscapes; the pyramid behind to left, next to a ruined wall, with two horses at centre, one suckling a foal, and two herdsmen to left, one pointing towards right; from a series of 13 round compositions. [NL] Antieke prent naar de oude meester Stefano della Bella. Een landschap met op de voorgrond twee grazende paarden, een veulen en twee figuren links. Op de achtergrond de Piramide van Cestius. Etching on laid paper; total: 133 x 133 mm; four corners cut, handling traces, some light staining, otherwise in good condition ; de Vesme Massar 829 (copy).

Reverse copy after a plate by Nooms. The entrance to the roadstead, a natural anchorage for ships, near Texel. A ship is being repaired in the water, a group of men are standing on the shore. Numbered on the bottom right corner: 5.The original set is titled: Receüil de plusiers Navires, et Païsages (1650).[NL] Antieke prent van Texel. Kopie in spiegelbeeld. De ingang van de rede, een natuurlijke ankerplaats voor schepen, bij Texel. In het water wordt een schip gerepareerd, op de wal staat een groep mannen. Etching on laid paper, with margins; total: 113 x 161 mm; some traces of handling, portion of a watermark, mounted on a large passepartout. In good condition. Hollstein 77, copy.

Landscape with church (Landschap met kerk), a cart led by horses, two riders on horses on the left, a tree and a rock on the right.Signed on bottom left: 'Stef. della Bella Inuen. FColignon Fecit' and address on the right: 'Mariette excudit Cum Privilegio' Numbered on the bottom left: '2'; from the "Deuxieme suite de quatre paysages". Etching on paper, pasted on laid paper, trimmed to plate; total: 109 x 208 mm; some stains and damages.

Etching with various figures after della Bella. From top left: two soldiers conversing, a horse rider, a man posing with opened right arm, in the act of speaking. On the bottom left a man dressed in rags, carrying a large trunk on his back and on the right a large ship ashore and another on the sea, in a harbor.This latter scene is copied after a drawing by della Bella at the British Museum (inv. 1946,0713.667). Etching on paper, trimmed within plate mark, total: 180 x 297 mm; unknown state; damp stains on the top margin, both left and right, some dirt and stains due to handling. Top margin a tear repaired with tape on verso. Charming impression.

Fullt title: Attack on Arras [Aanval op Arras (Desseins de quelques conduites de troupes, Canons, et ataques de villes)]. Reverse copy of plate 11; attack on the besieged town of Arras, with the town in distance, a cloud of smoke to right and horsemen to left in front.Lettered in margin below image with production detail and numbered: 11 SDBella in.[NL] Antieke prent van oude meester Stefano della Bella uit 1650. Op de voorgrond soldaten te paard die uitkijken over een vlakte. Op de achtergrond de zojuist aangevallen stad Arras (Atrecht) waarboven een grote rookwolk hangt. Etching on laid paper, with some margin; total: 74 x 135 mm; some traces of handling, otherwise in good condition; de Vesme Massar 256, copy.

Full title: Soldiers exercising [Soldaten bezig met oefeningen (Desseins de quelques conduites de troupes, Canons, et ataques de villes)]. Reverse copy of plate 10; at centre, soldier pointing a cannon directed by an officer standing to left, with three soldiers standing to right holding various weapons including a pike and a musket; with other soldiers behind.Lettered in margin below image with production detail and numbered: SDBella In / 10.[NL] Soldaten met verschillende wapens, zoals een speer, een kanon en een geweer, bezig met oefeningen. Etching on laid paper, with some margin; total: 76 x 130 mm; some traces of handling, otherwise in good condition; de Vesme Massar 255, copy.

Full title: Soldiers playing cards beside a cannon [Kaartspelende soldaten naast een kanon (Desseins de quelques conduites de troupes, Canons, et ataques de villes)]. Reverse copy of plate 9; to right, a cannon mounted on its carriage, with four soldiers in centre playing cards and watched by a guard with a pike; behind to left, an encampment.Lettered in margin below image with production detail and numbered: 9 Stef Della Bella In.[NL] Kaartspelende soldaten naast een kanon. Etching on laid paper, with some margin; total: 66 x 125 mm; weak top corners, some traces of handling, otherwise in good condition; de Vesme Massar 254, copy.

Full title: Men on horseback cross a river [Mannen te paard steken een rivier over (Desseins de quelques conduites de troupes, Canons, et ataques de villes)].Reverse copy of plate 5; procession of horsemen riding through a river towards left, with a tree in foreground at centre. From a set of twelve prints, all numbered in the margin.Lettered in margin below image with production detail: "SDBella in." and number 5.[NL] Een stoet van mannen te paard loopt langs een rivier en steekt links de rivier over. Midden voor een boom. Etching on laid paper, with some margin; total: 78 x 131 mm; some traces of handling, otherwise in good condition; de Vesme Massar 250, copy.

Full title: Advancing cannons on plain [Optrekkende kanonnen op vlakte (Desseins de quelques conduites de troupes, Canons, et ataques de villes)].Reverse copy of plate 3; procession of cannons onto a plain, towards left, with a rider galloping at right and two cannons in foreground to left. From a set of twelve prints, all numbered in the marginLettered in margin below image with production detail: "SDBella in." and number 3.[NL] Antieke prent van oude meester Stefano della Bella uit ca 1650. Soldaten en paarden die kanonnen vooruit trekken op een vlakte. Etching on laid paper, with some margin; total: 79 x 139 mm; bottom left corner and bottom margin slightly damaged, some traces of handling, overall in good condition; de Vesme Massar 248, copy.

Full title: Harnessed, grazing horses [Uitgespannen, grazende paarden (Desseins de quelques conduites de troupes, Canons, et ataques de villes)]. Reverse copy of plate 8;to right, a loaded cart with two horses grazing next to it and its driver asleep on the ground by a dog, with soldiers on foot and on horseback behind to left.Lettered in margin below image with production detail: "SDBella in." and number 8.[NL] Op de voorgrond rechts uitgespannen, grazende paarden. Op de achtergrond een vlakte met mensen en paarden en een stadsgezicht. Etching on laid paper, with some margin; total: 79 x 134 mm; slightly weak corners, some traces of handling, otherwise in good condition; de Vesme Massar 253, copy.

Full title: Soldiers enter the city of Arras [Soldaten enteren de stad Arras (Desseins de quelques conduites de troupes, Canons, et ataques de villes)].Reverse copy of plate 12; troops in a line to enter the town of Arras, the town behind with a high bell-tower at centre; with a trumpeter at centre in front and riders at left galloping towards left.Lettered in margin below image with production detail and numbered: SDBella in / 12.[NL] Antieke prent van oude meester Stefano della Bella uit ca 1650. Een stoet soldaten gaat de stad Arras (Atrecht) binnen. Op de voorgrond een soldaat met trompet (trompetter) te paard. Etching on laid paper, with some margin; total: 74 x 142 mm; some traces of handling, a light brown shadow on the top right corner, otherwise in good condition; de Vesme Massar 257, copy.

Full title: Cannon drawn by horses [Kanon getrokken door paarden (Desseins de quelques conduites de troupes, Canons, et ataques de villes)]. Reverse copy of plate 4; cannon pulled by various horses up a slope towards left, with a dog at right. From a set of twelve prints, all numbered in the margin.Lettered in margin below image with production detail: "SDBella in." and number 4.[NL] Een stoet van paarden trekt een kanon een heuvel op. Rechtsvoor staat een plassende hond. Etching on laid paper, with some margin; total: 75 x 138 mm; some traces of handling, otherwise in good condition; de Vesme Massar 249, copy.

Battle on a bridge, with soldiers on foot and on horseback fighting on the bridge and at front right, and with a cross. After the title page of a series by Stefano della Bella, 'Varie Figure di Stef. della bella' published between 1642-1647.This small print is mirrored in respect to the original and is smaller; the soldier riding the horse and the bridge in the distance are preserved, however details such as the arms of France on the bridge are no longer visible.On the verso collector's mark of Agassis (1811-1889), L. 69. Etching on paper, trimmed to plate mark; total: 66 x 90 mm; mounted on cardboard; nice impression; De Vesme/Massar 1971 nr. 173, copy in reverse.

Portrait of either Charles II or Leopold I. The distinction between the two regents is usually iconographically recognizable due to the presence/absence of the crown on the table on the left background. Engraving on paper with margins; plate mark: 337 x 278 mm, total: 404 x 327 mm; state II/2; extended damp stain on the top margin, otherwise in good condition. Left margin reinforced Hollstein 140.

A putto in the clouds, playing with bubbles.From a set of four plates depicting allegories of the four elements. an anonymous engraver after Cornelis van Dalen II, possibly Arnold Houbraken. Numbered at bottom right: '3'. Titled below: 'AER.' Engraving on paper with margins; plate mark: 183 x 129 mm, total: 257 x 170 mm; some stains on the bottom; on the margin above traces of the previous binding. On verso traces of previous mounting In very good condition. Hollstein 16 (copy). Watermark with fool's cap.

42 x 31,4 cm., profile view in the top margin with extensive key on the left and right, engraved by Johannes janssonius after Nicolaes Geelkercken, under passepartout and glass, mahogany frame (total size 56,7 x 47,2 cm.). = Central middle-fold as published; general age-toning (somewhat browned); small tear in the right margin (ca. 4 cm.) and small restoration in upper right corner (ca. 3 x 1 cm.). Not examined outside frame. Sold as is.

Seaport with two large sailing ships and two rowing boats reaching to the sailing boats.Numbered at bottom: '6.'Mirrored copy after Hollstein 102. Etching on paper with margins; plate mark: 138 x 206 mm, total: 151 x 222 mm; in great condition; mounted on passepartout. Hollstein 102 copy, Bartsch 29 copy.